Record of Jie Feng in the Southern Tang Dynasty

When history books become cages, ink characters turn into weapons. Under the territory of the thirty-eight states of the Southern Tang Dynasty, buried was the most poisonous curse of the great ancestor Li Min - the mountains and rivers were torn apart and three spirits were entangled. Li Jing used gold and wrong swords to cut off Xu Wen's thousand-year-old witchcraft, and Li Yu's "Poppy" couldn't describe Zhao Kuangyin's poems and arrows. The soul-eating paper of Chengxintang is turned into a blade, and the string of Jiuxiao ring is broken into a curse. Emperor Zhou E gave him a blood feeding plate in exchange for ten years of lingering asthma, while Zhou Nuying's white hair covered with snow continued her half-queen swan song. In Han Xizai's Night Banquet, the Khitan wolf cavalry breaks through the barrier of Ci Pai; in the Bianliang Mystical Game, "Taizu's Instructions" is carving the Southern Tang cultural context into a sacrifice. Forty years of blood and tears of family and country condensed into the sentence "the motherland cannot bear to look back." Under the moonlight above the city of Jinling, the word emperor's pen cut through the mountains and rivers - the word cards became deadly weapons, banquets concealed the killing array, ink marks locked people's souls, and white hair suppressed the country's mourning. When the bloody poppy blossoms, who still remembers the truth that has been obliterated by history books: the so-called destiny is just an evil poison fed by the obsession of the human heart?