Raising a Noblewoman (Reborn)

What I feel most about this novel is that the author's ability and ambition do not match. The first is the issue of setting. The author gave the heroine several golden fingers, one is the knowledge learned in modern society, the other is the memory of the previous life, and the third is the portable space. I won't talk about the first two. The portable space is such a powerful setting. In other novels, it is part of the story clues. In this novel, it turns out to be a plug-in to forcefully fix plot bugs. If your leg is broken but the plot requires you to heal it, then I have space; if you are poisoned but the plot requires you to survive, then I have space. Otherwise, this setting has no use for the development of the story. It is really the most useless use of portable space I have ever seen. The second is the problem of the author's foreshadowing. The author's writing is full of suspense, leaving you scratching your head as you guess hundreds of answers in one go. You thought there would be an answer later in the article, but fine, there isn't at all. Did Ning Yuan go on a wandering journey? Why did she say goodbye? Who was her old friend? Who was the woman who deceived my second brother in my previous life? Since the heroine doesn't know that Li Rui poisoned her in the first life, what did Li Rui do in the second life to make the heroine be so wary of her? Is Qingyu the person Pei Yan placed next to the Queen Mother? When Dean Wang looked at Ziweixing and Tianfuxing, whose fortune was she looking at? Did she know that Pei Yanyan was the final winner? What did Xu Lan do in the second life or do to Xu Ting to make the heroine hate her so much? Wasn't the second aunt's sister-in-law here to slap her in the face? Why didn't she come? ... There are too many such confusing plots. It only takes one sentence to lay the foreshadowing, but it is not easy to pick up the foreshadowing. Some plots can obviously be told together, but the author insists on splitting them in half. As a result, he forgets about the previous parts at the end of writing, leaving only half of the whole story. A good novel does not necessarily have foreshadowing, but a novel that does not deal with foreshadowing is definitely not a good novel. And in my opinion, there is actually no need to bury the foreshadowing of many characters, because those plots can be completely omitted. It does not mean that writing the details of big and small characters into a novel will create vivid and vivid images of various characters. Trying to cover everything but not having the power of writing will only be superfluous. The third is the emotional development of the male and female protagonists, this is so weird! Why did Pei Yan's attitude suddenly change as soon as he learned that the heroine was his first princess? How did the heroine fall in love with the hero? Isn't this a romance novel? ? The author wastes much more ink on failed foreshadowing than in describing the emotional changes of the male and female protagonists! ! It seemed like overnight the two people calmly accepted the plot that the author asked them to fall in love with. I was really confused when I watched it. Boiling a frog in warm water over a long period of time is not such a new method, right? ? The fourth is the last few steps for the male protagonist to ascend to the throne, exo me? ? Is it that easy? Why should King Rong Xian be such a cannon fodder? He only had a fight at the birthday banquet! Do you win the throne in one round? Even I, who don't like watching Machiavellian plots, found it perfunctory. The extra chapter is also incomprehensible, and what should be said is still not explained clearly. What happened to the male and female protagonists after they entered the space? Is there any other explanation for the deaths in the previous lives besides fate? Has the fate really changed? What is the meaning of the glance that the heroine and the hero looked at when she turned into a ghost in the second life? Did the hero see the heroine? Does this glance have any impact on the fate and ending of the hero in the second life? Do you guys understand what happened in these lives? ? Thanks to the author, I feel even more confused after typing this.

It shouldn't be written that the heroine loses her space in the end. As a queen, if there is no bonus of space, various beauty pills, marrow cleansing pills, and space water, she will gradually grow old in the future. Can the emperor keep his appearance and no longer be a woman?

Speechless =_=, the author imposes too many golden fingers on the heroine, have you elaborated on them one by one, such as the portable space, which can be upgraded as mentioned earlier, it can obviously be of great use, but since the heroine came to Beijing... There is not much written about the relationship between the male and female protagonists... It is too abrupt, the male protagonist's style of painting suddenly changed after he knew the secret of the female protagonist... Um... =_=, Moreover, the male protagonist's hatred for the Queen Mother and the Emperor was very strong in the early stage, but became lighter in the later stage, and the reaction after the revenge was not very strong... Alas, the beginning was very exciting, but at the end of the writing, I felt that the author was not able to make good use of the heroine's advantages and just rushed it. Moreover, I felt that some plots were really useless, okay? What's the use of being a time-traveling woman? Putting together so many golden fingers really feels like piling them up￣^￣゜

It's very interesting. I've read almost all of the author's books. It's just a bit expensive, which makes me feel sad, but it's worth it. Come on, author, and look forward to better works. . .

... With a confused look on his face. The heroine has lived for three lives, and she has been reborn with the space she carries with her.

I have an idea. Is Dean Wang a quick traveler who came here to complete the mission? Otherwise, how could he be so forward-thinking, not marry, and open a modern female college. The reward for completing the mission is a portable space.

If it can be rated, then I will definitely give it a bad review. The beginning is very good, but the ending is too bad. Nothing is explained clearly. The background of the heroine's master named Ning, what is the story, and how the female supporting character fights with the heroine... Wait, wait, etc., It ends without explaining anything. I am confused.

It's good to watch, the plot is fascinating, and the process is good. But after the 132th chapter, I started to end it too eagerly.

Emmm, why do you say this progress bar is pulled up? The heroine talked so much when she was a child, but when she grew up, she just learned the time-flying method, and the relationship between the male and female protagonists was not sweet. Later, every time the male protagonist left after saying two sentences, and the cannon fodder was solved too quickly, which was boring. However, I like the setting of time travel + rebirth very much, and I have read similar articles before. And having a reborn female supporting character stir things up can actually be very exciting, but in this article, the female supporting character changed the whole story in her second life, causing unnecessary harm to the heroine's family. The male and female protagonists never met when they were alive, so they should have some skills, but in the third life, they were quick and easy, and they didn't see how powerful they were. This skill should not be enough to mess up the second life like that. In short, the setting is actually great, but the details are inappropriate, the plot rhythm is not grasped well, and the emotional line is written dryly, but overall the front is better than the back, and the back is as fast as an outline. It's a pity, this opening could have been very exciting.

Is this a eunuch? Unfortunately, I thought the writing style was unique, but this is too perfunctory!