Palace Companions

I really feel that the author's historical skills and writing skills are absolutely useless. Just the description of the changes of three generations of emperors is difficult to read in novels nowadays. Although the young general's suicide made me feel that it was a bit too fast to get a lunch, but when I think about it, it is indeed in line with the character. It's just that readers will regret seeing the angry horse in bright clothes committing suicide. This article is indeed not a good one. The protagonist has no golden fingers and everything is written like history. Except for the rivalry between the male and female protagonists, which is not particularly brilliant, there is indeed no exciting plot for the female protagonist in the later period. But think about it, maybe the author brought in real history and was shocked to realize that a woman like Baoer, who was rich and small, pampered and did not have much ambition, would hardly have made a grand move at that time... It seems The author must have understood history after studying Confucianism, and every word has a sense of destiny of the times, so he unconsciously wrote about politics and war, and looked at his growth from the perspective of the male protagonist. As for the female protagonist, there were few stories about women in that era, so it seems that the existence of the female protagonist is too dependent on the male protagonist, and she seems less individual today. I really hope that the author can write historical novels in the third dimension. There will definitely be something exciting.

The front part is really good, but the heroine's scenes in the back are too frivolous. She is no different from those housewives who only know how to wait at home for their husbands to take pity on them. Alas

I enjoyed reading the first part of the story, and I really liked the interaction between Changqing and Boa. The author's writing style was also very comfortable to read. I also enjoyed watching the plot development outside of the relationship between the male and female protagonists. However, there was really too little interaction between the male and female protagonists at the end of this article. It felt like Boa gradually became the background, and I couldn't feel the relationship between the two of them. There was a sense of separation between the real marriage situation in reality and the deep and affectionate love in the novel. I really wanted to see Changqing and Boa get along sweetly. In fact, if the description of this article was more specific, it would be a very good group portrait article. Many characters in the article have unique characteristics. It would be better if they were more fully described. I was confused when one or two of the supporting characters died. Overall, it's a pretty good article. I look forward to writing better works.

This is indeed the best writing, the dialogue, the rhythm, the person is very attentive... Every time I see Shaque using his little template ability to scold the author I like, I feel that this is written according to what you want, so what do I think? Finally, I hope the author will continue to work hard and stop looking at data. Although data is important, writing ability is yours.

Bao'er's later stage is basically a background. In fact, the whole story of Changqing's eunuch is not written. Changqing's feelings for Bao'er are also inexplicable. The author's historical description is very powerful, but the relationship between Bao'er and Changqing is really weird.

The heroine has nothing to do with the main plot.

The writing in the back is too stinky. I often can't even write about the heroine in several chapters. It's just a background board. It's better to serve the master in the palace every day. The author feels that Changqing is an independent individual. What about the heroine? Is she really happy later?

The abrupt ending is quite helpless. The male protagonist is really well portrayed, but the female protagonist is too thin, a silly sweet little lady who cries every day and waits for her husband to come home. The connection and transition between some plots and character emotions is a bit stiff, such as Jiang Cheng. The ending of the Ji siblings was really hastily written. The proud Phoenix and the young general ended up like this. It was so sad... And King Jing, the Queen Mother, A Lin, and even Kai'er, I really want to see their stories! The three extra stories we agreed on are so short and boring... The author really didn't care in the end.

The early part of the story is from the perspective of the female protagonist, but later it becomes obviously the perspective of the male protagonist.

So does this destiny actually mean that the male protagonist still has power? So if he had not quit the court, he would have used Dongchang to gain real power. Now that he has quit, he will get the power because of King Jing (the edict at the end). But the male protagonist is physically disabled after all, so Jiang Lin should succeed him later. Because King Jing has no children, Jiang Lin has also entered the male protagonist's family tree.