A decisive heroine who loves zero-frame openings. Once she comes into her own, she charges straight ahead and flirts without restraint: a loyal, straightforward puppy type.
At first, he strictly observes the teacher-student boundary and suppresses his feelings once he falls for her. But he can't withstand her direct advances. She's a catlike type who openly flirts, subtly tempts, and gently leads him on. 285
Soulmates, 1v1, mutual devotion.
Pre-registration: *I Hired a Cat and Got the Strongest Ex-Boyfriend*. Click to see how a DK and a 275 share one cat body and “trip each other up” for love.
Other people when reborn: a System, a pocket dimension, a max-level account.
Moriya Hotaru when reborn: an installment-payment binding contract.
Since when do golden fingers charge you?
After being shoved into a cursed spirit's mouth, wild sorcerer Moriya Hotaru thought she'd finally gotten the standard cheat for revenge after being reborn: a thousand-year-old cursed-spirit granny who would stay by her side.
The other party was versed in lost techniques and held the keys to a soul sanctuary. She opened with, “I am the Manipulator of Pure Waters. You are the one I have awaited for a thousand years.”
Sounds impressive, right?
Sounds like the script for a satisfying comeback story, right?
Sounds like she can finally claw her way off the execution list, right?
Then the old lady smiled and handed her a binding contract.
“Before November, you must get rid of someone for me.”
“Who?”
“You'll understand when the time comes.”
Moriya Hotaru: ...
So while everyone else's golden finger is a System handing out perks and setting the whole world ablaze, hers is a deadbeat's installment loan, right?
Not only does it cost money to unlock, but returns are not accepted and there's no after-sales service. On top of that, the old lady constantly threatens her with lines like “Your life is in my hands,” wearing the infuriating expression of someone saying, “We're welded together now.”
Every day, deep in her soul, Moriya Hotaru sharpens her knife and wonders: who's pulling the strings behind her back?
She barely survived an extreme reverse possession and scored a death-sentence commutation package. A mysterious curse user has hunted her across two lifetimes... even her rebirth was meticulously planned.
She thought she was simply unlucky, until the curse user hit her with a stun and she was on the brink of a mental breakdown and death. Then her past life's remnant soul and the cursed-spirit granny finally sat down side by side and came clean.
Oh. So she'd been sabotaging herself all along.
In her previous life, she died a miserable death without ever understanding what was happening. Her soul wandered through the sanctuary, passing her days in a haze.
Then one day, the world of the living suffered a devastating blow. Countless vengeful spirits poured in, and the sanctuary began to crumble.
Sitting amid the ruins, unsure where to go, she suddenly felt someone gently touch the sanctuary's boundary.
She looked up and met a pair of eyes like a clear, sunlit sky.
He crossed the River of the Dead and sat beside her as if it were the most natural thing in the world, letting out a long sigh. “Huh, so there really is a world after death.”
After a moment's silence, he began chattering away about his adorable students, the cute cat he'd met on a mission, the desserts he hadn't finished...
They were all the little things and everyday bustle of being “alive,” things she'd missed out on and never had the chance to experience.
The collapse of the soul sanctuary could not be undone. At the end of death, the white-haired man gently drew her fingers into his hand and smiled. “Hotaru, if you don't make a fist and hold on, the things you treasure will quietly slip away.”
She awoke with her memories of her past life, and when she saw those blue eyes of the strongest teacher again, she couldn't help but cling tightly to him, clutching the hem of his clothes in her palm behind his back.
This time, she held on tight.
An abandoned child with a selfish wish, daring to defy fate.
This time, she'll take back everything that belongs to her and make sure not a single cloud ever darkens that sunlit sky again.
Content warnings:
1. The pairing is 285. The heroine is already an adult when she meets the hero.
2. The heroine has flaws and complex post-traumatic stress disorder. She's completely unfamiliar with the sorcerer world. I want to write a heroine who goes from being wary to curious, then is drawn in by Gojo's charisma. She's a little slow to warm up.
3. The plot is heavily adapted, with original worldbuilding. The tone leans toward dark, serious drama. It touches briefly on the place sorcerers occupy in ordinary society. If this isn't for you, please stop reading.
This is a happy ending, but not a hot-blooded power fantasy. The heroine isn't the strongest. In the final battle, Gojo is the main attacker, while the heroine joins the group fight on the same battlefield.
4. This is my first long-form work, so it may have shortcomings. I won't whitewash the original characters. First- and second-year students won't appear much. The heroine never becomes part of the technical college. There's a scene where she attacks a second-year student for calling Gojo a blindfolded idiot, and a scene where she looks down on the students after realizing how indifferent, even malicious, they are toward Gojo. If any of this makes you uncomfortable, feel free to use the exit button.
5. Most importantly, OOC warning: Gojo is a complex little cat in a love-triangle sandwich. I may not fully understand him, because Gojo x teacher pairings are really easy to write OOC [sobbing].
