Playing the Villainous Woman in a Dogblood Novel [GB]

I was attracted by the scumbag feeling of the heroine in the copy, but I found that only the copy in the whole text was to my liking. A very "critical" article, the specific manifestations are as follows: 1. "Zhasu" skinning If you are a sister who is attracted by the scumbag feeling of the heroine in the copywriting, you can quit. The heroine has no scumbag feeling in the copywriting that can make you feel like a fish in water. Instead, she has a strict sense of husband and wife as a "good man", including but not limited to tolerating the male protagonist's various petty tempers, kicking, scratching the heroine, cooking some dishes that can choke people if not cut into pieces when she is in a bad mood, and letting the heroine switch skills for her subordinates but saying no to her face. I think it's fine to cook for the heroine (I really can't imagine that I can still feel a sense of machismo in a GB). At the same time, the heroine is not allowed to go out to eat. She can only eat what he cooks, otherwise she will lose her temper and break the kitchen utensils. There are also male protagonists who cause trouble and the female protagonist sacrifices her life to clean up the mess... It can be said that the heroine's strength can indeed be called "Su", but "scum" is completely unnecessary. The male protagonist is completely pampered by her. The female protagonist really felt like her lungs were going to explode after watching it in the middle of the night. 2. GB skin Although the copy is said to be a GB novel, the writing has a BG flavor. Sisters who are pursuing the feeling of a GB woman being on top can avoid it, because there is no sense of satisfaction after reading it. The male protagonist has always been obsessed with pursuing a stronger female and a stronger man, and the sense of deservingness is too strong. The male protagonist's sense of deservingness is too strong, and the perception of the female protagonist is generally not very friendly, especially the sense of deservingness in a GB novel. This novel does not have the feeling of having a woman on top. The male protagonist obviously has nothing to do with the female protagonist, and he has no capital to negotiate terms with the female protagonist. Even though he is a weak party who needs the female protagonist's protection, he can confidently command the female protagonist (although it is beautified as a puppy's dependence on its owner, but please don't vilify the puppy Bushi like this) 3. ABO skin This can be said to be a book with a very shallow ABO color. There are basically no ABO settings, and it seems to only have a shallow layer of ABO. The ABO atmosphere of the entire novel is maintained by the male protagonist calling the female protagonist "that female alpha" throughout the entire novel. In an ABO novel, the only thing known is that the female protagonist is female A, the male protagonist is male O, and that a passerby who was domestically abused is BETA. The other characters and settings have nothing to do with ABO, just like normal people who only have two genders: male and female. In addition to this article, there are two ABO settings, one for the male protagonist's estrus period and one for the female protagonist's susceptible period. The two most fragrant instincts in the ABO setting were directly ended by the female protagonist's "no", and there is no sexual tension at all in the writing. Moreover, there is also the most outrageous setting of a female A and a male O. The male protagonist has always wanted to be an omega to mark the female protagonist's alpha, and has always wanted to bite the female protagonist's glands to mark the female protagonist. There are other aspects 4. Personality aspect Perhaps this book is more of a group portrait. Except for the prominent perspective of the female protagonist in the first few chapters, starting from Chapter V, the perspective is roughly 25% from the perspective of other important supporting characters, 40% for the male protagonist, and 35% for the female protagonist. As a reader who particularly likes to see the heroine's "self" when reading books, this is undoubtedly painful. This article is not so much a female protagonist's perspective as it is a male protagonist's perspective. The length and growth line used to shape the male protagonist are more complete. Compared with some stories in which men are just auxiliary, the heroine in this book is more like a background supporting the male protagonist. The origin of why the heroine changed her body is only explained in a cursory manner at the end of the article, and there is no growth line at all (this also includes psychological growth). The strength of the heroine should be described as recovery rather than growth. The psychological journey of the heroine from the beginning to the end of the novel is very fragmented and shallow. I can't see her "self". She seems to exist like a powerful background from the beginning until the end. On the contrary, the male protagonist's growth line and even character creation will be much more vivid. 5. Emotional line There was no particularly clear love between the protagonists until the end. I can't see the female protagonist's liking and love for the male protagonist, because there is no plot motivation or story experience that can make her fall in love with him. It is just because she feels comfortable with his care and can continue to live together. Because of this, I can't figure out why the female protagonist is so tolerant of the male protagonist. Is it just because he is the male protagonist in the original book, is kind, and will not betray. From the description in the article, it can be seen that the male protagonist likes the female protagonist, but the problem is that he has not even realized his feelings. He does not know whether to cling to her intentionally or unintentionally and want to sleep in the same bed with her for no reason is called liking. Even in the last chapter, it is still impossible to tell that the female protagonist likes the male protagonist. I don't know what I like about it, it feels like GB? ABO? Zhasu. I feel like it's awesome when I look at the copywriting. These elements together should make a very fragrant dish. However, in the incomprehensible extra chapter at the end, I really feel that these delicious elements have been paid for wrongly. It's a pity. The above is a brief review of a female protagonist. After reading fifty or sixty chapters, I felt that I couldn't stand it anymore. I shed tears of regret for ordering all of it at once. However, I still insisted on reading the entire article objectively before writing a review. (The review may be somewhat subjective. After all, a thousand readers are a thousand Hamlets. If you like it, you can still try it. Finally, the above is entirely based on personal opinion, please don't comment if you don't like it.

