Shao Tang's Planes

Phew, I cried to death. After reading about the sorrow of women struggling to survive, what is even more sad is that we have to go through these. Only by going through the past and surviving generation after generation can we strive for equality. From Wen to Shao Tang to Han Yanyan in "The Man Who Can't Be Defeated", we can clearly see the author's progress in characterizing the characters. Shao Tang and Wen are very similar. They both work hard to become stronger but never give up on love. The difference is that Shao Tang's pursuit of strength is higher than Wen's. But this is also caused by their different backgrounds. Shao Tang has a golden finger and freedom, but Wen has too many worries. She is destined to not be able to live completely for herself, and she cannot be so wanton. Han Yanyan is the biggest difference. When describing her, the author pointed out her regret for Shao Tang. Han Yanyan broke away from everything, she got rid of love. In the first few worlds, she would start with love, but later on, she would get rid of it. She broke away from the captive female mind, she no longer acted clever, she understood what it meant to be upright and powerful, and she also moved in that direction. That's why in the ending, she felt sorry for Shao Tang. Although she was capable, she was still willing to stay in the position of the Crimson Queen. The author is really awesome.

I was glad that I looked at Han Yanyan first. Of course, this is just for myself. For the author, there must be a process of self-change. What's great is that this transformation can be recorded and passed down in the form of a novel. I actually don't like Ares very much. I also think Shao Tang has no vision, and I don't like Shao Tang very much either. To be honest, Ares seems like a symbol made up of power, money, and prestige, and loyalty is just the embodiment of his mother.

I think Wen's life has been quite wonderful! Dying on the battlefield was the best fate I could think of, and ultimately becoming a hero. In addition, I actually agree with Wen's view of Bayer. He is a playboy, a playboy who is not suitable for marriage... So the two of them love each other, but they are not suitable for being a couple, so I think this ending is all HE.

Wen Tingsheng's story is simply be aesthetics woo woo woo woo

Damn it, fuck you, why are you so sad? Didn't you end up marrying a coquettish woman that the family intended? Why are you pretending to be sad? Bah, bah, bah, you scum.

I was relieved by Zi Huan's green eyes without organs. Bayer, Callander, you are not unjust. .

Each of the articles on the side of the sleeve is very well written! This article is also above five-star level, but it's a pity that I can't rate it because I have locked a few chapters! Both the main text and the extras are very interesting. The story of Li Yun and Wen Tingsheng in the extras made me cry. It's hard to reconcile regrets and disagreements. It's hard to reconcile an incompatible relationship. Fortunately, the male and female protagonists in the main text have a good ending! I think having both career and love is the best state!

Although it is written by Mrs. Sodekata in her early years, it already has a clear emphasis on women who struggle to survive under the oppression of male power. Many women are addicted to love and believe in love. But how many people can love while realizing that this kind of love can only be charity when status is unequal? And charity can be withdrawn at any time, so how can we satisfy the exclusivity of love? So I like to watch my wife's precise scalpel cut open this gentle love skin, revealing the dripping flesh and blood of exclusivity, betrayal and oppression underneath.

This article was written 8 years ago, but it still looks so good now.

I really like the extras. Whether it's Wen Tingsheng and Bayer, or Li Yun and the attendant, they all seem to be real people with flesh and blood, and they are extremely real. I like the characters written in large strokes.