The plot of "Siheyuan" started in 1955. The violence is not heavy. The protagonist is a martyr, not a character in the TV series. There are many slap-in-the-face plots. Yi Zhonghai, Qin Huairu, Jia Zhang are the villains, and Shazhu escapes the control of the pensioner. Under the intervention of the protagonist, the quasi-extinct households in the courtyard all gave birth to children, and they were relatively positive.
Those with a score of 9 or above [Salute] Traveling through the courtyard, there will be one more relative every half month, with high and low positions, fighting wits and courage in the beast's den, alas, so many relatives are so lawless
Hey fam! "Chief of the Security Section at the Beginning Stunned Everyone in the Siheyuan" You have to take a look! Our protagonist becomes the chief of the security department right from the start. His style can scare everyone in the courtyard into a daze. Silly Zhu wants to be arrogant, but the protagonist glares and immediately becomes honest; Qin Huairu wants to have a relationship, but the protagonist is speechless and has nothing to say. The protagonist's halo is so bright that he keeps doing all kinds of weird things and is full of jokes. Reading this novel is guaranteed to make you laugh until you can't stop, so get in!
🍀🍀🍀A collection of millions of exquisite courtyard houses, you can watch them all at once. ① It is the courtyard where crime is solved. It's more about the drama outside the small courtyard. ②When He Yuzhu chose to join the army to resist U. S. Aggression and aid Korea instead of going to the canteen of the steel rolling mill, how did you make your decision?
1🔥🔥[Siheyuan+System+Daily+Plot Change] Zhou Jianjun traveled to Qingman Siheyuan, but found that some plots had changed due to his arrival. This world is great. Not only do I have a house, but I also have a beautiful wife and lovely daughter. It also has a one-cent flash sale system. Lack of food and drink? Doesn't exist. Zhou Jianjun said that he just wanted to live a happy life with his wife and daughter, so no one should disturb him, otherwise he would be responsible for the consequences.
"Siheyuan: From the 1950s" uses the unique perspective of "spectator + stocking flow" to explore the theme of the courtyard, allowing Wang Ping'an, a 21st century takeaway boy, to travel to a martyr's family in 1958. With the "double space golden finger", he managed steadily in the special era. He not only watched the life of the courtyard with a cold eye, but also survived with an advanced layout. The author uses a delicate period texture and light comedy style to create a unique work that combines realistic fireworks with a sense of time travel. 1. Anti-traditional time-travel positioning: being an outsider in the Siheyuan Different from the conventional routine of "slap in the face and revenge", the protagonist Wang Ping'an has the attribute of "bystander": he is aware of the calculations of everyone in the Siheyuan (such as Jia Zhang's greed and Yi Zhonghai's hypocrisy), but he actively keeps a distance and adheres to the principle of "I will not offend others unless they offend me". In the first chapter, he responded politely to the second uncle Liu Haizhong's overtures and Qin Huairu's enthusiasm, but always observed the dynamics of the compound from an "outsider" perspective - when Si Zhu and Xu Damao were fighting, and when Jia Zhang peeked at his family's supplies, he only laughed and did not intervene in the dispute. This "sober sense of alienation" breaks the depressing atmosphere of traditional courtyard themes, allowing readers to examine the various aspects of human nature under the limitations of the times from a "God's perspective". 2. Pragmatic development of space cheats: hoarding is the hard currency. The protagonist's "dual space" setting (planting space + static space) abandons the constraints of "system tasks" and returns to the essence of "rigorous needs for survival": - Planting space: can cultivate automatically and accelerate growth. Wang Pingan went to the countryside to purchase seeds (rice, corn, vegetables) to achieve mass production of food in the space, laying the groundwork for subsequent famines; - Still space: used to store supplies. He cashes in the harvested vegetables on the black market (such as selling fresh cabbage for 10 cents per catty), and then uses the funds to replace meat stamps and livestock cubs, forming a closed loop of "planting - cashing - stocking up". It is worth mentioning that the author weakened the fantasy color of "Goldfinger" and focused on depicting the pragmatic operations of the protagonist: in order to obtain seeds, he lied about "the uncle in the courtyard passed away" and asked for leave to go to the countryside; in order to avoid censorship, he wore a cotton-padded jacket and covered his face when trading in the black market, making the logic of "hoarding goods to save the country" more realistic and convincing. 3. A vivid outline of group portraits of the era: a true picture of ordinary people in the city. The author uses "1958" as the time anchor to accurately restore the quality of life in a special era: - The appearance of all living beings under material scarcity: the stinginess of the third uncle Yan Fugui in "dividing pickles based on their roots", Xu Damao's showing off of his "projectionist identity", and the wretchedness of Silly Zhu's "peeping at Qin Huairu" all reflect the undertones of human nature under material shortages; - The hidden power of institutional relationships: the protagonist is protected by the chief because of his status as a "descendant of martyrs" (such as his mother's transfer to the supply and marketing cooperative, and priority in obtaining bicycle tickets), which reflects the actual role of the "relationship network" in a special era; - The complex writing of female characters: Qin Huairu's enthusiasm before going dark, the Queen Mother's traditional concept of "eagerly looking forward to her grandson", showing the survival strategies of women of different generations under the framework of the times. These details interweave into a "Siheyuan Ukiyo-e", which contains both the fireworks of neighborhood greetings and the undercurrent of calculations, making readers feel like they are in that scarce but vivid era. 4. The soothing tension of the narrative rhythm: burying long-term stories in daily life. The novel takes "high school life + space management" as the main line, and adopts a "slow-heat" narrative: the first five chapters focus on the protagonist's adaptation to time travel, space development, and black market transactions. It does not directly intervene in the core contradiction of the courtyard, but extends the perspective to a broader era background (such as the upcoming natural disaster in 1959) through the main line of "hoarding food to prepare for shortages." This writing method of "reflecting the changes of the times with personal destiny" not only retains the urban interest of the courtyard theme, but also gives the story a pattern that goes beyond house fighting - when Wang Ping'an grows wheat and breeds poultry in the space, readers can already foresee that he will become a game-breaker in the future famine as a "food holder". Conclusion: When time travelers become observers of the times, "Siheyuan: From the 1950s" uses the "hoarding flow" to reconstruct the value of time travel, allowing the protagonist to establish himself in the Siheyuan as a "material reserver" rather than a "conflict participant". If you are tired of "punch-to-flesh" revenge novels and want to experience the pragmatic time travel of "fighting steadily against the tide of the times", this work will give you a different reading experience. Watch how the delivery boy uses modern thinking to manage the dual space, and writes his own survival legend while watching indifferently in the Qinman Siheyuan.