The Heavenly Dao Fears Nothing

First of all, I really like the story told by Ye Zi...! In my understanding, this is a story between "actor" and "character", that is, the "character" is the incarnation of Tiandao. When Tiandao is not controlling as an "actor", they can still understand the story as a complete "character", and Tiandao's performance as an "actor" is also very interesting. In this way, readers can combine or separate the perspectives of the story according to their own understanding. It can be said that one article can be read multiple times! Then the following is the character poem for everyone... It is Qilu, followed by some analysis and translation, the writing style is limited, please forgive me—— (PS: Search tag on LOF also has the same content, thank you everyone) Sad Prince Tianheng The colorful curtains of the East Palace are deep, and the spiritual practice is so vast that it cannot tolerate you. I commend the virtuous ones to brush away the tortoise and jade dust, and thank the emperor for his kindness. After a long period of illness, the barbarian and military troubles have also subsided. Who knows how the dragon's heart can be the same as the needle. The trees have broken down, the mountains have collapsed, and the mansion has collapsed, and the pearl has been broken into pieces and divided again. Spiritual cultivation is vast: adapted from Qu Yuan's "Li Sao" "The spiritual cultivation is vast", where "spiritual cultivation" refers to Emperor Wei, and "magnificent" means "absurd". Turtle jade: treasure, metaphorical talent. Li Yuan: common people. Barbarian: foreign enemy. The first couplet and the chin couplet refer to the situation of the prince. A good prince who is dedicated, generous and kind, but is feared and suppressed by his father. The second sentence of the couplet has a slightly ironic meaning. The Wei Dynasty relied on the prince alone to support it. The neck couplet summarizes that the prince led troops twice, but was eventually imprisoned by Emperor Wei and sentenced to death. The first sentence of the last couplet refers to the death of the prince, and the last sentence refers to "the world must be divided if it unites for a long time." The Wei Dynasty that lost the prince finally fell apart, and Yan Wujiu ended the era of this dynasty. Sigh Huai Xian Mo Xiao Xue The sky and the snow are born together and have different paths. It is difficult to prosper together only because of the celestial phenomena. The tree in the courtyard is silent and silent forever, and it is hard to calm down even though flesh and blood are connected. Standing in front of a giant abyss, a sword turned into a rainbow and white light was born. I dare to ask where I am without him, and I will guard the spiritual center forever. (There seems to be nothing to comment on, happy eating!) The first couplet refers to the fact that Xiaoxue is the closest twin in the original text, but due to the prophecy of "innate vision", they cannot coexist and prosper together. The "courtyard tree" in the couplet is the tree in Mingxiao's yard, the one Mingxue once liked to stay on its branches. The original text mentions that Mingxiao was waiting under the tree for his younger brother who could not come back, and later for Tu Zhao and other masters (remembering the sword whine here). The sentence "flesh and blood is involved" refers to two people. Although Mingxiao is the sword master, he never believes that the prophecy should be like this. He always regards his younger brother as his only relative. Mingxue is even more direct. When his elder brother enters the Lingquan, he goes to cut down the mountain guarding formation. The neck couplet was where the monsters were fighting against the Earth-shattering Abyss together. Mingxue stayed in the Earth-shattering Abyss and guarded the gates for ten thousand people. Mingxiao left the spiritual spring in advance and chopped the remaining ancient monsters with one sword. It was equivalent to the two of them working together to save everyone. The last couplet is the follow-up part of the love story. The leader of the Taisu Sword Sect and the wizard of Weilou became Taoist couples. However, the happy event turned into a funeral. Mingxiao chose Mingxue, willing to bear the truth and die. The final outcome is that the younger brother is guarding his elder brother's coffin and will be together forever. Thinking of the Witch Lord Tianheng from afar The fog is rising, stars are flying in the sky, and dangerous buildings are rising among the clouds. But I saw thousands of dusty lights, just like silver threads falling in the wind. The drums, harps, and shengs were played happily until the end of the day, and suddenly the bustling crowd was all alone. It should be noted that what you see from below should not be picked up. What you have seen clearly will return to the dark. Yunyun: all living beings. Drumming the harp and blowing the sheng: adapted from the sentence "I have guests, drumming the harp and blowing the sheng" in The Book of Songs. This refers to a banquet scene. The first couplet has more than one meaning. The simple one is the picture of Tianheng's astrology and the dangerous building. In fact, it also slightly alludes to Tianheng's fate, which should have ended at the age of sixteen but in fact "looks a bit scary for the witch master", and the independent way of survival of the dangerous building. The couplet "Thousands of Dusty Lights" is the earthly star track that Tian Heng sees, and the "silver wire" is Tian Heng's silver wire crown (this scene is really touching). The neck couplet is a love bewitching incident from Tian Heng's perspective. It highlights the sudden decline of prosperity and the sudden turn from comedy to tragedy seen from Tian Heng's perspective. At the same time, "lonely" also refers to the sadness of the fate of several incarnations coming to an end one after another at the same time. The last couplet "look down" is because Tianheng can have a glimpse of destiny, but "picking up" means that touching and changing will bear serious consequences. The "Mingming" that changed the original destiny will fall into the unknown "Mingming". Changwan ghost king Xiyi The gold and jade in the hall suddenly became depressed, and the catkins began to flutter in the wind of wandering. Because the knot is hasty and unpredictable, the fierce ghost is ferocious and witch Zi Yao. He despises life and abandons death, and has no fear of doing so, but he cherishes loneliness and is stubborn. It would be better to have no reincarnation in the next life and be annihilated. I don't know what will happen after death. A house full of gold and jade: that is, "a house full of gold and jade", describing a person with great wealth or rich knowledge. Go alone: ​​It is adapted from Tao Yuanming's "Going Back and Lai Xi Ci" "Going alone in the hope of a good time", but this is not the original intention. The meaning here refers to going alone. : Chāo, a disappointed appearance. Death: death. The first couplet is about Xi Yi's past as Xu Shiyanshi. The third son of the Xu family in Shanyin, Loudong County, fled in a hurry when the country was destroyed and his family was destroyed, and then he was robbed by refugees. The couplet was the accidental acquaintance between Xu Shiyan and Tian Heng, the young priest of the Wu clan at that time. Tian Heng violated the star path to save him, but in the end, "one of them was trapped in a dangerous building and was sick in bed, while the other was tortured and fell into the ghost realm." The first sentence of the neck couplet is a summary of the ghost king's behavior, including saving lives and dividing souls for the witch master Tianheng to continue his life, acting without scruples. The second sentence is a contrast. The ghost king, who has always been unscrupulous, does not know or recognize the witch master. He never hopes that the other party will remember or be grateful, but only hopes to know each other again. The first sentence of the last couplet is the ending of Xiyi. Xiyi does not want to be transformed into reincarnation, but would rather lose his soul. In the end, the Buddha's holy life will perish together with him. The second sentence is about the lantern hung by the witch master in the later text before his death, which is regarded as an invitation (well, this is my personal understanding of the hint in the text). Talking about respecting Buddha's holy life Half a lifetime before the Buddha, the six roots are quiet and unobstructed. The Buddha's Dharma has compassion for the world, and all the five aggregates are empty and accepted. The Ming Lord who is willing to teach a generation is here, and he also goes to Honglian to lead his career. The light from the ferry was completely dispersed, and the bottom of the pestle was as pure as sand. Hua in front of the Buddha: "Hua" refers to "flower", here it refers to the lotus in front of the Buddha. Six roots: In Buddhist terms, they refer to the eyes, ears, nose, tongue, body, and mind. Buddhism regards the state of being far away from troubles as the six roots of tranquility. It means that there is no longer any desire. No hindrance: that is, "no hindrance". "Guai" means concern, concern or hindrance. The Five Aggregates Are Empty: From the "Prajnaparamita Heart Sutra", it teaches people to let go of everything and get rid of suffering. Red lotus: refers to the sea of ​​fire. Pure as sand: adapted from the pool in the Western Paradise in Buddhist legends, with a bottom of golden sand. This poem is easy to understand. The first couplet and the chin couplet praise the Buddha's demeanor and appearance. Incidentally, it is mentioned that teaching does not produce students. The neck couplet is to teach the master Yan Wujiu. The last couplet is the ending of the Buddha. He failed to transform the ghost king. In the end, the ghost king's soul flew away. The holy life returned to the pure land of Buddhism and then sat in retreat, which is equivalent to dying together. Jade God of the Demon Emperor The vast darkness stirred up waves, and all the monsters bowed their heads before the Sea Emperor. For a long time, we have been connected by fate, sleeping in prison after the vicissitudes of life. As things change, the covenant breaks up, and the dragon fish can't call the water to the sky. The cold light is sharp and startling, and the white bones are fixed here. Mulberry field: Mulberry field refers to farmland. The sea turns into farmland, and the farmland turns into the sea, which means that things in the world have changed a lot. Prison: From "The Analects of Confucius Gongye Chang" "Although he is in prison, it is not his crime." The original meaning is the black rope that binds prisoners, and also refers to prison and imprisonment. Here the meaning of "yoke" is taken. Love changes with events: from Wang Xizhi's "Preface to the Lanting Collection". The situation has changed, and so have my thoughts and feelings. In the first couplet, the Demon Emperor and the Jade God wake up, and all the demons bow their heads to welcome the king. The couplet is the entanglement between Kaiyang, Yuan Sheng and the Jade God. In the end, the Jade God was bound by iron ropes made of meteorite iron and slept in the East China Sea for hundreds of years. Kaiyang and Yuan Sheng each passed away after the vicissitudes of life, and the world has changed for a long time. The neck couplet is when the Demon Emperor wakes up and hears that the past covenant of the Demon Clan to guard the Demon Realm has been broken up. At this time, the Demon Emperor wakes up and brings about changes. At the same time, he slightly mentions the line of King Dong'a, the floods in the world, and the destruction of all living beings. The last couplet is that when the Jade God died, he cut out the unborn Li Shen, handed the fluctuating light to the witch master Tian Heng, and then pulled out the spine and turned it into a bone tower to suppress the Demon Realm underground forever.