Theme: Love and a sense of belonging
The strongest is like this (push your chest proudly)
Reasonable! After all, the head of the house is a big cat [Sunglasses] Gojo's house is a cat's house ()
Since the next copy is closely related to "Bitter Moon and Waves", it can be regarded as a coincidence, so I feel it is necessary to respond.
Of course, everyone has their own understanding by now, and the author respects every reader's point of view.
In fact, I have seen paragraph comments twice, but because I am not used to replying to paragraph comments, and because of limited energy, I do not have time to reply in depth. I am also afraid that the length of the reply will affect the reading experience. On the one hand, I don't know how to reply.
The article has been written so far. The "Valley of the Forest" case at the beginning has constructed a wild spellcaster living in the world of ordinary people, seeking protection and a sense of identity, helpless and helpless.
The subsequent plots have also been trying to deepen the dilemma of "marginalized objects" among the public, and also want to explore the difference in perspective between the magic world and ordinary people.
In the text, the righteous side is also exploring the secrets of the magic world, which is the point of disagreement between the two sides regarding the right to know and the right to supervise.
As a person with a talent for spells who grew up in ordinary society, the heroine mentioned in the article that she wanted a clear identity: Am I an alien? Where should I go? Should I be a watermelon or a sweet potato? And even if he is a magician, isn't he still a human being? Why is it so difficult to find a place in society and so lonely.
When Lu Da appears, she is a character who transforms from victim to perpetrator. She is also a character whose experience is roughly consistent with that of the heroine. It can be said to be the mirror image of the heroine - there is no chance that Yuki will lend a helping hand, and there is no possibility of encountering the curse master first without the intervention of the magic world.
What Lu Lu did was the result of experience, and the result of being ignored and driven out of the system. When the dungeon started, she personally told what she had done.
Her taking hostages was a clear criminal act. The police fired in accordance with the law to protect the lives of ordinary people. This is completely legitimate and irreproachable in terms of practical logic and police procedures.
This point has never been denied in the objective narrative of the text.
I also solemnly declare: This article does not have any tendency to question the legitimacy of police law enforcement.
As a witness and perspective character of the story, the heroine's pain does not come from "questioning the police's law enforcement."
What she saw was an "other self" who had the same painful past as herself and was also regarded as alien by the world.
But she was not actually sad for the mainland, but confused about the situation that the mainland represented (in her conversation with Teacher Gojo after catching the mainland.)
The question she asked "Why did you shoot?" Was not questioning the rationality of the law and law enforcement, nor did it have the element of questioning. If she really felt it was unreasonable, she would not have pressed her thumbprint happily after getting the answer. She was not arguing for the mainland.
She was just confused.
Since it is a case of magic, shouldn't the executor be a magician?
One person who was seriously injured in the mainland was already suspected of injuring others through a spell. Why did the mainland have to be shot to death first? This was the heroine's presupposition. This is her doubt about executive power.
And the death confession in the mainland at the end. As the heroine is the executor, it will be judged that she wants to commit suicide.
In this world where ordinary people and aliens coexist, aliens cannot even retain the dignity to choose to commit suicide in the end.
The original intention of writing this plot was not to formulate an answer, because there is no real answer at all.
The author wants to explore "the systemic dilemma faced by aliens with special abilities when seeking a sense of belonging in ordinary society."
The author feels that everyone's understanding is different. If you reply in a long way rashly, it will be suspected of forcibly setting the tone.
The author also hopes to see different discussions and different understandings.
I did not expect such a misunderstanding, so I would like to apologize for not replying in time.
Since the article was written, the author has deliberately avoided extensive interpretation and writing analysis in the later period.
The real goal that I want to achieve in the end, or the original intention of the outline, is that I am really angry that no one can inherit the ideals of the original Gojo teacher, and I want to write an article to satisfy my regret.
This is the author's first attempt at writing a full-length novel. Rhythm issues in the text are difficult to ignore. Thank you readers for your companionship and encouragement along the way.
The author is a top-notch person. At the beginning of the serialization of this article, he was very nervous because he was a complete novice and had no experience. He was also under a lot of pressure between real life and writing. The ability to persist until now is actually due to his obsession with the ending and the support, tolerance and companionship of all readers and friends.
Thank you all again.
I wiped my hands secretly, it made me laugh so hard hahahahahahahahaha
Hateful! I thought that hug too!
Dk kitten flashes——
To be honest, Night Moth is also a pity character. Not to mention his death, his story line has never been unfolded at all. It is obviously worth talking about (even if he tells the story of his divorced wife)
The side as a husband, the side as a magician, the side as a teacher, you can talk about any of them, and it's a pity that 99 is the same.
