Content introduction: In the first year of Kaibao, the cultural context of the Southern Tang Dynasty was trembling. On the armillary sphere of the Bianliang Xuan Shu Bureau, the words and phrases of "Poppy Poppies" are etched into star trails, and the Xuanyuan Sword of Emperor Zhao Kuangyin of the Song Dynasty has been hung on the head of Jinling City. Li Yu's writing brush is no longer filled with the fragrance of ink, but the catastrophe of his words - he is burdened with the curse of the fragments of the "mountain and river plate". A stroke of "the forest flowers withered the spring red" actually caused the frost to fly in June; half a line of "the motherland cannot bear to look back" summoned the giant turtle from the East China Sea to break through the waves. After the great Zhou Dynasty, Emperor Zhou E's Nine Heavens ring was worn out, and the soul disappeared, and the secrets of the mountains and rivers were sealed with the blood curse of witchcraft. The younger sister Zhou Nuying turned into snow, inherited the lyrics of "Bodhisattva Barbarian" and transformed into a human form. The Night Banquet of Han Xizai hides the cultural heritage of the Southern Tang Dynasty. The Khitan Wolf Cavalry borrowed the poem "Po Zhenzi" to turn arrows into arrows, while the arrow clusters of the Song Army's poetry soldiers were engraved with the century-old prophecy of "Jingkang Shame". When Li Yu glimpsed the ending of his body tied with white silk in the realm of Ci, when the remnant soul of Emperor Zhou E wrote "Forty Years of Family and Country" in the Soul Refining Cauldron, the Ci Emperor finally used "Yu Meiren" as a sacrifice - the ink words turned into blades and cut into the heart, forever preserving the cultural heritage of the Southern Tang Dynasty in the ruins of Jinling. It's just that the history books haven't recorded it. In the moonlight of Kaifeng Mansion's Tianlao, those "How much sorrow can you ask me" seeping into the cracks of the bricks are quietly forming new mountains and rivers...