I Accidentally Died Yesterday [Crossover]

After reading this beautiful article, I feel a sense of loss. Although I may forget the content of this book in the future, as long as I think of the name Kurokawa, I will recall the feeling at this time, as if I have left part of my emotions here forever.

I finally finished reading them all, and my biggest feeling is that I have lost interest in the book and don't be stubborn until the end. This book gave me a very amazing feeling at the beginning, and it reached its peak in Chapter 29 when Kurokawa stood on the bottom of the sea and looked up at the sky, thinking about the relationship between humans and monsters. My impression continued to decline after that, but because the author's writing style was unique and the front part was so excellent, I kept reading with great expectations. The content of the story ranges from the refreshing but too cool Japanese supernatural style in the front to the investigation of Japanese history and folklore in the back, and then to the struggle between humans, monsters and gods. The theme changes abruptly and the addition of blunt comic content (the author has made many adaptations of the works in the collection in order to write this story well, but I can't help but wonder whether it would be better to write a pure original. The writing style of this story has also changed from the freshness of dewdrops on green leaves to becoming more and more cliché. I was originally attracted by the distinctive Japanese supernatural style (the coolness of "Hyakuki Yakōsho" with a hint of fear in the beginning of this article was attracted). Although the more I read, the more disappointed I became, but I still wanted to see what kind of story the author wanted to tell. After reading it, I actually like Kurokawa's ideas very much, but I really can't like this book. There are too many, too many factors added to it, like a pot of hodgepodge, harmonious materials put together. Although there are many types, they can be equally delicious; but this article is like the author adding the factors he wanted to write all at once, destroying the overall flavor, and often having a very abrupt feeling that ruins the reading experience. Speaking of ruining the reading experience, the most disturbing thing is the author's overwhelming number of typos and incorrect sentences. Some of them even make it impossible to understand the meaning of the original text. Sometimes it is not clear whether the sentence is the author's special writing style or just a simple sentence. When I read this article, the most common thoughts I had were "The author must not have read it again after writing it" and "The author didn't use the voice input method to write the article!" Because even a person like me who is extremely insensitive to typos and incorrect sentences has reached the point where I can't stand it. This is already very serious.

