This Isn't Magic

. . . . What are you writing in the last few chapters? Doesn't this mean that those who worked hard to upgrade before are just farts? This way of writing is too opportunistic. It is equivalent to saying "the whole world was created by that god" to avoid the foreshadowing of the previous article. The confusing identities of the male protagonist and Gray and the female protagonist who appear in various timelines. After all, I will tell you that they are all things that appear at the last one percent of the progress bar. West Go's script game... My reading experience was that I felt deceived at the end. I ordered blue crab pasta in a restaurant, and the boss brought it over and kept telling you that the bottom was the blue crab you wanted. As a result, I spent time and money to eat it until I finally found out that there were slimy alien tentacles underneath.

It was really engaging at first, but then it fell apart. The first 130-odd chapters of the story are less than halfway through, and the last 10 chapters are over. The male and female protagonists are still testing each other in the first 130 chapters, but they are sympathetic to each other in the last 10 chapters. The foreshadowing and suspense laid out in the first 130 chapters were hastily dismissed in the end. This truth in particular strikes me as childish. The previous suspense is just like a joke when the final truth is known.

The front part is really good. Even though the heroine was aggrieved and ordinary and weak at first, she is very beautiful as she grows up. But what the hell kind of ending is this? This is equivalent to subversion of the main character. The whole character has been replaced. I read the ending out of curiosity and ended up not wanting to read the previous chapters.

After many years, I still can't reconcile. This is the book that I lost all interest in the author. I have basically finished all the previous books. This book is still a small character but is actually designed by Feng Aotian who has lost his memory. It is considered a causal loop in Bloody Mary. In other fan fiction and original works, it can only show that the author loves this Mary Sue, and basically has the problem of extremely disconnected characters. The protagonist is written like a narcissistic RPG of a COJ player...

Fortunately, I ran to read the ending review before I fully ordered it, but it was a mess...

The change in the heroine's character made me a little uncomfortable, and the ending was unexpected and unpredictable. When I watched it before, I brought myself into it, thinking that the heroine would upgrade and become stronger, return to the world after this desperate and terrifying experience, and reunite with her family. The plot unfolds again in the city with the male protagonist. The final ending is novel but makes people unhappy and cannot express that strange feeling.

This is completely unfinished. At the beginning of the book, I remember he said that he would write about how the heroine becomes stronger, and then she practiced it very seriously, and she became so strong that she is relatively powerful in space. I can only say this. Then he suddenly turned on the fast forward, changed the settings, and said that the heroine is a god. Finish. I also ordered all the chapters just a dozen chapters away.

This is not a bad ending, what is a bad ending... Sigh...

It's not surprising, the later stage is indeed a sharp turn in rice style ending... But my wife really doesn't know how to write about sweet love anymore...

I think the ending is too fantasy, and I instantly understand why this one can't be popular after it was so good. I'm really convinced that the heroine can be written as an evil god. The evil god is an evil god, but how can he have human feelings? It feels like reading an ancient interstellar fantasy novel, the protagonist is really awesome.