A Cup of Wine

I read this article in a book a few years ago and read it countless times. Unfortunately, I lost the book in the end. I only remember the plot and the protagonist's name: Hebi. This article has so much staying power that I suddenly remembered this novel in 2019. I couldn't remember the name of the novel, so I started looking for a needle in a haystack on Baidu. It took me a long time to find it. I also saved the webpage and printed it out. I started working this year and started looking for a needle in a haystack again. I finally found it. For this article, I registered a Jinjiang account and spent a long time researching before I found a place to write a comment. I really like the author's writing style. The two protagonists are really as bright as the moonlight to me. I cried every time I watched it, and started to shed tears when I read the first sentence. Every time I watched it, I wondered whether Hebi liked the little emperor, and it felt very uncomfortable whether he liked it or not. The little emperor's love was awkward and straightforward, I wonder if Hebi could see it. The little emperor started to know Hebi when he was 5 years old. It took him 9 years to build up his mind about Hebi. He got to know him for 3 years. The days before and after were spent in missing him. The author's emotional description is so powerful. Special thanks to the author for letting Bai Ze give the little emperor a hug when saying goodbye. Thank you very much.

To the north of the road, Bai Ze is the fantasy of childhood, the ignorance and nostalgia of youth, and the lingering thoughts for the rest of my life. Underneath the secretive surface is a paranoid, fragile heart that longs for warmth. The parting hug made him finally let go of Bai Ze, and also allowed him to finally reconcile with his own emotions; Lu Zhibei is more like a younger brother to Bai Ze. He Bi knew Lu Zhibei's feelings for him. The deliberately maintained distance between the emperor and his ministers may not be an insurmountable limit; the complaint of "the first person around the emperor, can he have a term that is not so confusing to everyone?" And the title of "that child" seem to reflect this idea. But Bai Ze actually deliberately indulged Lu Zhibei, indulged him in trying to keep him again and again, indulged him in getting closer to him intentionally or unintentionally, and even tolerated his "love" for him (Bai Ze repeatedly emphasized to the emperor deliberately) Ye Yu secretly killed him. When I first brushed it, I thought that the emperor fell in love with Ye Yu first, and then fell in love with He Bi; I thought that He Bi would only love Ye Yu for the rest of his life; After swiping and swiping again and again, I realized that Lu Zhibei actually fell in love with He Bi at first sight, but at a time of national crisis, his emotions were complicated (and often covered up); looking at Bai Ze, he felt more friendship for Ye Yu than affection. Using Xiao Lin's mouth to convey the message of death cast a veil over the matter of "Bai Ze's death", making Lu Zhibei never forget him for the rest of his life. Bai Ze's emotions are hazy and ethereal, making people think. Family affection and love are as real as they are illusory. "Royal Street Stop" comments: "Drink the mellowest wine in the world, sleep with the most beautiful woman in the world, and sheath the sharpest sword, making that person sit in the imperial chair day after day, and the memory will be unforgettable and the memory will be difficult to get rid of." Alluding to Hebi and Lu Zhibei. Unknowingly, the emperor embarked on the same path as the late emperor. The difference between "Hebi" and "Hebi" represents the surging of secret thoughts and the final release of the inner demons that have been difficult to let go of for a lifetime. The acacia tree falls silently, has an old friend ever been here?

Ye Yu is really miserable. Just because she was a beauty, she used it as an excuse and was secretly jealous and killed by the emperor. What did the beauty do wrong?

(Sigh) It's all twisted and twisted. ... As long as someone hits a straight ball, it may not be like this. But it's still an exaggeration, and it's very well written!

2333... It's so exciting to see Hebi! I am from Hebi City, Henan Province

The extra chapter uses a pseudonym to solve the last mystery for us, which is the truth about the Ye Yu incident. I actually guessed it before, but alas

So Bai Ze will remain a virgin until his death. . .

"Fate actually allows you to leave" The complex relationship between monarch and ministers means power games and emotional entanglements. Throughout the dynasties, virtuous ministers have assisted sage monarchs, dedicated themselves to the country, and died. The emperor and the regent are the two ends of the power, and in the end one party will definitely end up losing. Therefore, the elder naturally knew clearly in his heart that all the unfinished words were contained in the hug before leaving. The crane bi uses itself as a stone and spends its last years paving the way for the emperor. The fate that has been entangled for many years has come to an end. The time the emperor and Bai Ze spent together was so short that in the long years of more than thirty years after they parted, the emperor kept remembering and reminiscing about it during the endless night, hiding that regret in his heart. It has been thirty-three years since the other party left him. I'm afraid Bai Ze has not fallen asleep even once in these thirty-three years. "Why bother?" "Where's the Crane Bi?" When the years passed and the emperor reached an advanced age, he suddenly realized that life was like a dream, leaving only longing and melancholy. Maybe the road to Huangquan is close, maybe we can meet each other.

