A Joyful Farewell

I don't know if the author will come back to read the comments. Recently, I came to Beijing again after a long time. I saw some words about Yin Xiang in Prince Gong's Mansion. I couldn't wait to open Yi Shang again when I came back. Every time I read the plain words, I shed tears.

The wife really wrote it so well. At the end, everyone was sad with the heroine, as if she had really experienced everything in the book with them.

Emma made me cry, it was so well written!

After reading it for many years, the only physical book I bought was a different kind of online novel in my heart. Thank you Lin Lie.

Huh, I haven't read a pornographic article in a long time. Yishang made my heart hurt when I read it. . . I feel that Yarou and Yinxiang are perfect. No matter what happens, they will still cling to each other in the end. Their relationship has gone through ups and downs as well as being as ordinary as water. I believe that no matter what, we can never let go of each other. . . Tao Yang's part was really hurtful. This was the last thing I expected. The previous description of Twelve was too light. I always felt that Twelve was very ostentatious. Although the heroine died for him once, the existence of Twelve's feelings is still very low. It is probably because the love between the two of them has no reason to appear here. Love this novel very much. Thumbs up.

The writing is very good. But I won't say nice things. Let's talk about the slight flaws in the white jade. Maybe Yinxiang, as an ancient man, needs Yarou's understanding because of his limited outlook, but doesn't Yarou need Yinxiang's understanding? I only saw Yarou constantly understanding and accommodating Yinxiang, but I didn't see Yinxiang's understanding and accommodating Yarou. Yarou knew that Yinxiang was an ancient man, so she tried to understand his thoughts and forgive his mistakes. Although Yinxiang doesn't know that Yarou is a modern person, he can't take it for granted that Yarou should be a perfect ancient woman. Is this kind of love true love? I still think love is a sacrifice from both parties. No matter who Yarou is, Yinxiang should try to understand her. For example, Yinxiang has his own goals to pursue, but he has never thought about whether Yarou's goal is just to be a good wife. Lin Lie has studied a lot of history, but has fallen into the three views of the ancients. Unconsciously thinking that women are accessories to men and that women should revolve around men. In addition to knowing the general trend of history, Yarou is essentially an ancient person who is more ancient than the ancients (the palest language in history appears -_-b). Yinxiang is the heaven of Yarou. Yinxiang's decision and Yarou must firmly support it. Yinxiang's request must be implemented thoroughly by Yarou. Both Yinxiang and Yarou must understand and forgive Yinxiang's mistakes. Even though Yarou married a man she didn't know at all, from then on, this man was everything to Yarou, even before she fell in love with him. A woman like Yarou, even her thoughts are automatically enslaved by the ancients. Could it be that Yarou had made too much effort and was too unbalanced, so in the end Yinxiang had to wait three hundred years to make up for it? Their love can't even span reality, but it can span life and death? They were unable to challenge reality and succumbed to the present, but easily challenged life and death? What a romantic ancient idea. Aren't most ancient novels compromising with reality and placing their hopes on ghosts and gods? Butterfly Lovers has a more modern spirit than them. At least Liang Zhu fought. Of course, this is not just Yinxiang's problem. Yarou has had a clear goal to be a good ancient person since ancient times, and has never struggled with thoughts or attempted actions. There is no expectation for love at all. Does she have love or sympathy, pity, and understanding for Yinxiang? Yarou herself has never thought about what love is or what it means. She just firmly implements a set of theories that even she can't convince herself. He didn't even ask Yinxiang if he was willing or if he liked it. Yarou has never had a heart-to-heart talk with Yinxiang. She is self-righteous and half-tells and half-hides, and doesn't say anything that Yinxiang doesn't need to know. So Yinxiang did the same to her, and didn't say anything to her that wasn't necessary. This is the way to think of it, right? Okay? The experiences of Yinxiang and Yarou are worthy of sympathy, but not touching. In the final analysis, nothing that Yarou, a modern person, thinks or does can resonate with readers who are also modern people.

I really cried every time I watched it. Although the two have been together for a long time, I always loved listening to Liang Jingru's "Love Song" when reading this article. When I heard "Slow Motion Film", I felt that the plots in the story were like a movie. I can see Yarou and myself.

It is indeed refreshing, especially the writing style, which has a feeling of Dream of Red Mansions. It hurts so much.

The positioning of several elder brothers is different from other Qingchuan novels, which makes me a little uncomfortable. Especially the fourth and fourth ones, their portrayal is unsatisfactory.

I bought a physical book a few years ago, but I didn't expect to see it in Jinjiang. Yishang is one of my favorite Qing Dynasty novels. I can still remember it after many years. The feeling of this article has always been light, without too dramatic emotional ups and downs. After reading it, I found it difficult to let go.