I’m Really Into Siheyuan Stories Lately, Recommend Some Good Ones

1 四 Siheyuan: Why Bother with Him? He Really Dares to Kill People Spy Fisherman1.3M WordsCompleted 63kReads7.8Score4.4kShelves

Reader note

The refreshing book in the courtyard will relieve your anger once you read it.

3 四 Red Writers in the Courtyard Ah Dou Ah Ah Ah1.8M WordsCompleted 43.9kReads8.0Score2kShelves

Reader note

"Siheyuan: My Writing is Like a Knife, I Can Destroy Yi Zhonghai" has a very impactful opening, dragging readers into a world of Siheyuan full of blood and resistance. When Zhang Dacheng, a later-generation doctor who was terminally ill, traveled back to the Siheyuan in the 1950s with full of resentment. Faced with the insults of Jia Zhang and Yi Zhonghai's favoritism, he did not choose to swallow his anger. Instead, he raised a stick and a kitchen knife and used the most direct violence to tear open the hypocritical mask of the Siheyuan. A survival counterattack using violence to counter violence began. The setting of the protagonist Zhang Dacheng is extremely tense. In his previous life, as a terminally ill doctor who was betrayed by his friend, he traveled through time with disappointment in human nature and unwillingness to face fate. As soon as he arrived in another world, he encountered the death of his mother and bullying from his neighbors. This double blow completely aroused his inner cruelty. He does not plan step by step like traditional time travellers, but appears in an almost "crazy" manner - beating Jia and Zhang's mother and son with a stick, and slashing at Yi Zhonghai and He Yuzhu with a kitchen knife. Every time he strikes, he goes straight to the point, full of the determination of "kill one to make up for the loss, kill two to earn one". This "ruthless" setting breaks the common forbearance and calculation in the courtyard genre, and brings a strong sense of refreshment and impact. The novel's reshaping of the classic Siheyuan characters is refreshing. Yi Zhonghai is no longer the sanctimonious "moral god", but a hypocrite who fled in a hurry under Zhang Dacheng's kitchen knife and was finally forced to kowtow and apologize; Jia Zhang is not the "necromancer" who only knows how to play tricks, but a bully who is frightened under the stick and begs for mercy; He Yuzhu, although he has some skills, is frightened by Zhang Dacheng's knife and never dares to attack easily again. This subversive characterization allows readers to see the true faces of these classic characters in the face of absolute violence, and also deconstructs the hegemony of the "senior care group" that is common in courtyard stories. The plot advances at a tight pace and conflicts arise one after another. Starting from Zhang Dacheng's first New Year's Eve dinner after traveling through time, the conflict continued to escalate - Jia Zhang's insults were the trigger, Zhang Dacheng's counterattack with a stick was the first outbreak, and the kitchen knife confrontation was the intensification of the conflict, which ultimately ended with Yi Zhonghai and others being forced to accept humiliating conditions. The whole process is interlocked without any sloppiness, especially the detailed description of Zhang Dacheng's sharpening of the knife, which adds to the tense atmosphere, making readers feel as if they can hear the "piercing, piercing" sound of sharpening the knife and feel the depression before the storm. The language style of the novel is straightforward and powerful, full of market atmosphere and blood. Whether it is Zhang Dacheng's inner angry monologue or his fierce exchanges with his neighbors, they all appear real and relieving. For example, Zhang Dacheng angrily denounced Yi Zhonghai as "Easy to end his household" and mocked Jia and Zhang as "Jia Fat Pig". These regional curse words not only fit the background of the times, but also made the characters more vivid and three-dimensional. What's more worth mentioning is that under the shell of cool writing, the novel also contains thoughts about human nature and survival. Zhang Dacheng's violent counterattack is essentially the survival instinct of a lonely time traveler in a strange environment. He has seen through the indifference and calculation among the neighbors in the courtyard house, and understands the survival rule that "if a person is not ruthless, he will not be able to stand firm", so he uses the most extreme method to fight for his own living space. This setting makes the story not just a "slap in the face" level, but also adds an additional layer of examination of the times and human nature. "Siheyuan: My writing is as sharp as a knife, and I destroy Yi Zhonghai" uses a hearty and violent counterattack to redefine the way the story of Siheyuan is unfolded. With an almost "unreasonable" ferocity, Zhang Dacheng tore through the hypocrisy of neighborhood relations in that era and brought readers a unique reading experience. If you are tired of the intrigues and forbearance in traditional courtyard stories, then this bloody work will definitely make your eyes shine!

23 四 Graduated from Siheyuan University and Worked as a Technician in a Factory Love Watermelon Milk Tea1.3M WordsCompleted 32.6kReads7.8Score1kShelves

Reader note

Let's take a look at a different Siheyuan. In the first book, college students dress up as members of a Siheyuan, with parents, brothers and sisters. Take a look at He Yuzhu's different life. In the second book, both parents are dead and I have a younger sister. It's hard to start the game, and I'm targeted for being exterminated. It's so difficult!

25 四 Siheyuan: from Sijiucheng to Hong Kong Comprehensive Qingming Sword Immortal1.6M WordsCompleted 49kReads8.7Score2.2kShelves

Reader note

Check it out, it's not bad. Behind is the new book [cool]

28 四 Siheyuan: I Just Want to Live a Peaceful Life Wearing Stars and Wearing Moon Just for You2.4M WordsCompleted 39kReads7.8Score1.6kShelves

Reader note

The two-million-word serialization refuses routine writing. The IQs of all the staff are online, the writing style is humorous, the book is clean, there is no shit, and the logic of a hard-core industrial power has been rigorous since 1953. The protagonist, the golden-dressed sixth man, has no bad temper. He initially thought he was a saint, but later he realized that he was plotting against everyone around him. It is neither black nor witty, and breaks out of the black-and-white stereotype. The protagonist has a grand structure, cares about his family and country, has a clear goal, and uses knowledge beyond the times to make silent contributions. The dispute in the courtyard is just a background.

34 四 Siheyuan: Start Next to Courtyard No. 95 Xiaobai Is Free to Come999k WordsCompleted 14.8kReads7.5Score543Shelves

Reader note

Siheyuan, a book with a million words, is worth reading.

37 四 Siheyuan: the Soul Is Transformed into a Martyr, Full of Positive Energy Three Leather Jackets621k WordsCompleted 5kReads7.2Score153Shelves

Reader note

The plot of Siheyuan started in 1955. The violence is not heavy. The protagonist is a martyr, not a character in the TV series. There are many slap-in-the-face plots. Yi Zhonghai, Qin Huairu, and Jia Zhang are the villains, and Shazhu escapes the control of the pensioner. There are so many words that I can read it for several days.

38 四 Siheyuan: Ah Mao Looked at It and Nodded. Attack of Mr. Bai2.9M WordsOngoing 5.5kReads8.1Score318Shelves

Reader note

Siheyuan, a novel that I personally think is pretty good.