Whether what you can't get is the best is hard to answer. A person's goodness can only be understood by those who stay with him in the end. But what is certain is that in everyone's mind, the person who is hidden deep in the softest place in their heart is probably the person they once loved deeply but never got.
So, if we meet it later, will it become a defective product?
So, how much risk do you have to take to say the truth?
Conception:
Reader comments
After reading it, the writing style is very smooth, but this chapter makes me feel a little uncomfortable, mainly because his love for Bai Yueguang is really too deep, and he cherishes it carefully.
It is said that if you really love someone, you won't say it easily, because you are afraid that if you say it out, you won't even be friends. After waiting for so many years, Gong only waited for Bai Yueguang's wedding. As for Shou, even though he knew that doing so might hurt Shou, he still said the words "I like you" casually.
When a person says to you frankly: I like you. In fact, he is already ready to hear you say: But I don't like you.
He doesn't have that kind of cherishing feeling towards feelings, the kind that doesn't matter whether he gets it or not. Later, when Shou broke off the relationship first, he realized that what he didn't cherish was such a good treasure. Maybe it was because of the man's possessiveness and desire to win. In short, the ending of he is a bit forced. At the end, I don't really believe that Gong really gave up on Bai Yueguang and sincerely wanted to be with Shou.
The ending is not very reasonable
Wei Ting has always insisted not to have anything to do with Ding Peijun again.
This is why I fled to other cities.
Even if Ding Peijun resigned and came after me, I still think Wei Ting wavered too quickly.
Personally, I think the ending could be more open-ended.
I don't like Ding Peijun. Wei Ting can live a normal life. It's best for Wei Ting to get married. Don't want Ding. I don't like this Ding. It's very annoying. If Wei Ting is good-looking, he's worried about not having a lover. Why should he be used as a substitute for Ding? Really.
From then on, the prince and the prince lived a happy life. Hehe.
Actually, I think it's pretty well written.
There is no such thing as nonsense. Gay men have a hard time in the secular world. Earth-shattering things are just fake.
I feel like the plot is more natural
Not everyone is capable of love, love, life and death, etc.
Everyone has their own way of love
Big, awesome~~~
. . . . That's it? ? ? ? ? ? ?
I was listening to a radio drama recently, so I came back to read the original text. I feel a little sore in my heart, but luckily it's he!
This author is probably the kind of scumbag who can go back with just a wave of his hand.
When I read this question, I always subconsciously pronounced Zipei's name as Peiqi... It's poisonous.
Although it was written ten years ago, it is still very good.
I really like this article, especially the character of Shou in it, which is crisp and clear.
In the past, there was always a reason to refer to Ye Xinqi, but now to Wei Ting
Finished spreading flowers! I rarely read articles with so few words. They are plain, neat and sincere. I love them so much.
I don't understand. . . . . .
I just had a retinal detachment surgery... I just want to say that the gauze only needs to be covered for half a day to prevent infection. After reading the beginning, I suddenly felt a little embarrassed... It was not as exaggerated as the author said! ! ! ! ! ! ! !
To be honest, the author's writing style is good and not bland, but his ability to write stories is really not that good. The most obvious point is the lack of tension.
This text can be tortured at first and then attacked at the same time. The conflict is fierce and the sadism is very satisfying. However, in the entire second half, there is only one scene where the relationship between the two people really interacts with each other - the explicit dialogue between the two people coming out of the KTV box. The rest of the story is almost all about Wei Ting's psychology and thoughts. He is always thinking and doing mental activities, with no actual progress at all. The whole storyline is muddled, stuck in progress, inconsistent, greasy and crooked, like a woman, twisting and dragging. The two of them, the attacker and the recipient, are like two parallel lines, each doing their own thing and each thinking their own thing. The author tries his best to let them interact, but unfortunately it seems to us readers that they have no interaction at all. Wei Ting finally decided to resign and leave. This area should be a flash point of conflicts. It would be great to write more intensely. The author is probably at his wits end and has limited writing power. He actually made a magical "coincidence" like going to Japan and encountering an earthquake. It's so fake! In this way, the points of conflict are blurred, there is no conflict at all, and the story ends in a bland way.
This problem of the author is common in other novels. When the conflict in the story becomes intense, it cannot be pulled out or pulled up, and a messy coincidence or something like that drags away the reader's attention. This makes the reader feel very bad, as if chasing a river back to its source, gradually flowing faster and faster, and finally reaching the end of the cliff in front of the sky. When the flow is about to plunge three thousand feet to the end in one breath - well, the author has no stamina, no strength, and no other choice. He is exhausted and discouraged. When it is time to let out the rapids, it suddenly turns into a pool of stagnant water. You can helplessly follow the flow.
