I Went Viral Writing Melodramas in the Interstellar Era

[Complete / Occasional revisions / For the official version, look for Jinjiang / Next novel: Bamboo-Horse or Love at First Sight] Yan Yue transmigrates into a novel called The Greatest Screenwriter. Set in an interstellar world where everyone stays home to watch dramas, it's a career-focused power fantasy about the entertainment industry, dressed up in a sci-fi setting. But Yan Yue doesn't become the heroine. She takes over the original body's role as the heroine's foil. The heroine is a naturally gifted screenwriter, while the original Yan Yue is a good-for-nothing with her head full of nothing. Later, after plagiarizing the heroine's work, she's boycotted by the interstellar public, taken to an interstellar court, and ultimately takes her own life when she can't bear it any longer. After reviewing the original's life, Yan Yue says, “It's just scriptwriting, right? I know how to do that.” So Yan Yue, who has transmigrated through 999 old-school Mary Sue worlds, writes The Allure of Returning to the Stars: The White Moonlight's Substitute Makes a Comeback today, I Ran Away from My Wedding 9,999 Times, Then Married the Interstellar Tycoon's Dad tomorrow, and The Mother of Ten Was Him All Along, That Mecha God of War the day after! At first, interstellar netizens see those tacky, melodramatic titles and say, “What kind of trash is this? And they let it stream across the stars? Yan Yue, get out of the screenwriting business!” But after watching one episode, they cry, “What the hell?? The sister-in-law is actually the male lead's white moonlight's substitute?? His arranged-marriage wife is the white moonlight he's been secretly in love with for years?? Wait, what? The substitute and the white moonlight are twin sisters? No wonder they look so alike!! What on earth is this? It's so melodramatic, but I want more. Get me the next episode, now!” Yan Yue says, “No problem,” and quickly churns out a thousand melodramatic scripts in her light-brain, ready to punch some building and kick some Tai. But as everyone keeps watching, they start to notice... Why does the hapless male lead in The Allure of Returning to the Stars look so much like that newly appointed young marshal from the neighboring planet? And why does the spoiled little wife who ran away from her wedding 9,999 times look so much like the nouveau riche's new wife from some garbage planet? And another thing! Doesn't that father of ten look just like our planet's God of War??? Yan Yue: ??? Can someone explain why the worlds I transmigrated through before have merged with this planet??? Yan Yue: Don't ask. All melodramas look like this. Didn't you see the big words at the start of the show? [Everything is fictional. If it seems familiar, that's your guilty conscience talking, not my problem.] Until one day, a certain God of War shows up at her door with his ten kids, who all call out in unison, “Mommy! Mommy!” Yan Yue: I messed up! I forgot that the woman who cruelly abandoned the God of War in The Father of Ten Was Him All Along, That Mecha God of War! was me... #About how my melodramatic scripts went viral across the stars# #About how I loved melodramas as a kid and still love them as an adult# [This is a brainless power fantasy about enjoying the drama in melodramatic scripts! A brainless power fantasy! Really!] [The plot-to-romance ratio is 7:3.] [Not gender-bender! Not gender-bender!] Theme: Strive to live life on your own terms