Blurb 1: As a good socialist young man of the 21st century,
after being tossed by the transmigration god into the resource-scarce 1960s,
to get enough to eat and protect the hard-won second life he’d been given, Zhou Jiu’an, who had always been self-reliant and on his own, fell from grace. He was all skin and bones and couldn’t even swing a hoe. So he fixed his gaze on Shen Qiushu, a strapping young man sent down to the countryside.
He thought he’d found a reliable partner who knew how to farm. Later, he realized he’d actually found himself a husband.
Blurb 2: In a remote Chinese village in 1969, people need ration coupons for food and fabric coupons for clothes. They get around on foot and communicate by shouting. They live in thatched cottages and envy those with tiled-roof houses. The fashionable fabric of the day is Dacron. Zhou Jiu’an transmigrates from being a tall, healthy university graduate into a young boy of this era, orphaned and with his only remaining relative having just passed away. In the resource-scarce 1960s, you need strength to get enough to eat. As a frail, weak premature baby, Zhou Jiu’an can’t do farm work and can’t eat his fill. Just when his hard-won life is about to be snuffed out, heaven sends him a tall, strapping young man: Shen Qiushu. Zhou Jiu’an’s eyes gleam. “Big brother, you’re so tall and strong. You look like you’d be great at farming!” Zhou Jiu’an thinks to himself: Those sturdy arms are coming home with me, no matter what.
Shen Qiushu frowns. “Who’s this scrawny little chick?” He looks kind of pitiful.
Reader’s Guide: 1. The hunting scenes in this story are included for the sake of the plot. Hunting wild animals is illegal nowadays! This is fiction, so please don’t mistake it for reality. Say no to eating wild animals, starting with me.
2. Much of the historical information in this story was collected by the author from Baidu. Please forgive any inaccuracies. If anything feels too odd, you can always treat this as an alternate-history story.
3. The author writes like an elementary school student. Please be understanding if the writing isn’t great. If anything makes you uncomfortable, please feel free to close the page. *Bows and sends love.*
Frailand cheerful, optimistic bottom x scheming, domineering top with an overwhelming possessive streak
Theme:
To be honest, I felt that there were a lot of things that were left unexplained. Three of the three people who went to the countryside were only named Ding. In the end, Zhao and Wu were forced to do it, which seemed quite awkward. There was also the one Xia who ran away after losing her son and husband. Her follow-up was not explained. There are many more that I won't list one by one.
I always feel that it's almost interesting, but I don't know where the difference is!
No, no, no, no, it feels a bit like forcing CP
I'm particularly curious about Xia Xiaoxiao's ending
It's so weird. Why is the second half always describing the romantic relationship between the two protagonists? The interaction between the two protagonists is much less, and it is discovered that the protagonist is actually a heartthrob. In that era, it was unrealistic to accept all the twists and turns.
I really want to see Wu Ze and Yingjun together
Wu Ze and Yingjun should be together, they can become a couple
Little bastard, why would such a mother cry and run away?
Xie Guowen can really only say that he deserves it
This Zhao Yingjun always throws cigarette butts on the ground and litters?
To be honest, I felt that there were a lot of things that were left unexplained. Three of the three people who went to the countryside were only named Ding. In the end, Zhao and Wu were forced to do it, which seemed quite awkward. There was also the one Xia who ran away after losing her son and husband. Her follow-up was not explained. There are many more that I won't list one by one.
I always feel that it's almost interesting, but I don't know where the difference is!
No, no, no, no, it feels a bit like forcing CP
I'm particularly curious about Xia Xiaoxiao's ending
It's so weird. Why is the second half always describing the romantic relationship between the two protagonists? The interaction between the two protagonists is much less, and it is discovered that the protagonist is actually a heartthrob. In that era, it was unrealistic to accept all the twists and turns.
I really want to see Wu Ze and Yingjun together
Wu Ze and Yingjun should be together, they can become a couple
Little bastard, why would such a mother cry and run away?
Xie Guowen can really only say that he deserves it
This Zhao Yingjun always throws cigarette butts on the ground and litters?