Yearning for the Morning

My feeling after reading the whole article is that I love it very much. People still need to read some crazy articles to live their lives. I don't know how much better than the pre-made dishes on the list. No matter how crazy you are, you can never guess what will happen in the next second. I really like the part of this article before Mu Chaoyou rushed into the palace for Wei. In this part, Wang Daorong's male ghostly character begins to take shape, and he has a fairy-like demeanor. Although the author's description is a bit overly sketched, and it always feels like he has to describe the male protagonist's grace every two lines, but it is indeed written well and the image is deeply portrayed. The most important thing is that the character of the male protagonist is always integrated with the fictional Wei and Jin era style portrayed by the author. Some behaviors seem very strange when separated from the fictional Wei and Jin Dynasties described in the book. For example, the male protagonist sings anytime and anywhere (people call this Yin Xiao), walks in slippers (he is not Cantonese), exposes his chest (hey 110?), Eats that five-stone powder (sorry 110 is from me again), can dance and dress up as a woman (I don't really dance or wear it, so I'm making this up). However, the author has very successfully created a lunatic society, which relies on the Wei and Jin Dynasties and has an extra layer of ghost spirit than the Wei and Jin Dynasties. Moreover, although this ghost spirit is created by the author, it is completely generated in the cultural context of real history. It is the real atmosphere of the times when people were worried about death at that time. It is the art world that it successfully adheres to the real Wei and Jin Dynasties and yet belongs to the author himself. Wang Daorong, living in such an era background, is closely related to the times. Whether it is his dress, speech style, behavior, and even values, they are all completely derived from the times. It can be said that the confrontation between Wang Daorong and Mu Chaoyou is ultimately a confrontation between eras. Mu Chaoyou is a modern woman we are more familiar with, and her values ​​are consistent with those of us who are reading the novel. The reason why I say the part before Mu Chaoyou enters the house is the most beautiful is because Mu Chaoyou in this part did not make any compromises. She is a complete part of modern times. Although he is in troubled times, he is like a duckweed and cannot control himself, but he still maintains his independence in both love and career. She was able to tell Wang Daorong that this was disgusting. When I read these four words, I felt that Sister Mu was too handsome, too sober, too decisive, and too brave. The key is that her entire value concept was too sound. Even though she had been wearing it for two years, she had not been shaken or assimilated by this environment. In the beginning, before Wang Daorong attacked the people around Mu Chaoyou, and Mu Chaoyou didn't realize that the immortal blood was used to make the dead incense, the conflict between the two people was purely conceptual. The part after Mu Chaoyou entered Wang's house made me jump. Bought but quickly passed by. Who can a modern woman endure being a slave or a maid? Even her last name has disappeared. What is she called Asu? What does Asu mean? At this time, the Shura field where father and son were fighting was not good to watch, because Wang Xian was too uncompetitive, and the scene where he met Mu Chaoyou was very ugly. After confronting Wang Daorong, he showed his old age and quickly softened. He is not even as good as Xie Heng. Although the fight between father and son in this article did not bring me too many emotional fluctuations, it is necessary in this article. From Wang Daorong's point of view, at the beginning, he did not admire Chaoyou. He was aloof, powerful, ambitious, dignified and respectable. Scholars in the Wei and Jin Dynasties paid most attention to filial piety; the process of his admiration for Chaoyou was a process of abandoning all these. Abandoning filial piety, if he just went against his father and brother's family and married a low-status woman, it seemed like a cliché, so he simply let father and son fight over a woman. I can understand the rationality of this plot design, but in this plot, Mu Chaoyou's subjectivity is gone. Full text What I liked most about Mu Chaoyou was when she used Wang Daorong's favorite power to check Wang Daorong. It was rumored that Wang Daorong was on the general's team. After reading this, I felt that Mu Chaoyou was too smart. Even with a low status, he could still stumbling upon the superior and innocent nobles. The whole story I disliked most about Mu Chaoyou was when she kowtowed to Wang Xian in the bath. In the Shura field where father and son are fighting, it would be too heartbreaking if the most aggrieved one is the heroine. After that, I felt like there was nothing more to say. I often see other readers saying that Wang Daorong collapsed in the later period. I think it's okay, he was just a very consistent male ghost. It's just that he really followed the prophecy that "those who are in love are like holding torches and walking against the wind, and they are bound to have their hands burned." The person who looks like jade and is made of wax is burned by the fire of love, and his face dissolves, leaving only a pool of filth under his skin. I like the ending of BE. The male ghost throws himself into the water, and the song of crossing the river and dying is heard. It feels like Wang Daorong originally came out of the Wei and Jin Dynasties, and at the end he returned to the Wei and Jin Dynasties.

After reading it, I couldn't accept any of the endings, because I didn't know what kind of ending they should have. . .

[Biting the handkerchief] Going back to the first chapter, I feel a sense of how times have changed. "Sir, help me!!" "Why do you say this, madam?" "Rong and the girl have never known each other, but I don't know when they had a daughter as big as the girl." ​ [Biting handkerchief] [biting handkerchief] [biting handkerchief]

(Choose carefully) Finally, I chose to accept the ending of the little dark room

I declare that this is the real he. I am not joking [split][split] Chaoyou has been affected. This is the most logical he. I don't want Wang Daorong Qingshi to die without a name or Chaoyou to commit suicide with despair! I can accept that "he" is a development direction of the ending. I think it's good, but to be fair, it doesn't count as he. Wang Daorong is too favored! This can be considered more of a he

Wei and Jin version of Family Guy

I kind of want to see what the male protagonist would be like when they first met him🤤

There is really nothing to say about Mao Ning's writing. The relationship between the male and female protagonists is very good, but I think it is still a bit flawed compared to the yandere book. I feel that the plot in the later stages of this book is not very strong, which makes people a little tired. The heroine is well portrayed as always, very strong, but I don't understand a little bit about the relationship with the male partner. Maybe it is to show that the heroine does not care about chastity, but it is not handled very well. Overall, the character creation is really good, the ghost feeling, the plot can be strengthened.

I like this ending better, at least the two of them are happy to be together without any secrets [biting handkerchief] [biting handkerchief] I skipped a section in the middle because I really don't want to see the two of them entangled. It turns out that watching too much nonsense will make you tired...

I like the if line better than the two he endings... Of course it would be better if Chaoyu can return to the modern age