Ruyi, a village woman, digs up the centuries-old corpse of a woman in an ancient tomb. Yet the corpse looks lifelike, untouched by decay.
Ruyi thinks she has stumbled upon a perverted old monster, but it turns out to be nothing more than a living dead being with a weak spiritual power.
The living dead calls herself Baigu. Grateful for the half a steamed bun Ruyi gives her, she crawls out of the tomb on her own.
Baigu is lazy, greedy, and spineless. She loves money and beauty, and just wants to keep her head down and live a peaceful life in her cave abode.
Baigu says, “Open a cave abode, become a king, and live without a care.”
She takes in sisters and male companions, but this place is only one tiny, insignificant realm in the Three Thousand Worlds, and it could be overturned in an instant.
But Baigu has never been able to be just Baigu. She is someone whose very name was stolen from her.
With the arrival of Yan Yan, a mysterious, odd little demon from the Demon Capital, and her male companion and mount, the dazed crane Xiyu, awakening to intelligence, the past slowly comes to light. There are brutal struggles between all sides, layer upon layer of schemes spanning the Heavenly, Human, and Demon Realms, and, of course, an endless supply of fresh and varied romantic sweetness...
Mother said, “I only wish you a life of freedom.”
She has to listen to her mother.
Theme: Even after seeing all the world and its people, still being able to see the self who once gazed upon every flower in the mortal realm.
This article was very delicious even before I read it. It is undeniable that the author's writing is very good. The young and romantic heroine, the humble and loyal dog man, and the female partner who looks fierce but is actually dedicated to the heroine. The three of them investigate the case together. The hidden emotional lines are very delicious. As a result, the past of the heroine was very ugly as soon as the dead male protagonist came out. Especially when the heroine returned to the Heavenly Palace with the male protagonist later, it was even more ugly. The male protagonist was the Holy King of the Heavenly Palace. Everyone felt that the heroine was not worthy of the hero. They secretly said bad things about the heroine. The male protagonist had a dirty reputation. There was also a scandal with another female partner. The most shocking thing was: the female protagonist had a daughter in name only. It's so disgusting. Although the male protagonist has nothing to do with the female protagonist, what does it mean to make the female protagonist like to be a stepmother? The male protagonist still dotes on the daughter. He has no time to accompany the female protagonist when he returns to the Heavenly Palace. He has time to prepare a birthday party for his daughter. And no one invites the female protagonist to the subsequent birthday party. The male protagonist comes to invite the female protagonist, and actually tells the female protagonist that if she doesn't like it, she can live outside? Wtf? Because of her daughter, she drove the heroine to live outside. Moreover, the description in this paragraph is the first time the male protagonist and the female protagonist meet alone after returning to the Heavenly Palace. The daughter is afraid that the hero will abandon the heroine to accompany her daughter. Everyone is targeting the female protagonist because of the male protagonist. It's like the male protagonist doesn't know. It's all up to the female protagonist to solve it. I can't believe it. Does this kind of male protagonist really love the female protagonist? The heroine also suffered thunder torture for the hero, and the heroine told the hero that she would be good to his daughter. Oh my god, what a disgusting plot? The daughter doesn't like the heroine either, and the hero has to ask the heroine to forgive her for her young age. I feel like this daughter is older than the heroine even at 2,500 years old, right? The heroine still has to give in to her daughter. I feel like the author just changed people after writing. The heroine has also changed from a wanton and romantic teenager to a character who is concerned about gains and losses and makes compromises. When I was watching those people in Tiangong trying to embarrass the heroine, I really had a vision of how that person in Three Lives, Three Worlds and Ten Miles of Peach Blossom looked to Su Su. After all these years, has the template of female abuse still not changed? Is a man who seems to be a holy father but actually ignores his lover's injustice really worth loving? Author, did you write a substitution? Or did I look forward to it too much and now I feel betrayed? 😭
I don't understand why the male protagonist is given a daughter and the female protagonist is given a role as a stepmother [oh oh oh]
"Xuan Ming stood on the execution platform, solemnly..." This is a big bug for the author ~ I regretted it for her
"Chen Ye was slightly disappointed and continued..." This is a big bug for the author~ It turns out that's the case.
"Juchen has already waved his sleeves and waved away..." This is a big bug for the author~ Can't you have a good meal?
"Look at the female official next to the Queen of Heaven..." This is a big bug for the author~ This name is not pleasing to the eye.
"It was only then that Shen Ye discovered that the Queen of Heaven's..." This is a big bug for the author~ What's going on?
"That night, the Emperor of Heaven and the Queen of Heaven invited..." This is a big bug for the author to see the world.
"She has a plate in her sleeve,..." This is a big bug for the author~ I want 🐶 too
"After the Emperor of Heaven married the Queen of Heaven, he also..." This is a big bug for the author~ The heroine's views are too correct.