Braving the Escape Room with a Fugitive Patient

Finished reading! I really like to watch Infinite Stream, but I have never seen Infinite Stream with this narrative method. Each secret room is related, unlike the general Infinite Stream, which has strong cutover between copies. However, the only drawback is that many secret rooms serve the main line and have no independent plots. The big logic is all online, and the puzzle settings of the elevator secret room and the ghost bus in the early stage are very novel and interesting; the foreshadowing of the main plot in the middle stage is also recycled in the end, which is really cool. I like the two secret chambers "Academy Mass" and "Invitation to Beheading" the most. "Academy" has a very complete structure, a suspense story that advances layer by layer, and Fang Qing is also very cute; the story of "Beheading" is actually not complicated, but the frequent switching of time and timeline makes this story particularly "brain-burning" to read, but it just suits my taste. It's a pity that there is no secret room plot between Fang Qing and Liang Pi at Xi'an Bridge. In terms of relationships, the different versions of the interaction between the two are very interesting. Fang Qing's love for Luo Yundao is convincing enough, but I always wonder whether Luo Yundao really likes Fang Qing and why Fang Qing likes Luo Yundao. Finally, I would like to say that mutual attack is good! Is correct! Looking forward to your future works.

*Beware of spoilers It's a very special book, with many fine details but overall it's very confusing... It looks like a secret room breakout, but in fact it involves old cases from the cult fantasy suspense era. The focus is on the plot of the story dungeon, and the emotional line is not much covered but it's okay. The shortcomings that I am more concerned about are probably: there are several frequent swear words in the early stage, two sudden dirty jokes, and a bit of a nasty plot where workers are not allowed to hit bubble noodles due to the shadow of breaking through the level. The first two copies are relatively complete secret rooms that can be explained in one breath: 1. Elevator room. The countdown prompt in the elevator is the number of floors it has reached outside the elevator. It seems that the protagonist is in the elevator but is actually outside the elevator. The real person trapped in the elevator is the dead female employee. When the elevator door is opened, the female ghost will rush out. If you choose another floor, the protagonist will enter the hell on the corresponding floor. Using the front desk to correspond to the tongue-pulling hell on the first level is quite consistent. 2. Ghost bus. What's quite interesting is that some biblical stories are quoted to connect the plot of the secret room. Use "I will go with you, but you will not find glory in the way you go, because the Lord will deliver Sisera into the hands of a woman" to introduce the scene that Hu Dawei explained to the tour guide and the believer girl who bravely criticized; use Jesus on the cross, when When he saw his mother Mary and his beloved disciple John standing aside, he said to his mother: "Mother, look at your son." Then he said to John: "Look at your mother." He told about Lao Hu who watched the girl suffer but did not come to save her. Finally, Lao Hu recited to the crucified Jesus on the colored window, "When Jesus saw his mother and the disciples he loved standing beside him, he lowered his head and handed it over to God." He was killed by his neck and accepted the trial that had been delayed for eighteen years. Hunting Knife & Promised Land. The main plot of the secret room is a coup. There is no past to trace and no history to study. It's more about colonization than immigration. The beasts are the natives and the people are the colonizers. The first "immigrants" placed are consumables and are placed as colonized people, and the "immigrants" placed later are placed as colonizers. This reversal is okay, but my favorite part of this part is the one related to Chen Yuhan: the correspondence with Tang Mingyu, the scene in the past on the radio, the letters home and the reply part, firmly choosing one's own life instead of anger or resentment; the other is Yang Ze's announcement of "the Prime Minister is dead" like announcing good news, which is so fragmented, weird and exaggerated. It is a scene that I like very much. The secret room at the back connects the main plot and is related before and after. The part about the death of old man Xu is directly connected to a dungeon in a secret room, which is quite abrupt. Also, because of this writing method, several dungeons ended abruptly, and they kept saying that the details of the previous dungeons would be added in the future. When watching it, I always felt that it was very confusing to understand the plot, timeline, and the relationship between the characters. However, in the subsequent POV, the writing method of switching character perspectives and jumping timelines became more and more proficient. In Invitation to Beheading, this writing method is very prominent and exciting. This secret room is relatively bloody and brutal. It is dominated by the two forces of beheaders under the Headhunting Club and the Victims Association, plus a Yaotai Express partner who handles the follow-up. The ins and outs of the invitation to beheading are composed. It has a gorgeous and rich weird structure. From the perspective of the supporting characters, each character starts to piece together the story and finally the protagonist wraps up the overall timeline. I like this writing method but I still feel a little confused. "Once, I dreamed that none of us knew each other. When we woke up, we realized that we were in love with each other." This paragraph is simply a pun. It can be said to be the amnesia of some people in this copy, and it can also be used to explain the hidden truth in the main plot of the whole text. The mother and daughter parts of Cheng Cun and Cheng Zhen in I Am a Mushroom and Extra One are very interesting, about truth and falsehood, life and death, secret rooms and reality. The school mass and memorial room are more of a cult, dream core, and millennium style, but the description of the emotional line between the two people on campus is really cute. I like this setting where they can't speak and stumble, it's a bit like a visual novel puzzle game. When I stayed at Huanhun Street, I liked the story about the three Taiwanese sisters the most, followed by the little setting of the fried great man's head, which was very interesting. There are many descriptions and analogies that are well written. For example, in the part about the paradise where the gap between the rings is written, "Only those at the top of the pyramid and the top of the trophy will benefit. They will win the ultimate victory in this competition called life. Lying under the trophy are a bunch of people who have no past, no present, and no bright future." Another example is Cheng Zhen, who is really confused about his life. He compares life to a movie. He is like a person who can't find a place in a theater. He will bump into chairs and people. "I really hope that this movie will end soon, and then the lights will come on in the theater, and it will be like daylight and I can finally walk out." I don't know if it counts as Amway or not, but both the good and the bad are mentioned. It's just for reference. Generally speaking, I don't regret it much after watching it. I'm just a little confused. The timeline of the main plot is still too jumpy, so I kept scratching my head after reading it.