So it's very sad. They say the sky is falling and the tall man can't stand it, but why is it that the tall man only has Satori? Moreover, the world of magic for which he sacrificed his life is a complete white-eyed wolf [Cracked]
Good understanding [hug] As long as the updates are not interrupted for no reason [hug]
There is a feeling that a storm is coming (wary)
The strongest is like this (push your chest proudly)
Reasonable! After all, the head of the house is a big cat [Sunglasses] Gojo's house is a cat's house ()
Since the next copy is closely related to "Bitter Moon and Waves", it can be regarded as a coincidence, so I feel it is necessary to respond. Of course, everyone has their own understanding by now, and the author respects every reader's point of view. In fact, I have seen paragraph comments twice, but because I am not used to replying to paragraph comments, and because of limited energy, I do not have time to reply in depth. I am also afraid that the length of the reply will affect the reading experience. On the one hand, I don't know how to reply. The article has been written so far. The "Valley of the Forest" case at the beginning has constructed a wild spellcaster living in the world of ordinary people, seeking protection and a sense of identity, helpless and helpless. The subsequent plots have also been trying to deepen the dilemma of "marginalized objects" among the public, and also want to explore the difference in perspective between the magic world and ordinary people. In the text, the righteous side is also exploring the secrets of the magic world, which is the point of disagreement between the two sides regarding the right to know and the right to supervise. As a person with a talent for spells who grew up in ordinary society, the heroine mentioned in the article that she wanted a clear identity: Am I an alien? Where should I go? Should I be a watermelon or a sweet potato? And even if he is a magician, isn't he still a human being? Why is it so difficult to find a place in society and so lonely. When Lu Da appears, she is a character who transforms from victim to perpetrator. She is also a character whose experience is roughly consistent with that of the heroine. It can be said to be the mirror image of the heroine - there is no chance that Yuki will lend a helping hand, and there is no possibility of encountering the curse master first without the intervention of the magic world. What Lu Lu did was the result of experience, and the result of being ignored and driven out of the system. When the dungeon started, she personally told what she had done. Her taking hostages was a clear criminal act. The police fired in accordance with the law to protect the lives of ordinary people. This is completely legitimate and irreproachable in terms of practical logic and police procedures. This point has never been denied in the objective narrative of the text. I also solemnly declare: This article does not have any tendency to question the legitimacy of police law enforcement. As a witness and perspective character of the story, the heroine's pain does not come from "questioning the police's law enforcement." What she saw was an "other self" who had the same painful past as herself and was also regarded as alien by the world. But she was not actually sad for the mainland, but confused about the situation that the mainland represented (in her conversation with Teacher Gojo after catching the mainland.) The question she asked "Why did you shoot?" Was not questioning the rationality of the law and law enforcement, nor did it have the element of questioning. If she really felt it was unreasonable, she would not have pressed her thumbprint happily after getting the answer. She was not arguing for the mainland. She was just confused. Since it is a case of magic, shouldn't the executor be a magician? One person who was seriously injured in the mainland was already suspected of injuring others through a spell. Why did the mainland have to be shot to death first? This was the heroine's presupposition. This is her doubt about executive power. And the death confession in the mainland at the end. As the heroine is the executor, it will be judged that she wants to commit suicide. In this world where ordinary people and aliens coexist, aliens cannot even retain the dignity to choose to commit suicide in the end. The original intention of writing this plot was not to formulate an answer, because there is no real answer at all. The author wants to explore "the systemic dilemma faced by aliens with special abilities when seeking a sense of belonging in ordinary society." The author feels that everyone's understanding is different. If you reply in a long way rashly, it will be suspected of forcibly setting the tone. The author also hopes to see different discussions and different understandings. I did not expect such a misunderstanding, so I would like to apologize for not replying in time. Since the article was written, the author has deliberately avoided extensive interpretation and writing analysis in the later period. The real goal that I want to achieve in the end, or the original intention of the outline, is that I am really angry that no one can inherit the ideals of the original Gojo teacher, and I want to write an article to satisfy my regret. This is the author's first attempt at writing a full-length novel. Rhythm issues in the text are difficult to ignore. Thank you readers for your companionship and encouragement along the way. The author is a top-notch person. At the beginning of the serialization of this article, he was very nervous because he was a complete novice and had no experience. He was also under a lot of pressure between real life and writing. The ability to persist until now is actually due to his obsession with the ending and the support, tolerance and companionship of all readers and friends. Thank you all again.
I wiped my hands secretly, it made me laugh so hard hahahahahahahahaha
Hateful! I thought that hug too!
Dk kitten flashes——
To be honest, Night Moth is also a pity character. Not to mention his death, his story line has never been unfolded at all. It is obviously worth talking about (even if he tells the story of his divorced wife) The side as a husband, the side as a magician, the side as a teacher, you can talk about any of them, and it's a pity that 99 is the same.
So it's very sad. They say the sky is falling and the tall man can't stand it, but why is it that the tall man only has Satori? Moreover, the world of magic for which he sacrificed his life is a complete white-eyed wolf [Cracked]
Good understanding [hug] As long as the updates are not interrupted for no reason [hug]