Although it's a bit embarrassing to write a long review after it's been finished for so long. But after I counted the feelings (and heartache) this article brought me, I will use my very simple words to describe my feelings when I read this article. The author really wrote the best one among all the MJA articles in my opinion. Both the plot setting and character setting are top-notch. Not to mention the line-retracting ability and writing style that can be said to be superb. As far as outstanding characters are concerned, all incarnations have unique personality traits at the beginning, but they are improved as the plot progresses. They are no longer just templates such as demons and immortals, and everyone has a vivid side. I think this aspect is because the author is also exploring their character traits, but in the context of the plot, it can also be understood that Tiandao slowly began to ponder their personal personalities for the development of the plot. By the end of the article, even though we know that they are all played by Tiandao, we still can't help but regard them as independent individuals. This also made me feel crushed after everyone left the show in the finale. Reason told me that it was just recycling the avatar, and there was no real death. However, seeing the tragic endings in the plot, I even shut myself down on the spot on the second day. His mind was constantly replaying the scenes of everyone's exit, torturing his heart over and over again. Because the author's description is so good, we can't even think of the people in the article as characters being played, but as real people. This is the first time I have felt this way in my eight years of reading. Let's talk about a few characters that I feel deeply about. Yuan Hua: Child Chu Zhang is the first Zaizai at the beginning of the whole story. As the character with the longest time span in the whole story, he also has the most curved character arc. When he came on the scene, he had no idea that it would become so miserable later on. I have to say that the purest admiration and love in my youth is really touching. For me personally, in fact, Yuanhua's arrow has been on Tian Heng from the beginning to the end. I can't accept the comment that people in the comments said that Wu Hua's arrow has already reached Xi Yi in the later stage. From the beginning to the end, he only believed in the prince, and his later feelings for Tian Heng were also the result of empathy when he thought they were the same person. Unfortunately, he died before the empathy was completed, and he didn't know whether it was luck or misfortune. When in the finale, he took the wedding invitation signed by Tian Heng and Ming Xiao's spiritual power, wiped away the sword energy, and put the rest in his arms, I think it should be evidence that he has never changed his feelings. To be honest, I heard him say, "I'm always late. Always one step late, never catch up, always regretting it." Then I saw him singing forgotten songs in the tree and continuing to dream. My breath was stagnant, so I quickly closed the phone screen and waited for a long time before opening it. Tian Heng: The character of the Witch Lord can be said to be the most different between before and after. When he first appeared, I thought he was a clear stream in the mountains that was not stained by dust. But later on, I felt that he was the one with the strongest tea smell (no derogation). But I find it very strange. In fact, in the text, Tian Heng's arrow is still on Ming Xiao. He will go all the way to give him a hug when he is dying and lock him in the nearest place beside him. He will also forget his dignity when he is about to lose his life, and he will be so excited that he vomits blood. People in the comment area said that this is the empathic effect of the love cup, but it does not matter whether it is the previous behaviors. The last thing Tian Xian thought in his heart was that I really liked him, and he had "already intended" to just plant the love poison food, or it was a memorial ceremony for several years when his life was about to come to an end. All without the influence of love Gu. The arrow is still quite obvious, but the personal perspective in the final episode is hidden, which I find a bit strange. In fact, in the middle of the story, when I was writing about Xi Yi's feelings for Tian Heng, I was thinking that the omniscient witch master should have known about the news that the Ghost King had extended his life, but he didn't say anything and kept acquiescing. I'm still wondering if it might be a more scheming character, but it makes sense to explain it this way in the extra story. No matter from every aspect, it fits the character of the Dangerous Tower Heavenly Man. (I must be analyzing the character, why is it all about CP?) Ming Xiao: Ming Xiao is really the character who