No Need to Weep at the Wedding

The author's writing style is really good, but I feel that the end of each article is not finished. It's easy to be like this, when the moon is about to be full, and this article is like this. In the end, I feel so uncomfortable that I can't get enough of it.

I have always felt that this article was a bit anticlimactic. Huai Da is very good at writing group portraits, and the small characters are also written vividly. It feels really great to narrate them! But I don't know if Huai Da doesn't like to make outlines. The later context of this article and the Phoenix Taiwan article are both strange. But I still like the heroic Abao, so I did this second brush.

Alas, I don't know if the author has a bottleneck problem or an existing problem. All the things explained in the main text should be moved to the extra chapter for patching. The pace of the second half of this article is really weird, sometimes fast and sometimes slow, because returning to 90 is quite a filter for the author, but maybe he will be more cautious when reading other articles by the author. Best wishes.

The story is truly complete at this point, and all the secrets sold earlier have been revealed. The author is very kind and makes almost everyone's ending "perfect". Each character is flesh and blood, vivid, has a stance, and has a motivation. The storyline develops logically, and the whole story is very enjoyable to read. This is the best story I have read in a while, thank you author.

I have read it again. This one is really a pity. I feel that the ending was too hasty. I also want to read more of Shuzi Qingshu's Little Theater [Crying] [Crying] [Crying]

It's the end, leave a message. It's not appropriate to leave the content of the main text in the extra chapter. It looks like an anticlimax. The biggest bug in the whole text is the strategy, or the words describing daily life that are most touching (The king of Qi has more savvy than his brothers combined)

The ending of this book felt so rushed... The previous chapters were quite good.

The early stage is very good, but in the middle stage it is tasteless and it is a pity to abandon it. In the later stage, the rhythm is sparse and stops abruptly (I regret booking all of them).

The pace of the articles here is much faster than that of "It's Easy to Be a Common Man", and it makes people feel more relaxed while reading that one made me a little depressed. There are indeed some problems with the plot rhythm of this book. For example, the conflicts between the male and female protagonists are a bit repetitive, but the flaws are not hidden and it is quite interesting. It would be nice if there were a few extra pictures of Po returning to Beijing for a reunion (and the children should avoid their parents' names, even if they are given nicknames, Xiao Bao would be more important than Po). However, Bao Luo's name was changed to Bao, much like Lin Hongyu changed her name to Xiao Hong in "A Dream of Red Mansions", so Luo'er was poisoned instead of Po in this life.

Ouch, ouch, ouch, ouch, I still want to see how I get along with A Bao, separated 3.4 Years old, I want to watch the episodes of Sticky. The family lives in harmony, and I also want to see how the fifth princess fell in love with her cousin, and how Aunt Hong lived [Crying] Zhuzi, Wei San, and Da Niu's story [Crying] [Crying] [Crying] [Crying] [Crying]