A Roomful of Spring

It feels like the author's ideas are constantly evolving. When the author wrote this book, she did not direct her criticism at the "family." The protagonist's husband and children all became normal, and only Xinyue remained the evil villain. It was very much in line with the mainstream thinking of more than a decade ago: The family members won't make any major mistakes; they will always change. The family will be reconciled and mended, and the mistress will ultimately fail.

How disgusting is this man! But the most disgusting thing is Qiong Yao, who wrote such a twisted story. Does she think that this kind of love, which disregards responsibility, status, and reality and only cares about the love between lovers, is admirable? Is she an idiot?

I always thought the last chapter was ironic, like, "Heh, you dare say that?", But a lot of people thought it was a whitewashing of the male lead? _(:3"∠?)_

I really don't understand why everything Qiong Yao writes is so disgusting.

This ending is truly worthy of a great man.

The concept of marital rape doesn't seem to be popular in China; in fact, even rape between unmarried boyfriends and girlfriends is considered acceptable...

It feels like the author only hates the woman. It's a mistake committed by both of them, so why portray the woman as suffering so much? Shouldn't both have had a good ending? But the male protagonist only lost his position and didn't lose anything. It's like a story written by a pseudonym about the wife of a man who interfered in someone else's marriage, and even then, the male protagonist is portrayed as suffering more, since both men hurt the original wives and are unforgivable.

Why is my focus different from everyone else's? Everyone is discussing Qiong Yao's works and the values ​​of love in ancient and modern times, but what I think is that people shouldn't use the reality of their past life (or what they thought was a dream) to punish others or themselves... Yan Ji is pitiful, but her unhappiness largely stems from her not letting go of herself... Of course, Duo Da's writing is still great, but here we are only discussing the plot.

Just when I thought Nu Dahai had finally come to his senses, haha...

I'm late, so I'm making up for the lateness. Also, I've always felt that Qiong Yao's values ​​are warped. Before she became a mistress, all her novels were about the mistress's true love, but after she became the wife, they were all about the legal wife's true love... It's ridiculous.