impressed me the most in the whole story. His performance is really in line with the author's sentence when describing him, "He has the wind and snow of Kunlun in his eyes, but also the lights of the world." I don't know since when, the editor in Jinjiangli labeled Jianxiu as a poor and straight man. It appeared at first to go against the routine, but after watching it too much, it developed into a routine. But this article is different. The author really describes a swordsman on the top of Kunlun. I saw not only a selfless saint, but also a deeply affectionate brother. The author combines human nature and divinity almost perfectly in the same person, which is not inconsistent at all. Mingxue: The character who has the most unified storyline from beginning to end, from the beginning to the end. When I saw in the extra chapter that he was the one who took the initiative to become possessed by his own countercurrent meridians, I was really shocked. At the same time, I feel a sense of helplessness that the fate of all sentient beings is bound by the way of heaven (not this way of heaven). At first, I also thought, would it be better if Ming Xiao became possessed by the devil, so that Ming Xue wouldn't care. Or maybe the two became demons together, wouldn't everyone be happy, but when I saw the extra story, I felt that I was too naive. After all, the Taisu Sword Sect needs a sword master, an immortal master who can lead them to sweep away the demon cultivators. They were destined to become enemies, one immortal and one demon. It was so tragic. The author said in the extra chapter that if Ming Xiao becomes a demon, he will be able to suppress his feelings better, and the relationship between the two will not be as distant as in the original work. I think that their relationship will truly become distant in this way, because Ming Xiao is not very good at expressing emotions, and he likes to be alone too much. And one thing is quite funny, "As long as you are with him, it doesn't matter where you are." "As long as you leave him, it will be the same no matter where you go." Summary: "There are only two places in the world, with Mingxiao and without Mingxiao." Tweet: Obviously I like the character design, but there is so little screen time. In fact, I was a little disappointed when I saw the final chapter of Lianhua. Because this chapter tells a story from the past, it has a puzzle-solving effect when there are already subsequent developments. When we read this chapter, we will unconsciously think about what happened next to make Wujiu change. But when I saw Wujiu's life at the end, I really felt like I was still a teenager after half a lifetime. Moreover, Lianhua never appeared again, which is really a pity. At first, I thought that the Shura field mode of this article was the bastards' fight against the teachers. But I didn't expect that later on, the thickest arrows were all in the internal group! At first, I thought the shot of Zai Zai against the teacher was very rough, but it faded away in the later stage. Neither the author nor the reader can see them entering the Shura Field in the later stage. This actually makes me quite upset. After all, it is different from what I thought at the beginning. I feel that many very promising developments have not been carried out. But I also understand that a Shura field with four people is already so stomach-ache. If the author really creates an intricate Shura net with 12 people, I think the author's hair will go bald first. The plot is a very big highlight. The author really gave me the feeling that he described a real and complete world of immortality. Coupled with the fusion of everyone's life experiences, the development of the plot unconsciously brings a sense of confusion as time has passed. Moreover, the author's language description can completely pull up the plot he has set up, and even take the plot to a higher level. That's it. My expression is not very good, and I don't know if I have expressed what I want. I may have offended the author in some places. I am very sorry here. I wrote this book review in one sitting. Some of the sentences quoted from the original text are all from my mind's memories. There may be discrepancies. The main reason is that I am afraid that I will not be able to control myself and be tortured again after reading the book again. The author really writes so well! You have to compensate me! (?) Because after reading this article, I think other people will consciously compare with the author's descriptions, which makes me unable to read other articles! So here I hope the author can write more good books! And ah, and ah. Mrs. It's not that you want to try more romances (well, what's the original text like?). Do you want to try to pick up one as a main topic? It's a good idea to see what suits you. Come on, come on (persuading~)