The title of the novel "A Cup of Wine" is also like a cup of aged liquor. It is refreshing at first, but the aftertaste is so intense that it makes people's hearts tremble. The pull between Lu Zhibei and Qin Hebi that "you can't stay if you want, and you can't love if you want" is so touching - the emperor's passion is like a blunt knife, unable to cut through the web of fate, but it makes his life dripping with blood. The teacher used the image of "bright white horse" extremely well. After all, Qin Hebi is the white horse that cannot be kept in the empty valley, while Lu Zhibei can only be the mediocre person sitting in the annals of history. After reading it, I couldn't help but read it again immediately, and then I found out a lot of foreshadowing left by the teacher. There is no need to say more about the greatness of teachers [Come on] [Come on] [Come on]

"The bright white horse is in the Bikong Valley." This was the first sentence that came to Lu Zhibei's mind after seeing Qin Hebi. This description of Qin Hebi runs through the entire article, and also expresses and condenses Lu Zhibei's feelings. I think it may also be regarded as one of the "literary eyes" of this article: that bright, beautiful, jade-like but irresistible white horse, is it not Qin Hebi? The king who cherishes love, attachment, appreciation and finally lets go, isn't he the north of the road? "Preface to Mao's Poems" believes that this poem is about the official's assassination against King Xuan of Zhou Dynasty for not being able to retain wise men in the court. Some people think that this is a poem about King Wu of Zhou Dynasty sending a Jizi as a farewell gift. Because the Yin people loved white, the white pony was a nobleman from the old era; some people think that it was a poem given by the king who wanted to keep his ministers but could not, so he released them into the mountains and forests. One person wants to go and the other wants to stay, but there is no heart-breaking breakup, just gentle attachment, longing and even final relief. Isn't this gentle sentiment a reflection of their relationship? Qin Hebi is a man who goes and comes back. At first, when he came back, there were some doubts and doubts in Lu Zhibei's love at first sight: "Is it the glory of a very human minister that he is attached to, or is it a more profound conspiracy?" From temptation to entrustment, to complete destruction - "It's not bad to die in the hands of such a powerful person." Later, he left again, "I will bid farewell to His Majesty at the beginning of the month." Qin Hebi clearly knew his own life experience and the emperor's feelings for him. He understood the emperor's subtle and unfinished thoughts and his increasingly closed love network. Has he ever been moved during this? I think there is, whether it is the enlightenment that the fourteen-year-old emperor "fell back to where he was and jumped up again" at the moment when he showed his strategy, or the palace maid Qiyun who was a bystander and felt the touch of "it would be fine if they stayed like this forever". Family affection, love, appreciation, and isolation are all mixed together, allowing this white horse to stay in the temple for some days, "to maintain it for the sake of eternity." Just like the barriers between the Yin people and the Zhou people, the barriers between the city and the countryside and the temples, and the barriers between ministers and kings, the time of detention cannot withstand the natural chasm of fate. Suddenly I remembered the lyrics that were popular a long time ago, "My white horse, run slower, I won't take you home this time." I thought of the knight-errant in Cao Zhi's "The White Horse" who looked at death but never came home. The pull between freedom and family affection, freedom and love, freedom and responsibility, is probably the image of a jade white horse itself. Lu Zhibei is a very good emperor image. He is ruthless, and as a power animal, he transcends the so-called traditional family ties - father, mother, uncle. "Those who don't harm me are my relatives. If I don't want to give it to him, he can't take it away. If he takes it away, he will die." This is a quality often possessed by winners in the power vortex. But he is passionate. His sustenance, his sustenance for family affection, his sustenance for beauty, his sustenance for love, are tied to an almost impossible person. From childhood curiosity to adoration when they first met, his love is completely idealized and romantic. He separates the cruelty of reality from the beauty of fantasy, and uses the latter to support the progress of the former. He is a realistic person who lives in the harshest environment, yet he has supported him almost all his life with this unforgettable passion - we die in each other's hands, or melt in a warm embrace, needless to say, it is both good. This is probably the unique style of Mr. Wang and Sun, a kind of allowance for self and love - you are looking at the scenery on the bridge, and the people in the window are looking at you. I thought of a love poem I read recently that was written by a real emperor in history: "When the lion trembled for fear of my angry claws, fate made me become the prey of an antelope with full autumn water." Although Bai Ze cannot be regarded as an "antelope with full autumn water", this kind of overturning of the strength and weakness of fate caused by love always makes people feel very strange and beautiful. The author's work contains a large number of implicit image descriptions and metaphors, as well as prophecies and implicit remarks about the fate of the characters. From the beginning to the end, the puzzles are solved layer by layer, and the mystery of each puzzle is always more or less hinted and revealed in the previous text. I really like this kind of detailed and close writing style, which is very implicit and has a classical taste. The hug at the end and the words "Hebi" are really like the most beautiful dream within a dream, and also like a shout in the ethereal reality. The king and his ministers have a dream, and their names are empty now and in ancient times. A very beautiful, long and melancholy story.