Many people say that the author does not torture but only suffers. I think the author seems to be incapable of writing such a sadistic drama. The author cannot grasp the psychological positioning of the characters and only writes superficial plots, but ignores the rationality of the coherence of the plot and the psychological connection of the characters. This is also the reason why I said earlier that attack and suffering are completely on two lines. The author cannot find the psychological positioning of the characters at all. Gong is about to lose Shou, he has woken up, but if Shou is not going to look back, won't Gong be sad? What's Gong's psychology in this situation? What performance? These are written down logically, but the author cannot write them out at all. Can't write or can't think of it? So I said that when Shou decided to resign, it was a conflict flashpoint. It was completely possible for Gong and Shou to have an interaction, triggering a series of rivalry scenes, which could be very tense. But the author suddenly went on a business trip, and the two went to Japan together, and they had a little sweetness. KAO, couldn't help but throw the keyboard - author, are you interested in shifting the conflict flashpoint? It was like a volcano was about to erupt, and everyone was eagerly waiting for the hot lava to spurt out. However, the author did not have the strength to erupt, so he had to slowly and leisurely make a drizzle to divert everyone's expectations - oh, the spring rain is also good, so just suppress the volcano...
Hey, I'm speechless. Is the author really incapable of writing or simply can't think of how to write?
The second problem is the characterization, which is really not vivid enough. The impression is not bad, with a little bit of personality, but the whole article is just a cookie-cutter image. It is as if the author said that this person is very handsome and a rich man, and then it is completely gone. There is no distinctive character traits, no vivid flesh and blood, it is very superficial, and there is no sense of reality, especially in the second half.
Not to mention the distant one, I have two favorite authors recently. Jin Dahe is more crazy than the other. These two are much better at portraying characters and writing stories than the author. The true ability is to write intense sparks in the ordinary and trivial. Don't always be a stand-in, rich or sad. If you write too much, it will be really fake. The thoughts and feelings of those characters are far away from us readers and cannot be touched. There may be a temporary attraction, but nothing that can touch the heart. In the same way, don't always suppress conflicts when they are about to break out, and use some coincidences to divert conflicts. Be able to write shocking things in a logical and ordinary sense. This is the power of writing.
Not much more to say. Come on, author.
After reading it, the writing style is very smooth, but this chapter makes me feel a little uncomfortable, mainly because his love for Bai Yueguang is really too deep, and he cherishes it carefully. It is said that if you really love someone, you won't say it easily, because you are afraid that if you say it out, you won't even be friends. After waiting for so many years, Gong only waited for Bai Yueguang's wedding. As for Shou, even though he knew that doing so might hurt Shou, he still said the words "I like you" casually. When a person says to you frankly: I like you. In fact, he is already ready to hear you say: But I don't like you. He doesn't have that kind of cherishing feeling towards feelings, the kind that doesn't matter whether he gets it or not. Later, when Shou broke off the relationship first, he realized that what he didn't cherish was such a good treasure. Maybe it was because of the man's possessiveness and desire to win. In short, the ending of he is a bit forced. At the end, I don't really believe that Gong really gave up on Bai Yueguang and sincerely wanted to be with Shou.
The ending is not very reasonable Wei Ting has always insisted not to have anything to do with Ding Peijun again. This is why I fled to other cities. Even if Ding Peijun resigned and came after me, I still think Wei Ting wavered too quickly. Personally, I think the ending could be more open-ended.
I don't like Ding Peijun. Wei Ting can live a normal life. It's best for Wei Ting to get married. Don't want Ding. I don't like this Ding. It's very annoying. If Wei Ting is good-looking, he's worried about not having a lover. Why should he be used as a substitute for Ding? Really.
From then on, the prince and the prince lived a happy life. Hehe.
Actually, I think it's pretty well written. There is no such thing as nonsense. Gay men have a hard time in the secular world. Earth-shattering things are just fake. I feel like the plot is more natural Not everyone is capable of love, love, life and death, etc. Everyone has their own way of love Big, awesome~~~
. . . . That's it? ? ? ? ? ? ?
I was listening to a radio drama recently, so I came back to read the original text. I feel a little sore in my heart, but luckily it's he!
This author is probably the kind of scumbag who can go back with just a wave of his hand.
