The Traitor's Moonlight

Why can't Ah Yue live with them? The male protagonist should know that Ah Yue can't be together unless he is properly arranged. He is a human child. How can he be with him if he does this? And I don't think this is irreconcilable. It's just a child. When pursuing a girl with a child, he must be trying to please the human child. What is he thinking? The two of them just talk about their demands. For this little conflict, it would be better for the hero to kill Cai Guangji himself.

I feel like the others wrote too much, and I didn't see the charm of the protagonist, especially the male protagonist.

Is this the end? It's so sudden. Didn't the extra story include the story of Li Yuanzhu returning to modern times and meeting his ex-husband? Well, there are indeed many hidden clues that haven't been written yet. The Shao family in the capital, and the role of the beauty given to the ex-consort, and the subordinates who were attracted by the Liangzhou beauty, feel that the male protagonist has an agenda and cannot be in vain.

I feel like I am no longer a human being and I am about to become a bee. Originally, the story about Young Couple was better written earlier. If we meet again in modern times, I still hope it is Xiao Cai's husband. The first time the heroine meets the hero, he is whipped. Now he whips others like this, which makes them feel uncomfortable for some reason. Moreover, the heroine is in jail and cannot bear to see the heroine suffer like this.

I feel like the last few chapters have been a bit watery, so I'd better focus on the male and female protagonists.

I still feel that the first part is good-looking, but there is no sense of force and robbery in the second part. I feel that the emotional changes of the male and female protagonists are also difficult to get. But maybe it's because I skipped a chapter.

When writing about the original wife, it was a warm, sweet and lively little world, a short story but not boring, which is difficult to achieve. When writing about the male protagonist, after the female protagonist likes her, she began to have the feeling that it doesn't matter if an old couple treats each other like guests and sleeps in separate rooms for a long time. After seeing that the male and female protagonists both have a sense of real parents, it was the first time. I feel that the life of a married couple can also have an old-fashioned flavor, and I have regained my youth a little bit today. Is it really possible for a growth-line careerist to coexist with someone who is greedy and plundering? This kind of relationship is very weak, as if it is only possessive. I feel that the author's casual writing is a stroke of genius, but the careful and dedicated research is almost tasteless.

Why. I still think the original couple line is written better, and the writing about the original couple will focus on their relationship. It's like there is a huge world, no matter how it changes, it will be macroscopic and blurry, but as long as they are together, the world will suddenly become smaller and more concrete, focusing directly on the two of them. The author should take care of it when writing about the male and female protagonists. Too much is mentioned. The emotional scenes between them are getting weaker and weaker, and there is less direct communication. In fact, some of the words can tell that the author wants to focus on the emotional part and the characters are all very good. However, now there is a lot of plotting, robbery, a growth line for the male protagonist, and a smooth and gentle relationship. There are too many and it is too difficult to control.

I have been waiting for the scene where the heroine returns to modern times to reunite with her parents after her death and Cai Guanghe renews their relationship. . .

My father is seriously ill and he should go back. Just hold on for once. The one you love more is the one who compromises. Why do you keep compromising?