Previously titled: "The Broken Dream of a Flower's Bones" and "The Young Master Imprisons Beauty"
Born to a concubine, she grew up suffering abuse at the hands of her father's wife.
Her father executed her mother and drove her out of the family home before she had even come of age.
Her brother watched helplessly as a gang of bandits chased and abused her, choosing to stand by and do nothing.
She met him at her most desperate moment: the young prince, Tong Sheng.
He rescued her from the fire, only to lock her in another "cage"!
He possessed her body and controlled her soul.
He allowed her to do nothing but stay meekly within his grasp.
He would not tolerate the slightest resistance or betrayal from her.
But when
she finally had the chance to escape him,
she realized she had fallen in love with the man who had destroyed her with his own hands...
*My new 2026 novel, "Love's Ruin in the Palm of My Hand" (a gender-swapped version of Empresses in the Palace), is looking for readers to support and save it to your library.
Theme: Staying alive is what matters most
What? I saw a 12-year-old novel in a 25-year-old folder? [Dog head]
12 Years ago, wow, it's been a long time since I wrote
I want to ask, is this because she is alive or because she is crazy?
The ending feels even worse, Jiao Yu has gone crazy
I cried while watching it later, but luckily the ending didn't make me cry anymore.
Is this a story with a male protagonist or a female protagonist? I can't understand.
Damn, it turns out I was really fucked ~ I don't want to watch anymore ~
How to say it? There is a sense of homogeneity between the characters. His father spoke like a lovelorn literary young man in his teens. Apart from locking the door when he was nine years old, Nan Feng showed great character. Later, he always sympathized with his father's concubine and his mother-killing enemy. Wouldn't his mother tell him that the mistress was originally a slave? If he was moved because she was older and knelt down, what made him take revenge on the heroine?
The beginning of the first chapter should be based on Dream of Red Mansions, but it is too unreasonable for the lady to come to close the woodshed in person. First of all, she didn't know that the heroine was not her husband's biological daughter, and she didn't know why the heroine's mother suddenly fell out of favor, and she was unwilling to let the two people who had fallen out of favor at least since the heroine was five years old to fend for themselves. She also didn't poison or use other methods to directly kill the heroine. It was not as real as the Red Mansion, and it didn't spill enough blood. It would be very uncomfortable to be neither up nor down.
In Chapter 3, there is no need to explain so much about the background of the Four Young Masters in Beijing. Even if it is useful later, it can be solved in one or two sentences, and the more people appear, the more obvious the feeling that everyone is homogeneous. The goal is: if different people speak, you can know who said it without writing their names. The girls in the romance scene had so many words and movements. I knew the author was trying to highlight the hostess, but there were still too many that were irrelevant. Take a look at The Thirteen Hairpins of Jinling about the outstanding romantic women, or Farewell My Concubine, or Rouge Button...
The overall feeling is that the author is trying to tell a story, but not from the standpoint of attracting more readers and making readers more interested in listening, but from the standpoint of the author trying to tell a complete story.
It's great to be able to finish the first article and round out the story. In the next article, I will try to write the characters of the protagonists and supporting characters a little differently, so that they can be cute or bad... The above
Wow, it really came to life...? I didn't expect it to end like this
The ending is like this. Alas, it's a pity that it turned out to be a tragedy. Nowadays, there are very few novels with tragic endings.
What? I saw a 12-year-old novel in a 25-year-old folder? [Dog head]
12 Years ago, wow, it's been a long time since I wrote
I want to ask, is this because she is alive or because she is crazy?
The ending feels even worse, Jiao Yu has gone crazy
I cried while watching it later, but luckily the ending didn't make me cry anymore.
Is this a story with a male protagonist or a female protagonist? I can't understand.
Damn, it turns out I was really fucked ~ I don't want to watch anymore ~
How to say it? There is a sense of homogeneity between the characters. His father spoke like a lovelorn literary young man in his teens. Apart from locking the door when he was nine years old, Nan Feng showed great character. Later, he always sympathized with his father's concubine and his mother-killing enemy. Wouldn't his mother tell him that the mistress was originally a slave? If he was moved because she was older and knelt down, what made him take revenge on the heroine? The beginning of the first chapter should be based on Dream of Red Mansions, but it is too unreasonable for the lady to come to close the woodshed in person. First of all, she didn't know that the heroine was not her husband's biological daughter, and she didn't know why the heroine's mother suddenly fell out of favor, and she was unwilling to let the two people who had fallen out of favor at least since the heroine was five years old to fend for themselves. She also didn't poison or use other methods to directly kill the heroine. It was not as real as the Red Mansion, and it didn't spill enough blood. It would be very uncomfortable to be neither up nor down. In Chapter 3, there is no need to explain so much about the background of the Four Young Masters in Beijing. Even if it is useful later, it can be solved in one or two sentences, and the more people appear, the more obvious the feeling that everyone is homogeneous. The goal is: if different people speak, you can know who said it without writing their names. The girls in the romance scene had so many words and movements. I knew the author was trying to highlight the hostess, but there were still too many that were irrelevant. Take a look at The Thirteen Hairpins of Jinling about the outstanding romantic women, or Farewell My Concubine, or Rouge Button... The overall feeling is that the author is trying to tell a story, but not from the standpoint of attracting more readers and making readers more interested in listening, but from the standpoint of the author trying to tell a complete story. It's great to be able to finish the first article and round out the story. In the next article, I will try to write the characters of the protagonists and supporting characters a little differently, so that they can be cute or bad... The above
Wow, it really came to life...? I didn't expect it to end like this
The ending is like this. Alas, it's a pity that it turned out to be a tragedy. Nowadays, there are very few novels with tragic endings.