So, you're saying that after I finished reading a book about a girl and a boy, they didn't even kiss each other at the end, right? They didn't even kiss after the episode, right? [Question mark][question mark][question mark]

Why? Why are there so many people dissatisfied? The characters of the male and female protagonists have been fixed in the early stage. The female protagonist is strong, lazy and conniving, while the male protagonist is willing to avoid making trouble and be submissive. The behavior of the male protagonist towards the female protagonist from beginning to end is based on the connivance of the powerful female protagonist, and it is not that the female protagonist is forced to endure it. Yes, both of them obviously enjoyed it. GB doesn't mean that the heroine's personality must be the same as that of the male protagonist. It's no different from reading a novel in which he is replaced by her. Except that the ending is really rushed and a bit unfinished, I really like the characters of the male and female protagonist [Rose]

[Hold your chin] [Hold your chin] [Hold your chin] Oh. It's the finale, and the relationship between the two has not yet been revealed. There is no love line at all, and I can't live without even confessing. Too hasty. It feels like I've only written half of it

The imaginary setting is quite interesting, but it is a pity that the narrative rhythm feels a little strange in some places. As a GB article, the male protagonist sometimes makes me feel a little jumpy. Maybe the author wants to write about a puppy pretending to bite people but in reality it is still a domestic pet? But some readers may feel a little uncomfortable with the description. It depends on personal feelings. Personally, I think it's okay overall. At least the heroine is the strongest and it's very satisfying to be treated like a god. But after watching the extra episode, I still feel that the emotional line is a bit weak. I originally thought that after the female protagonist became stronger, the male protagonist's confusion was a good setting for "little conflicts to heat up the relationship by resolving conflicts." I was still looking forward to the fact that the male protagonist got used to it because the female protagonist was "not good" and then changed from covering his butt to another one (x), but in the end there was only a little improvement When the heroine opens a trumpet again, I feel that this issue has not been well explained or expressed. My intuitive feeling is that the heroine is really doted on... Even if I just say a few more words, "Although it is essentially useless, I hope you feel more comfortable, so I still want to take good care of you." Maybe it will give the male protagonist an outlet for confusion. After all, human beings sometimes do things based on whether they are essentially useful. 2333 The heroine will also say that although she is not afraid of the cold after her body recovers, it is very comfortable to be warmed by the fire. Continuing to be taken care of will make her feel that the puppy is not in vain hhh. Now I only see the heroine opening the trumpet, and the puppy continues to give up thinking (?) And continues to happily take care of it. It feels like the confusion of the male protagonist has lost its focus. I still hope that the author will consider writing a side story to talk about the development of the two people's emotional line, or write a trumpet that can actually defeat the male protagonist (hey), at least it can make the relationship between the two more smooth and natural. Essentially, the previous relationship model was created and formed because the heroine was in a debuff state, so what happens after she returns to her normal state? This seems to be an unresolved problem, but it is a problem that must be solved for the male and female protagonists to get along in a normal state. As for the current ending, I can certainly make up my own mind about the reasons why the heroine opens a trumpet again or their follow-up, but I still feel that the foreshadowing provided by the original text is a bit dry and there is a little less writing. Tell me a few more words about the last few chapters... As the barrage floated in my mind, I felt the black words getting redder and redder...(. Looking forward to the author's next GB ~ I hope the narrative rhythm will be smoother and the emotional line will be more fully developed. Of course, the most important thing is that the story itself is an interesting story. Come on!

When I saw it at the end, I felt like it was a waste of my time.

Even if the plot ended in a blur, why didn't the relationship between the two of them end properly in the end? [Cracked] [Cracked] [Cracked] I'm still waiting for a good meal [melted] I'm tired

I loved watching it, but it was a little different from the introduction. I originally wanted to eat fried chicken and Coke, but ended up having the taste of Peking duck. Personally, I felt it was more delicious than the introduction, but it was weird, as if I had been fooled.

Damn it, the author's plot and emotion are so well blended. Many plots are very interesting and exciting, but when it comes to the relationship between the male and female protagonists, it feels strange. This one doesn't. After reading it, I am very satisfied with the plot, but the relationship is not enough. I really want to watch two people do it [crying][crying][crying][crying]

I've finished watching it, it's quite good. The relationship between the female protagonist and the male protagonist is very cute. The female protagonist is healed by the male protagonist and finally join hands together. Bg direction, quite fragrant. However, the ending was a bit anticlimactic, and the author's framework was not well laid out, making it a bit uncomfortable to watch the later stages. For example, there was no foreshadowing in the early stages of the taming of the bat ring, and the adoption of the alpha woman from the heroine's previous life. For example, there was no support for the final battle. In the ending, Zhouzhuang dreams of butterflies, and butterflies dream of Zhouzhuang, which is both real and illusory.