When she was young, Princess Jiaoyang once fell for someone: a distant, self-possessed young general who had won great victories on the battlefield.
After ten years of marriage, she finally learned that he was a cold-hearted, ruthless schemer with grand ambitions.
Living her life over again, she gave up on him completely, but at last understood that he was merely an ice block who kept a straight face, struggled to express himself, and bottled up too many things.
P.S.:
The husband-chasing crematorium trope.
No angst, so enjoy without worry.
Male lead: a husky. Cold and ruthless on the surface, but an utter fool when it comes to love, oblivious to everyone around him.
Female lead: a Persian cat. Proud and elegant on the surface, but while her mouth says no, her body is very honest.
Theme: A tangled love story that refuses to come undone
I saw a comment at the back, saying that he favored the daughter of an outsider. Very good. I asked him to quit under his real name. The male protagonist was not reborn, he was not tortured, and he was not chased after his wife in the crematorium. Later friends, you. . . .
The story is good, but a lot of the content has been mentioned in one stroke. I feel like I could write a 300,000-word article. There is no crematorium for chasing my wife, but the female protagonist has grown up little by little. The male protagonist is the kind of person whose love is hard to express in his heart. He can't say anything even if he expresses his feelings. The male and female protagonists are clean and noble, you can read it.
I want to watch double rebirth, not one-sided rebirth. This is why I have been collecting it for so long and now I have no more books to read, so I took it out and read it.
If I had a daughter like this who helps her father have extramarital affairs, I would rather be infertile
The writing is quite good, but if the male protagonist was Chu Jin, I would abandon the book
I really want to know whether there is no such thing as chasing a wife in the crematorium. I don't know how the author defines this crematorium. I really want to interview him. I just came here for the crematorium, no, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah,
I've been waiting for my wife to be cremated. Where's the fire? The fire didn't even start, but it was almost extinguished before I could see it. I'm still in a crematorium. Look at this fire, it can't even burn a leaf. I'm still waiting for the male protagonist to be heartbroken and pursue the female protagonist. Don't wait any longer. The female protagonist has forgiven the male protagonist. Why should I wait for the male protagonist to pursue her? Now when I read the article, I just beg the female protagonist not to give him a good look, but I don't dare to ask the male protagonist to pursue his wife. Grass
The grievances suffered by the female protagonist have not been resolved, and I don't think she has tortured the male protagonist to the point where she said she wanted to torture him to death. But I only saw the female protagonist and the male protagonist having a happy conversation.
The author made the heroine's mood jump and change very quickly. So even if the male protagonist didn't have a relationship with another woman, she could be easily forgiven if she was abandoned by the male protagonist in her previous life? Didn't the author include a character when writing the article? And the male protagonist's character also changed too quickly.
My mother, the heroine starts to blame herself. Is it because she doesn't distinguish right from wrong, so she has blamed the hero all her life? This heroine looks like she's paying attention, but she's actually extremely stupid.