The Möbius Lover

If the most important thing for a creator is to use the simplest text arrangement and layout to achieve smooth and natural expression, then drjp's story satisfies this point very well for me. For example, she wrote, "It turns out she still has a chance to taste this taste." "She tried to smile at the person in the mirror. It was like the expression she failed to show on the Chinese Valentine's Day. Even if it was just a self-admiration," "Then I wish you the best in your future." "Because it is really too old. "It's been too long." "How can I not regret it? I should regret it." "A lifetime is too short. They don't have a lifetime." "Do you live like this every summer?" "You can hug me next time we meet." (Don't dare to look back too much.) They are all very common words and simple words, placed in a specific location and situation, which can make people shed tears silently when they read them without warning or inadvertently. It turns out that the gentle flutter of a butterfly's wings can really set off a hurricane in the heart. Drjp has countless knives, and the knives are bloody, and the blood is filled with tears. The scary thing is that drjp doesn't know how to seal one's throat with a sword, and she uses "the gray thread of a grass snake, the pulse of a thousand miles" with great skill. You don't know how many foreshadowings she has buried in where. You don't know how many aftershocks the blue forget-me-nots, caramel macchiatos, cod fish sandwiches, underweight, golden fans, and smooth violin music will cause. You don't know when each blade in the heart will be pulled out or inserted deeper. By the time I saw the end, all the blood had flowed out, leaving only large and small gaps all over my heart. The cold wind was blowing through it, but my heart was still beating. I understood what it felt like. Tips for writing small avoidances: You can view transitions the same way you would watch a movie. Little Moby is not limited to this, and the scope can be extended to the full text. The stage has been set up, the atmosphere has been created, the actors are in place, and they can use their imagination as much as they can. The scenes flash through the scenes through the words, creating a grand audio-visual feast. The atmosphere of Little Moby is reflected in the wedding at the end of the first volume, which is holy, magnificent, and tragic, just like the echoing "my long forgotten cloistered sleep". The background of the whole story is like the afterglow of the sunset on the day when Shang and Xia met, brilliant and dazzling, and the reflection before night falls. The ending of the story does not follow common sense and does not give a very clear answer. As Mr. He said, it is enough to understand their struggles and efforts for themselves and each other. The world in the escape box is still subject to the realm of God, and staying here at the end leaves room for unlimited imagination. The two sides of Shang and Xia appear to be completely different in many aspects. They have the same origin and are destined to have similar and complementary cores. The opposite sides of two homogeneous magnets are full of fatal attraction. Under the romantic sunset, we run hand in hand, the sea water ebbs and flows, the sun will rise again tomorrow, the cycle goes back and forth, the pace of love is endless, and the end is eternity. When I first read "Avoidance", I was filled with emotion. Those transitions that many people said they couldn't understand were so subtle to me. It turns out that the wonder I usually only get when watching movies and TV dramas can be clearly felt through words. Every turning point appears just right. It is different from similar designs in other stories (only for my narrow reading scope). The connection is so seamless that it leaves almost no trace. It even confused me at times. As I said in my avoidance, there is no plot in this book. On the contrary, Bai Tian pays great attention to the development of the plot and the portrayal of the secondary characters is also very full. And through Bai Tian, ​​I can understand that He always has a lot of attitudes that he wants to express. When I came into contact with Little Evasion, I was constantly shocked by Zuoyou's various plays. Uncensored descriptions can be published. Little Moby amazed me even more. Afterwards, I realized that drjp has no rival on the track of large-scale trials. What is a positive description? It is unsubtle. It seems that the accelerator of the little evasion has not been stepped on to the bottom. Each mountain is getting higher and higher, and the little witch is losing sight of the big witch. Watching the daytime with the regret of not being able to enjoy the full version, I always felt that it would have been better if I had met drjp's article earlier, until I learned that Mr. He had left the channel long ago, and soon came the news of his return. The missed opportunity no longer mattered, everything was the best arrangement, and I didn't have to wait in the long hopelessness. The little avoidance was an unexpected surprise when I downloaded Lujiang for the first time and couldn't find any good articles and was about to uninstall it. The reason for choosing to stay and the perfect interweaving of memories made me marvel that drjp is a genius. The first thing that struck me was the pen name "Winter Anatomy". Little Moby and the collection of short stories are the birthplace of tears, and the unreality of the pull-out is heightened by the emotions and tears poured into them. Bad money drives out good money on the market, good works are buried in the sand, and the time cost of searching for good books is huge. Little Moby should not be underestimated and despised. It is really not the same as the various trials of the moral pacesetters in the first volume, which are based on preconceived single-cell thinking. I hope Mr. He still has the motivation and enthusiasm to continue creating, but it's understandable if he doesn't. As long as you write, your readers will always be there. Speaking of which, the mental journey before reading Little Mobi was full of twists and turns. The first time I clicked on Little Moby was after reading Little Avoidance and Daytime. The story introduction became my first barrier to starting reading. Although I think I have put aside moral shackles and ethical norms when reading novels, I still have concerns about whether I can accept such a setting and whether it will cause discomfort. Although I had just read two works at that time, drjp's words were already very special in my heart, and I didn't want these factors to turn into a slight discomfort during the journey to experience the world in the box. After reading other readers' comments, I realized that the whole story cannot be seen from the surface of the copy. My emotions were relieved, and my worry became about whether I could understand it. This feeling was especially heightened after I noticed that there were two locked chapters. Even though Mr. He emphasized that each chapter had more detailed analysis, he couldn't help but back off again. I subscribed to the full text before putting it down, and read a few chapters at random. The rice was so delicious and there was so much everywhere, I didn't have to worry about eating at all, so I left with satisfaction. When I clicked on it last time, it had been gathering dust in my collection for too long. This time, I finally read it impatiently. The reading experience of Little Moby is not an easy and pleasant experience. It makes people question whether their conjectures are reasonable, and it also makes people cry and curse. But the delicacies that I had gone through so much effort to eat were so delicious, it was so satisfying.