This is the first time I read a comprehensive manga. The somewhat decadent and confusing writing style, the very cute protagonist character and the interesting plot story are a healing Japanese light novel style for me. The comic is interspersed with some historical facts, myths, monsters and legends, with the evolution of gods as the hidden thread and Amang's secret as the bright thread. It's really amazing to be able to re-create and sort out the timeline and determine the theme and then write it around the main plot line. I like the time narrative technique of this book, I also like this time loop design, and I like this sense of fate. I choose a path in the past and then move towards the future. It is up to myself in each period to complete this circle, and the links are interlocking. Although I understand some of the 'coincidences' at the end of the second brush, I don't know if they are what the author wants to convey, but I really feel happy after reading this book ~ In fact, strictly speaking, it is not a group portrait, but the circle of life pointed by Amang's choice to look at the future from the past and complete the closed loop of the past in the present. However, there are many supporting characters who are written with special soul. They are completely brisk in Japanese light novels, with humorous and restrained text descriptions, and delicate and gentle character portrayals. For example, Miss Wakana was betrayed and killed by her fiancé in love and stuffed into a narrow grid. Therefore, she became an earthbound spirit trapped in her home and unable to leave. At the beginning, she scared Amang fiercely and refused to live together. After Amang asked for advice in the future, she began to take care of Amang and clean up the housework. When Amang did not come home, she made a promise not to interact with humans again. She also said, "People can't keep their promises when they are alive, and they don't have to force themselves when they die." She is a kind-hearted, hard-working and slightly arrogant cute woman. Earthbound spirits cannot be saved, they can only fulfill their obsessions. Ms. Wakana's obsession was to watch a fireworks display in Edogawa River. Aman made a small handmade house and tried to take Ms. Wakana out to set off fireworks. (The scene where Aman went home and brought Ms. Wakana her favorite wagashi was particularly heart-warming.) In the end, Ms. Wakana became a Buddha by just setting off a bouquet of fireworks by the river. It made people feel sour in the nose and soft in the heart. Then there is the description of Rifang. Her appearance at that time was a bit like a control group. One pair is Hiirago and Ojo, and the other is Rifang and Amon, both of whom are acquaintances from the orphanage. One is a bully from the past, and the other is an old acquaintance from the past. Lifang is an ordinary woman who relies on her own efforts to live a serious life. She raises two children by herself while working multiple odd jobs. She will not cry to others or ask for help easily. At most, she only talks to Aman more after getting acquainted with Aman again, but she will beat and scold her children to not easily take things given by uncles and aunts, because she does not want others to feel sorry for her, because she is living a serious life, right? She will prepare carefully for charity bazaars, which can help others. She can also use her hard work to bring happiness and joy to others. In the end, she has to accept the "help" from the community with a bit of "arrogance". Excessive kindness seems to be a kind of malice... In short, although she does not appear much, she feels that the character is really full. Secondly, I also like the interspersed parts of Teacher Yongji and Mrs. Yongji. A very delicate and fragmentary description, from taking care of each other in daily life to intermittently showing the quarrels in front of the third person. An atheist and a theist are unable to communicate and understand each other's beliefs. The article says that every time two people try to enter each other's world, hatred, boredom and indifference cannot prevent the quarrel from coming. This kind of entangled love is written in a sad and sweet way. Because of love, they came close to each other and tried to accept each other, but because of differences, they quarreled and stayed away from each other. When Mrs. Yongji knelt in the snow and prayed devoutly, Teacher Yongji knew that the so-called God he was afraid of would not separate the two of them. It was just one of the channels through which his wife conveyed love. After that, Teacher Yongji began to put away his sharp parts. Mrs. Yongji sincerely prays for love, and Teacher Yongji is afraid of losing love. Love is the starting point and the end. Couples who understand each other's feelings should not suffer from this from now on. There are several death passages in the article that I think are all very well written. The first one is A Zi, the second one is Tian Hai, and the third one is Ji Xiang Tian. Azi was a brave and gentle ordinary maid in the Warring States Period. She helped Amang raise a child and taught Amang how to feed the child seriously. When Xu scratched himself and Aman scratched himself, he worriedly accused him that he should not scratch himself. The first point was that she was distressed and did not get hurt. The second point was that she was afraid that it would not be good to teach children this way. Although Xu was actually not an ordinary human child. If he felt that Amang did not take the child seriously, he would not let him take him away. If he felt that being criticized in the village was not conducive to his growth, he would let Aman take Xuu away. After that, Ah Zi became older every time we met, and Ah Zi's farewell was a natural passage of time. (I think it was well written that A Zi allowed A Mang to visit Xueze during the previous meeting. Also, the last time A Mang went to see the oldest one was his friend, but the oldest one was already the next generation.) The first meeting and parting with Tian Hai echoed each other. The first meeting was when Otomo said, "I'm going to Tian Hai." Go up, if you want to go to the bliss of the west, I'm afraid you have to come with me." Amang said, "Then you go first, and I will arrive later." When leaving, Tianhai said, "I'll go to the west before you do," which turned out to be a prophecy. When death comes, he will cry bitterly and beg for immortality, and finally regain his sense and refuse to force it. Tianhai's death is the death of a cultivator, and he may have some hope for immortality, but in the end, it is a matter of clearing away the clouds of karma and seeking a different kind of immortality: leaving his name in history. Jixiangtian was replaced because of human forgetfulness or was driven by consciousness. Jixiangtian did not have enough faith to resist the scars caused by the Horcrux and died. Although the god who relies on faith may come back one day, the reshaped God may no longer be the original Him. The death of Jixiangtian is the weakening of belief in gods. Gods held hostage by human beliefs have too many weaknesses. Finally, there is the relationship between Kurokawa, Hiiragi and Kyon, which is particularly perfect and worthy of careful consideration. It cannot be explained by simple love or ordinary friendship. For Hiiragi, it cannot be described by simple love and hate. Aman is the whole world; for Kyon, he is a teacher, a friend and a father in spring, summer, autumn and winter. There is nothing in this world, but with Aman around, he can continue. Talking too much about these two things feels a bit like eating something, so I won't say everything I think. After all, this is no cp. There are several short stories in the article that I really like. The first one is about the wife, the cockroach, the wooden charm, the maid... This story is really well told. I only took a rough bite when I read it, but I read it carefully several times this time. The interlocking links mentioned in the article are both a summary of the plot of the unit story and the tone of the entire article. The samurai who was asked to help was infested by ghosts, the hunter who died after a bird flew out of his mouth, the old couple who disappeared after the green monster came down the mountain, and the neighbor's maid who stole rice and jumped into the well. These fragmentary character stories were gradually connected and pieced together into a complete story by the clues detected step by step by Kurokawa and Hanakaiin's family. The second one is to hold Yingye's hand and help her stab her husband. "Is finding excuses for bad people your way of survival?" But it doesn't matter. Now he is dead. ' The third one is the promise made to Akui. He made the promise easily but refused to apologize, which would only lead to betrayal and deception. I feel like there is still a lot I want to say but I feel very happy after reading this article. I hope to see the author continue to write such comfortable words.