The death of a person becomes a ghost, the death of a ghost becomes a ghost, the death of a ghost becomes a hope, the death of a hope becomes a barbarian, the death of a barbarian is a microscopic death, and microscopic death is invisible. "Tao Te Ching" once said: "Seeing and not seeing is called Yi, hearing and not being known is called hope." Xi Yi's name is as sad as his life.

Suddenly it occurred to me that the prince had two sets of chessboards, one was Zhaocuo, which was given to Chu Zhang, who found the wrong son of heaven, and the other was Wujiu, who was given to Yan Wujiu, who was the human king. It's a mistake, but it doesn't need to be corrected, and everything will still be in its place in the end.

My favorite is the first chapter about the Kingdom of Humanity, the magnificent prince and the ignorant young man. "Young people don't know love and hate, and they are the most passionate in their lives." The best thing to fight is the witch ghost! Wuwuwu, the ghost king's love for the witch master was hidden and hot. The last thing they thought of before they died was each other. The ghost king and the witch master really cried to death. "The dangerous building is a hundred feet high. You can pick the stars with your hands, but you dare not speak loudly for fear of frightening the heavens."

It's hard to calm down! Although Xiyi, Tianheng, Mingxiao and Mingxue knew that they were all clones of Tiandao, I still drank all the CP! ! I cried so hard

Although it is a love-hate entanglement directed and acted by Tiandao, I still fell into it. Wuwuwuwugui is so sad. The child was killed by the white lantern knife?? While admiring the indifference and ruthlessness of Tiandao, I couldn't help but fall into the emotional entanglement of the masters of all walks of life. Each pair was fighting no matter what their emotions were. Every time I kowtow, I will forget that this layer of the incarnation of heaven is like an independent character. When I watched it, I was always worried that my waistcoat would fall off, but in the end, my wife came back. How great is her?

I like the couple Yuan Hua and Tian Heng the most, but it's a pity that they didn't make it even until the extra chapter. To be honest, my heart ached after watching him for so long. I saw him say, "I've been late..." It hurt especially when he was still singing songs that had long been forgotten in the flow of time. When he was an emperor, he sang and danced like crazy, just because of his obsession with dancing for him when Tian Heng was still there. It's a pity that I didn't catch up, it was crazy. The second time he discovered that the witch master seemed to be Tian Heng, he was forced to withdraw from this life-spanning encounter by Xi Yijun. After he finally learned about the bonding ceremony between the Witch Master and the Immortal Lord, the thoughts that spanned half his soul seemed to carry an irreversible paleness that could not be saved in his old age. At the end of this article, he still recalled the few separations and separations he had with Tian Heng. When it came to the extra episode, he was nowhere to be seen. Is it really possible to make a side story? I must buy it [crying] [crying] [crying]

This book left a deep impression on me, because what surprised me the most was that although I had entanglements with many people, from the perspective of Heaven, it felt like, well, no cp. Those stories of love, hate, and resentment were scripts, and "I" was just a ruthless guest who wrote the scripts. I watched a few human dramas with great interest. Also, one thing that the author is good at is that he tries to combine physics and chemistry in the play of "My Way of Heaven", which is very good.

Woohoo, will there be any extra episodes? I really like this book, the twins Mingxiao and Mingxue, the witch ghost, the immortal witch, the prince and Chu Zhang, the ghost king and Yuanhua, Xiyi and Bu Sheng, the Buddha and the human master, and the two pairs of masters and disciples, the immortal and the demon... It really makes me die over and over again, and I can't get over my feelings for each other! ! !