I started this story on impulse after the novel I was following ended, while I was still buzzing with excitement. I didn't have an outline, either, and planned to write as I went. At first, I intended it to be just a short story of twenty or thirty thousand words. I stopped updating for a long time in the middle, and it has plenty of plot holes. Even the forms of address keep changing, since I was revising as I wrote, so a lot of it may seem strange to readers.
Now it's finished, so you don't have to keep waiting. Unfortunately, I don't have time to fix the issues in it for now. I'll have to do that when I have time in the future.
Thank you, everyone. Bye.
Theme:
It feels like the author's thinking is constantly improving.
When I wrote this book, I did not direct criticism at the "family". The heroine's husband and children have become normal, and only Xinyue is still a sinful villain.
It is very consistent with the mainstream thinking more than ten years ago:
People in the family don't make big mistakes, they always change, the family gets back together, the mistress eventually fails.
This man is so disgusting, but the most disgusting thing is Qiong Yao who wrote such a twisted story. She may think that this kind of love that ignores responsibility and identity and ignores real life is very sad. Isn't she a fool?
I always thought that the last chapter was ironic, the kind of "Haha, you are worthy of saying that", but many people thought it was whitewashing the male protagonist_(:3∠?)_
I really don't understand why everything written by Qiong Yao is so disgusting.
This ending is worthy of how great it is
The idea of rape within marriage does not seem to be popular in China, and even rape of unmarried boyfriends and girlfriends is considered reasonable...
It feels like the author only hates the woman's side. It's obviously a mistake made by two people together. Why does it only make the woman's side so miserable? There should be no good results, but the male protagonist didn't lose anything except losing his official position? It's as if Qiong Yao was writing under the pseudonym of the man's original wife who interfered in other people's families. Even so, the male protagonist was written in a worse way. After all, both of them hurt the original wife, which is unforgivable.
Just when I thought Nu Dahai had woken up, haha
Why is my focus different from everyone else's... Everyone is discussing Qiong Yao and ancient modern love values, but what I think is that people should not use the reality of the previous life (or dream) to punish others or punish themselves... Yanji is pitiful, but her unhappiness largely comes from her not letting herself go... Of course, Da Da's novel is still great, and I will only discuss the plot here.
I'm late, so I'll make up for it. Besides, I've always felt that Qiong Yao's views on love are not correct. The novels she wrote before she became a mistress were all about the mistress's true love. After she became a mistress, they were all about the head wife's true love… and she was also drunk.
It feels like the author's thinking is constantly improving. When I wrote this book, I did not direct criticism at the "family". The heroine's husband and children have become normal, and only Xinyue is still a sinful villain. It is very consistent with the mainstream thinking more than ten years ago: People in the family don't make big mistakes, they always change, the family gets back together, the mistress eventually fails.
This man is so disgusting, but the most disgusting thing is Qiong Yao who wrote such a twisted story. She may think that this kind of love that ignores responsibility and identity and ignores real life is very sad. Isn't she a fool?
I always thought that the last chapter was ironic, the kind of "Haha, you are worthy of saying that", but many people thought it was whitewashing the male protagonist_(:3∠?)_
I really don't understand why everything written by Qiong Yao is so disgusting.
This ending is worthy of how great it is
The idea of rape within marriage does not seem to be popular in China, and even rape of unmarried boyfriends and girlfriends is considered reasonable...
It feels like the author only hates the woman's side. It's obviously a mistake made by two people together. Why does it only make the woman's side so miserable? There should be no good results, but the male protagonist didn't lose anything except losing his official position? It's as if Qiong Yao was writing under the pseudonym of the man's original wife who interfered in other people's families. Even so, the male protagonist was written in a worse way. After all, both of them hurt the original wife, which is unforgivable.
Just when I thought Nu Dahai had woken up, haha
Why is my focus different from everyone else's... Everyone is discussing Qiong Yao and ancient modern love values, but what I think is that people should not use the reality of the previous life (or dream) to punish others or punish themselves... Yanji is pitiful, but her unhappiness largely comes from her not letting herself go... Of course, Da Da's novel is still great, and I will only discuss the plot here.
I'm late, so I'll make up for it. Besides, I've always felt that Qiong Yao's views on love are not correct. The novels she wrote before she became a mistress were all about the mistress's true love. After she became a mistress, they were all about the head wife's true love… and she was also drunk.