Hahahaha what is this, look what is this, look what is this, look Why do people fall into the same pit, haha

After reading it, I don't have the ability to write down the deeper insights mentioned above. I just simply like Mang Jian and this book, and I like this peaceful feeling. I had already saved the book to the "favorites" column. After reading it, I felt empty, so I looked through the author's column and found that there were no characters and books of this style. I was a little sad. I can only read Kurokawa again and again in the future.

After reading it, finish spreading flowers. In fact, I collected it a long time ago, but I forgot about it on my bookshelf. I haven't read it yet. I finished reading it today. I actually liked the first part of it, but halfway through I felt it was a little too complicated. The more I read, the more uncomfortable it became. It's the kind of uncomfortable feeling that there is no way around it, the world is like this. So I suddenly realized that if I couldn't read it in one go, I would definitely give up, because the feeling I was having now would pass, so I read it in one go, maybe because I really wanted to see the ending. How should I put it, everything feels very depressing and everyone has changed, but it will definitely change over time. Alas, I tend to be sentimental in the middle of the night, always substituting my own feelings into novels. God doesn't have any, no, Kurokawa has no emotions... Tsk, no, he has indifferent emotions... And that's also wrong. Anyway, you understand what I mean, it's great not to suffer from emotional pain. When I was a kid, I just thought it would be great to live forever, but now I just feel lonely, because I have watched a lot of these TV series, anime and so on... I seem to have commented on it during the day... But I still want to say it again. It's all about sentimentality at night. Alas, tonight I was looking through the books on the bookshelf for books that I didn't read. After reading them, I felt uncomfortable due to emotional substitution. When I wake up tomorrow morning, I will scold me tonight for being such a scumbag. Although I feel uncomfortable, it's good that the protagonist doesn't feel uncomfortable (I just eat carrots and don't worry) In fact, the writing is quite good, but unfortunately I still don't like the realistic feeling. Ps. I feel a little less uncomfortable now. Maybe I won't have to do it tomorrow morning. After a while, I can completely withdraw from the relationship and then call myself a sb. Pps: Taking a deep breath... I suddenly felt that they shouldn't finish reading the novel. Sure enough, they should stop reading it in the middle. This way, it will always be beautiful in the memory, just like a fairy tale. Ppps: I fell asleep, and suddenly I felt sad! Damn it! The writing is quite good, but I'm not good at it. I always put my emotions into the world in the novel, but I can't read it without emotion... No, I feel like I will be scolded by myself the next second. Well good night.

It's a great story. I've finished it. The first time I read it, it was only 20+ chapters. I didn't read it because it wasn't very comprehensive. I was so happy to finish reading it in one go. In the future, you can see the shadows of the past and see the endings of the characters in the past. The stories in the past time period are also very good. I feel a sense of loss after reading it.

I looked at it again... Kurokawa's current interpersonal relationships are Kiemon's radiation range [Naoko, Jimbo Tateishi], Kyon, Tokai Rin, Rikuo, and maybe Koike, Kuroko and other high school classmates. All others seeking to discover his existence will be forgotten. Speaking of which, when Xu said that he couldn't make money, I still thought, how come you, with thick eyebrows and big eyes, are so stupid, and then you go to play games... Well, you are still the same Xu, who keeps causing trouble in his life.

Kurokawa perpetual motion machine. . . Author, you are a perpetual motion god. Doge

I have finished reading this book before, but I have never written a review. After reading it for the second time, I still feel... Disappointed - it should be this feeling, I am not good at describing it. This story gives people an unfinished feeling... Kurokawa will continue to exist, and I only got a glimpse of a small part of his experience in this story.