(Transmigrate Into a Book) Big Brother, Don’t Turn Evil

From a personal point of view, the three views of the male and female protagonists are not very normal, but from the perspective of the novel, the female protagonist was abandoned in her previous life because of her bad brain. After crossing over, she wanted to find a supporter for herself. After all, a 5-year-old child could not find a better way out than hugging the thigh. The initial relationship with the male protagonist was the same as the model she had learned in the orphanage. It was not until she truly regarded the male protagonist as a relative that the female protagonist's mentality changed. The male protagonist's love may have started when the female protagonist helped him block the gun. After all, he is very smart. See the greatest benefit. For someone who is nice to him for no reason, he will be curious, and then slowly love and fall in love with the heroine in his life. The smarter people are often more likely to become crazy. The male protagonist can easily see this. The heroine and the male protagonist are naturally evil. Although the female protagonist treats the male protagonist as a relative, in the eyes of the female protagonist, she feels that the male protagonist still does not regard her as that important. Mainly because the heroine has a bit of low self-esteem (personal understanding). The heroine's departure also makes the heroine realize that she likes the hero. The hero is also the third child in novels. When he grows up, he realizes that the heroine likes someone else. He wakes up on his own and then leads the heroine to like him. In short, it is very interesting! I like it very much, and I'm really curious about how good-looking the second male lead is. Then the little bodyguard really stayed in his childhood. Finally, he got married after he became an adult. He fulfilled his promise perfectly.

Seeing the quarrel between the female protagonist and the male protagonist, the summary is that the female protagonist has a sand dollar. Now let's talk about it in detail (the following is based on the fact that the heroine is an adult). First of all, the male protagonist's rejection of other people's confessions is the male protagonist's private matter. If the female protagonist insists on intervening and feels that the male protagonist is doing something wrong, it is okay. Shouldn't that be discussed and communicated in private? What the heroine does is to accuse the male protagonist from a high position in public, talk a lot, not give the male protagonist any face, and make everyone around him laugh? Secondly, during the communication between the male protagonist and the female protagonist, the male protagonist has clearly expressed his views many times, but the female protagonist insists on imposing her views on the male protagonist. When the male protagonist does not accept it, she stands on a chair in public and accuses her. What she said is quite excessive. Is it reasonable? The male protagonist's way of rejecting people is indeed bad, but if the male protagonist is wrong, he is wrong for the girl who was rejected, not the female protagonist. In this matter, the male protagonist did not feel sorry for the female protagonist, okay? Originally, the heroine interfered in other people's private affairs and forced others to accept her own point of view. There are no two identical people in the world, and it is normal for everyone to have different opinions. It is disgusting for the heroine to force others to accept her own point of view (don't say it if it is not speculative. Besides, it will definitely lead to a quarrel and hurt feelings. The heroine still talks so enthusiastically that she steps on a chair in public), and others have already rejected it. Doesn't the heroine still say it, don't you think it's gay? If we continue to argue, there will definitely be a fight. The heroine is already 18 and an adult. Doesn't she even understand this basic principle of life? It's the heroine who is looking for a fight. Next, the heroine blames the hero for irritating the little follower, right? A little follower stepped in to take care of the matter between the male protagonist and the female protagonist. The male protagonist didn't do anything yet, but the little follower directly told the female protagonist not to hit the female protagonist because she was still young and didn't understand. The female protagonist knows that the male protagonist will not hit her. If the little follower says this, the male protagonist will be happy? The subsequent description shows the heroine walking away gracefully, without feeling that she was at all wrong. (Still doing the elegant cat walk, ugh, no matter how glamorous or elegant you are on the surface, you can't hide the weirdness in your heart) Haha, the most innocent person in this matter is the male protagonist, he has a white face and a black face, and they have to finish singing. She even picked her up from school, and after getting off the car, she was still waiting for the heroine to leave slowly, but the heroine was still having a tantrum. She deliberately refused to walk home with the hero and avoided him. She also felt several times that whoever spoke first was the puppy (a primary school student?). The next day, the hero didn't help her change clothes and dress up. She finally felt that she was wrong, but it was only because the hero ignored her that she felt wrong. The heroine didn't know where she was wrong. The female protagonist has no relatives. It was the male protagonist who took her home and gave her a home. He pampered her and protected her when someone bullied her, even if it was something he thought was childish. The school she went to, the home she lived in, beautiful clothes, delicious food, teaching her how to play the piano, finding her a dance teacher, etc. Were all given by the male protagonist. The female protagonist's behavior was a bit of a white-eyed wolf, and he was so wasteful of her good things, and couldn't tell right from wrong. If the heroine is really a child, I think it is normal. It is normal for children to be immature, childish and unreasonable, but this heroine is set to be an 18-year-old adult. I just want to know if this is the author's setting for an adult heroine with the mind of a primary school student? Or is the author just such a person, so in her eyes adults are like this? Don't insult adults. Watching it late at night made me angry :)

The character setting is too collapsed, and the more you look at it later, the more disappointed you become?

Let's just say, author, do you like Zhou Shen? Why are there so many names related to Zhou Xingxing? If you didn't pretend that I didn't say anything, I would also apologize for the inconvenience caused to you.

There are so many typos, it makes me feel uncomfortable.

Why do I feel that there is something wrong with the female protagonist, who can watch the male protagonist being beaten by her brother without saying a word, and in the end she said it was his brother's fault. How should I put it? Her brother is indeed wrong, but she is not completely wrong. I can't explain clearly. I just feel that the heroine has a weird personality.

The male protagonist's character is a bit confusing.

Can't understand that this is the end???

It's really well written! I will always support you!

I also have this kind of love, we can help each other, it's so sweet!!