After reading the full text, I still feel unfinished, and I still don't understand many parts, but I have to say that my favorite character is Qin Mingyue (even though I don't know why she exists). This woman is arrogant, mean, and selfish, but underneath her flaws you see her unique sparkling charm. Fragility under arrogance, helplessness under strength, she can't change her fate without a golden finger and refuses to stay in one place, etc. If Xia Wei and Shang Yi are the inevitable fate of fate, then I would rather compare Xia Wei and Qin Mingyue to the coincidence of fate. It's not that they don't love each other, but that they can't. There are really few chapters about Qin Mingyue. It's a pity that we can't even see the rest of it.

I remember watching it a few years ago and crying my eyes out. I had forgotten a lot of the plot, but I picked it up again in the past few days, and I still couldn't hold back the tears until the end. Finally, I fully understood the significance of the Möbius strip to the fate of Xia and Shang. I hope my eyes won't be swollen when I wake up tomorrow

Who knows? After reading the entire article, I started reading all kinds of long comments and analyzes and how embarrassed I was.

It's a beautiful novel. You'll still have endless aftertaste after reading this novel, and there will be many plots worth pondering. Their words are very short, too short to summarize their experiences, and they are persistent, but what they cannot express is in action. You see, our bodies fit together so well. This fire called "love" ignites desire and turns the sword that stabs you into a flower. I will take you to escape with me before this world collapses. You are the only one in summer. All the joys and sorrows you have brought to me should not be sealed. We are destined to be different. I want to find the memories that belong to me, even if they are never recovered. This is the only summer, the beginning of the real beating of the heart. Let's meet and fall in love with each other. Let's make this summer longer, long enough to stay together until old age, long enough to stay together for a lifetime.

After reading the final chapter, I can combine Qin Mingyue and other splits back to Shang Yi, and then I have the idea of ​​​​reading the first chapter again, which is very consistent with the setting of Mobius. The psychological crux of the first play is how to escape and jump out of the cycle, and start the "hateful time" for the 4-month setting of that week, and the mysterious divine realm. But when it comes to the second and third play, it will not be these (although the second play has not started yet). Shang Yi will be complete, and Xia Shang will be complete. Originally, they are the same, there is no difference. The most impressive thing in the whole book is Xia Wei's "You..." Thank you for your kindness. Good article [Bi Xin]

If I don't understand, I skip to the finale, but I still don't understand [crying]

"I've never regretted it." "I'll be waiting for you on the thirty-fourth week." To be continued…

The author's writing is delicate, and the transitions are very smooth, but I was confused. After reading the final chapter, I didn't even know what questions I had. I was so confused, so I really didn't have any big feelings [laughing]

"Qin Mingyue" "Please say..." "…I forgive" I cried into tears