When I read this question, I always subconsciously pronounced Zipei's name as Peiqi... It's poisonous.
Although it was written ten years ago, it is still very good.
I really like this article, especially the character of Shou in it, which is crisp and clear.
In the past, there was always a reason to refer to Ye Xinqi, but now to Wei Ting
Finished spreading flowers! I rarely read articles with so few words. They are plain, neat and sincere. I love them so much.
I don't understand. . . . . .
I just had a retinal detachment surgery... I just want to say that the gauze only needs to be covered for half a day to prevent infection. After reading the beginning, I suddenly felt a little embarrassed... It was not as exaggerated as the author said! ! ! ! ! ! ! !
To be honest, the author's writing style is good and not bland, but his ability to write stories is really not that good. The most obvious point is the lack of tension. This text can be tortured at first and then attacked at the same time. The conflict is fierce and the sadism is very satisfying. However, in the entire second half, there is only one scene where the relationship between the two people really interacts with each other - the explicit dialogue between the two people coming out of the KTV box. The rest of the story is almost all about Wei Ting's psychology and thoughts. He is always thinking and doing mental activities, with no actual progress at all. The whole storyline is muddled, stuck in progress, inconsistent, greasy and crooked, like a woman, twisting and dragging. The two of them, the attacker and the recipient, are like two parallel lines, each doing their own thing and each thinking their own thing. The author tries his best to let them interact, but unfortunately it seems to us readers that they have no interaction at all. Wei Ting finally decided to resign and leave. This area should be a flash point of conflicts. It would be great to write more intensely. The author is probably at his wits end and has limited writing power. He actually made a magical "coincidence" like going to Japan and encountering an earthquake. It's so fake! In this way, the points of conflict are blurred, there is no conflict at all, and the story ends in a bland way. This problem of the author is common in other novels. When the conflict in the story becomes intense, it cannot be pulled out or pulled up, and a messy coincidence or something like that drags away the reader's attention. This makes the reader feel very bad, as if chasing a river back to its source, gradually flowing faster and faster, and finally reaching the end of the cliff in front of the sky. When the flow is about to plunge three thousand feet to the end in one breath - well, the author has no stamina, no strength, and no other choice. He is exhausted and discouraged. When it is time to let out the rapids, it suddenly turns into a pool of stagnant water. You can helplessly follow the flow. Many people say that the author does not torture but only suffers. I think the author seems to be incapable of writing such a sadistic drama. The author cannot grasp the psychological positioning of the characters and only writes superficial plots, but ignores the rationality of the coherence of the plot and the psychological connection of the characters. This is also the reason why I said earlier that attack and suffering are completely on two lines. The author cannot find the psychological positioning of the characters at all. Gong is about to lose Shou, he has woken up, but if Shou is not going to look back, won't Gong be sad? What's Gong's psychology in this situation? What performance? These are written down logically, but the author cannot write them out at all. Can't write or can't think of it? So I said that when Shou decided to resign, it was a conflict flashpoint. It was completely possible for Gong and Shou to have an interaction, triggering a series of rivalry scenes, which could be very tense. But the author suddenly went on a business trip, and the two went to Japan together, and they had a little sweetness. KAO, couldn't help but throw the keyboard - author, are you interested in shifting the conflict flashpoint? It was like a volcano was about to erupt, and everyone was eagerly waiting for the hot lava to spurt out. However, the author did not have the strength to erupt, so he had to slowly and leisurely make a drizzle to divert everyone's expectations - oh, the spring rain is also good, so just suppress the volcano... Hey, I'm speechless. Is the author really incapable of writing or simply can't think of how to write? The second problem is the characterization, which is really not vivid enough. The impression is not bad, with a little bit of personality, but the whole article is just a cookie-cutter image. It is as if the author said that this person is very handsome and a rich man, and then it is completely gone. There is no distinctive character traits, no vivid flesh and blood, it is very superficial, and there is no sense of reality, especially in the second half. Not to mention the distant one, I have two favorite authors recently. Jin Dahe is more crazy than the other. These two are much better at portraying characters and writing stories than the author. The true ability is to write intense sparks in the ordinary and trivial. Don't always be a stand-in, rich or sad. If you write too much, it will be really fake. The thoughts and feelings of those characters are far away from us readers and cannot be touched. There may be a temporary attraction, but nothing that can touch the heart. In the same way, don't always suppress conflicts when they are about to break out, and use some coincidences to divert conflicts. Be able to write shocking things in a logical and ordinary sense. This is the power of writing. Not much more to say. Come on, author.