In reality, it was Cheng Cun's victory. After completing the research and social experiments, all relevant personnel were silenced, and they were not liquidated. Luo Yundao not only failed to find his parents, but also failed to expose or destroy the association's conspiracy. Instead, he was deeply involved in the association and ruined his life.

Comparing Chen Yuhan in the previous chapter and Tai Lingfei in this chapter, I feel quite emotional. Maybe no matter what kind of life I am forced to choose, I will still feel regret in the end. Even if it is your own choice, it is difficult to say that you will not regret it.

The writing style is also very distinctive, with a rational (rather than exaggerated) narrative tone that narrates the details and embodies a kind of black humor in inappropriate places. It is actually a kind of bravery to face difficulties. I feel that Lao Luo's character background comes from the author himself. I can see that the author's writing techniques are constantly improving. The decapitation copy is already relatively complete, and the nursing home copy is completely completed. The timing of switching perspectives is appropriate, the rhythm of switching back to the protagonist's perspective, and the proportion of new character perspective. It lived up to the group image tag and was as enjoyable as watching a movie!!!

Campus love starts!

It's so cruel. Fortunately, there is another world where we can meet again.

If I could feel that kind of "miracle", even if I could theoretically understand it as a kind of hypnosis and multiple personalities, I would probably believe it with all my heart...

The teacher wrote it for five years, and I followed it for four or five years, hahahaha. During this period, from high school to college graduation, I experienced a lot of things, and I almost didn't make it through several times. For me, there is really nothing to look forward to in real life. Many times I feel that decades of life are meaningless at all. Whether I live or how I live is meaningless. But sometimes when I see the colorful world of others, I find it interesting. When reading this book, I can personally experience the world in the book. That world is far more interesting (and dangerous, of course) than the one I live in now, which gives me a sense of satisfaction that may be false. But since you really feel it, how can it be false? I am always extremely grateful to everyone who is willing to spend their efforts to create the world. At least my spirit can rest in this world. Teacher I love you [Three flower cat head]

Chen Sihang and Chen Yuhan are relatives, and they are actually connected from here.