Child

"Child" is actually a somewhat premeditated work, but the way it looks now, it seems like it ended without even beginning. In fact, the original intention is not mainly about family affection, but a fable-like tracing of life. As the saying goes, three years old makes you look older, and seven years old makes you look older. The second generation of Cao, Sun and Liu families are obviously different. This has something to do with childhood environment and family education. The image of the Cao family reflects a family with multiple personalities and outlooks on life, as well as the attitudes of different members towards a small matter. The presence of talented people in such a family is often a tragedy in the future. The dull end is the beginning of hidden worries. If Cao Chong were still alive, would Cao Pi's "Di Cang Shu Ai" still be so realistic? Unknown. Everything is covered up by the wind of history under the respectful appearance and deep words. The children of the Sun family are relatively tight-knit, martial and enterprising, trusting each other, and willing to give to each other. (I don't want to include some of the things Sun Quan did in his later years that were sorry for Sun Ce) This is a vibrant family, worth looking forward to like spring grass. Liu Chan's loneliness is actually the main theme. He is isolated in a kind of absolute attention and becomes an object of relative neglect. His father's troubles and his mother's early death caused him to lose a kind of love. Children who are not loved rarely learn to love. Too many outstanding seniors made him feel inferior, and his lofty status made him unable to talk. His father's relative tolerance, born of guilt, prevented him from establishing further ambitions. In short, life has been missed again and again, and the outlook on life can no longer be harsh, just like the last sentence - it has been doomed since he was a child. Conception: