Are There Any Siheyuan Novels with High Scores🙈🙈🙈🙈

1 老 The Spirit of the Old Driver Passed Through the Courtyard, and the Birds Trembled. Ximen Yuzhu1.2M Wordscompleted 18.1kReads8.4Score1.1kShelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

2 四 Siheyuan: Tianhu Starts the Game, There Is No Shame in Chewing the Old Man Threshing Glacier512k Wordscompleted 19.6kReads8.8Score972Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

3 傻 Silly Zhu Refused to Help, and His Wife and Children Were on the Hot Bed Zhang Tianming447k Wordscompleted 6.4kReads8.8Score249Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

4 四 Siheyuan: the Rebirth of He Yuzhu The Scattered People in Yunxiao571k Wordscompleted 16.7kReads8.7Score514Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

5 四 Siheyuan: Lou Xiao Is a Disaster Lu Yier604k Wordscompleted 6.8kReads8.6Score290Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

6 四 Siheyuan Started in 1953 Boiled Eggs in Sugar Water827k Wordscompleted 36.6kReads8.7Score1.4kShelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

7 四 Siheyuan: a Shocking Secret Is Discovered at the Beginning Zhang Shizhongyu501k Wordscompleted 28kReads8.5Score996Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

8 四 A New Life in the Courtyard Hongmao632k Wordscompleted 9.8kReads8.8Score285Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

9 四 The Silly Pillar of the Siheyuan Awakens from Time Travel Three People Become a Couple1.0M Wordscompleted 7.6kReads8.8Score268Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

10 四 Siheyuan: I Am Yi Zhonghai's Biological Son From the Xianghuang Family356k Wordscompleted 40.1kReads9.2Score1.9kShelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

11 四 Siheyuan: the Little Orion Enters the City Baiwangsan546k Wordscompleted 2.2kReads8.7Score110Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

12 四 Siheyuan: at the Beginning, the Jia Family's Mother and Son Were Sent to Jail. Zhang Shizhongyu445k Wordscompleted 12.9kReads8.5Score382Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

13 四 Siheyuan: the God of Death Arrives Fly a Big Plane1.1M Wordscompleted 11kReads8.5Score568Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

14 四 Siheyuan: Time Travel Without Knowing the Plot One Cloud Opens One401k Wordscompleted 8.5kReads8.5Score353Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

15 四 Siheyuan: My Name Is Cao Wei A Fat Pig971k Wordscompleted 15.2kReads8.5Score768Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

16 四 Siheyuan: Silly Brothers and Silly Brothers Lu Yier418k Wordscompleted 5.8kReads8.5Score310Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

17 四 Siheyuan: the Third Uncle Is My Biological Father From the Xianghuang Family314k Wordscompleted 18.3kReads9.2Score719Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

18 四 Siheyuan: the Household with the Strongest Connections, No One Dares to Mess with It Ten Years of Lingering Dreams1.2M Wordscompleted 26.5kReads8.8Score1.3kShelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

19 四 Siheyuan: Let Yi Zhonghai Donate to Me at the Beginning Ah Dou Ah Ah Ah1.4M Wordscompleted 44.1kReads8.6Score1.8kShelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

20 四 Siheyuan, the World of Streetwalkers Falling Leaves Know Autumn Zmy13284k Wordscompleted 9.6kReads8.6Score380Shelves

Reader note

"The Soul of an Old Driver Travels Through the Siheyuan, All the Birds Tremble" is definitely the most "self-releasing" among the Siheyuan novels! When other protagonists were still struggling with "whether to be moral", the author Wang Hongtao assumed the role of the protagonist and threw the word "moral" directly into the trash can with the "Laoliu System" - as long as the "beasts" in the courtyard can break the defense, let alone some clever tricks, even "Scumbag Qin Jingru" and "Cosplayer Xu Damao" can do it. This style of "I'm not a human being, but I'm happy" breaks the constraints of traditional period literature to pieces. The protagonist's "Lao Liu System" is the essence. The setting of allowing key figures to break defenses to earn perspective points and see through everything is simply tailor-made for "wrong people". He attacked Qin Jingru when he just traveled through time. When they broke up, he said "Even if we break up, we can still be friends" to let the other party break through the defense and directly activate the system; when he met Li Huaide, the deputy director of the steel rolling mill, he made up the story of "Li Fugui" to poke his weakness, and easily won the driver's position. Every breach of defense is carried out with evil calculation, every point of perspective is justified, and it makes people angry and funny. The character creation completely breaks out of the "Wei Guangzheng" framework. Wang Hongtao is like a troublemaker with a script. He knows Qin Jingru is innocent, but he wants to flirt first and then become a "scumbag", and then turns around and coaxes her back with sweet words. When facing Li Huaide, he pretends to be a trickster and cheats on food stamps, but at the same time he can accurately understand the other person's psychology, and the word "scheming" is engraved in his bones. He does not hide his desires, grabs benefits and takes advantage of others, and even hides the pork and food stamps rewarded by the system in his personal space. He is like a "refined egoist", but it is not annoying - after all, to deal with the "beasts" in the courtyard, you have to use this "fighting fire with fire" method. The pace of the plot is as fast as double speed, and the excitement is so dense that it is hard to catch up. From attacking Qin Jingru to activate the system, to rescuing Li Huaide and sneaking into the steel rolling mill, to tricking the commune secretary into opening a letter of introduction, every step reveals the calculations of an "old driver". In particular, the interaction between the protagonist and Qin Jingru is obviously deceiving but has a bit of a ruffian sweetness. It is obviously taking advantage but makes people feel "seemingly reasonable". Even the system rewards are full of bad taste. They give pork, food stamps, and even "little yellow croakers" to break the defense, which clearly exposes the nature of "no profit, no early start". The most amazing thing is its "anti-routine". The other protagonists hide from the disputes in the courtyard, and he takes the initiative to stir up trouble; the other protagonists stay away from Qin Huairu and Lou Xiao'e, but he insists on "not tabooing meat and vegetables"; the other protagonists rely on strength to slap people in the face, and he relies on "not practicing martial arts" to let his opponents break their defenses. This attitude of "as long as I have no morals, no one can kidnap me" turns the chaotic life of the courtyard into the protagonist's "playground", which makes people say "wild enough and daring enough to write"! If you are tired of the aggrieved protagonist and routine slaps in the face, and are looking for a refreshing novel where the protagonist is more like the villain than the villain, then this book will definitely satisfy you. It is not bound by three views, does not have the Holy Mother's heart, and has only one goal - to make yourself happy and make others angry. After all, in Qinman Courtyard, being a "beast" is much more enjoyable than being a "saint"!

21 李 Li Laifu Is Reborn in the 1960S Just Free TimeUrban4.1M Wordscompleted 428.1kReads9.4Score48.7kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

22 四 Courtyard: Come Quickly, Sew His Mouth Shut Open Champagne at Half Time4.8M Wordsongoing 167.3kReads8.0Score9.3kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

23 四 The Strongest Courtyard No. 95 Nancheng Xiaomo5.5M Wordsongoing 192.3kReads9.0Score16.3kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

24 四 Siheyuan: the Beautiful Life of Salted Fish Burning Stone4.0M Wordscompleted 46.1kReads7.2Score2.6kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

25 四 Siheyuan: My Years in the Security Office All Living Beings Are Written Under the Pen1.9M Wordscompleted 39.7kReads8.3Score1.9kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

26 四 The Happy Life of a Courtyard Buyer Silk-Pulling Drama in Wine Stalls1.8M Wordscompleted 46.2kReads7.8Score2.6kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

27 四 Graduated from Siheyuan University and Worked as a Technician in a Factory Love Watermelon Milk Tea1.3M Wordscompleted 45.6kReads7.8Score1.8kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

28 街 Daily Life of Street Office Cadres in the Courtyard House Silk-Pulling Drama in Wine Stalls746k Wordscompleted 34.1kReads8.0Score1.3kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

29 重 Rebirth of the Siheyuan, Start with Zero Yuan Purchase! Wrist Bone Fell Off4.6M Wordsongoing 16.3kReads7.8Score945Shelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

30 四 Siheyuan: Find Lou Xiaoe as Godmother at the Beginning Minced Beancurd with Minced Meat2.5M Wordscompleted 25kReads8.6Score1.3kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

31 才 I Just Woke up and My Uncle Wants to Buy Me a Bicycle. Woolen Socks2.2M Wordscompleted 36.3kReads8.4Score2.4kShelves

Reader note

Just watch it, there's absolutely nothing wrong with it.

32 四 What Should I Do If the Old Man in the Courtyard Has an Old Man Named Jia's Family? Qingyao's Little White Cat2.6M Wordsongoing 168.1kReads8.0Score7.1kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

33 四 Siheyuan: Hold a Moral Stick and Enjoy a Comfortable Life Seven Color Lotus834k Wordscompleted 18.8kReads7.7Score743Shelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

34 6 In the 1960S, If a Son Was Unfilial, His Father Would Not Want Him! Nanshan Kindergarten1.9M Wordscompleted 14.5kReads7.7Score629Shelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

35 四 Siheyuan: Obtain the Power of Dragon and Elephant at the Beginning Qingchenyi1.1M Wordscompleted 31.7kReads7.9Score1.6kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

36 四 Sihe************ ongoing —Reads5.8Score—Shelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

37 四 Siheyuan: Starting from the Transition of the Deputy Division Commander Wind Magician954k Wordscompleted 217.5kReads7.6Score17.6kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

38 四 Siheyuan, the Whole Family Goes to the City, There Are Many Big Bosses in the Family The Flying Shadowman Is Not Far or Near1.2M Wordscompleted 96.4kReads7.7Score10.5kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

39 四 Sihe************ completed —Reads5.8Score—Shelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

40 四 At the Beginning of the Courtyard, Siheyuan Accepted Silly Zhu as His Son. The Sky Is Very Blue1.1M Wordscompleted 56.3kReads7.8Score5.2kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

41 四 Siheyuan Is Slapped with a Hat at the Beginning. You Want to Reverse the Course of History? Uncle from Hunan School1.6M Wordscompleted 31.1kReads6.9Score1.4kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

42 四 Siheyuan, I Have a Golden Finger! Silk-Pulling Drama in Wine Stalls2.0M Wordsongoing 130.2kReads7.8Score11.1kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

43 四 The Cook's Promotion Story in Siheyuan I'm the General1.2M Wordsongoing 101.7kReads7.7Score7.1kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

44 四 Siheyuan: I Am a Security Guard with Space There Are No Good People in the Six RealmsUrban2.6M Wordscompleted 120.2kReads8.5Score9.4kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

45 四 Siheyuan: Guangfu! Let's Fuck Liu Guangqi Hairy Potato885k Wordscompleted 25.4kReads7.6Score1.5kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

46 重 Rebirth 59 Nanluogu Alley: Small Daily Life Greedy Badger2.8M Wordsongoing 72.2kReads8.2Score4.1kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

47 南 60 Years of Storms in Nanluo Smiling Little Fat Man1.4M Wordscompleted 38.4kReads8.2Score2.4kShelves

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If you like Siheyuan, you can pick up these books and read them.

48 四 Siheyuan: No One Is More Wicked Than Me Millennium Tai Sui2.0M Wordsongoing 30kReads8.2Score1.6kShelves

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If you like Siheyuan, you can pick up these books and read them.

49 四 The Beginning of the Siheyuan Is Bequeathed by the Ancestors Wild Garlic1.1M Wordscompleted 35.1kReads7.7Score1.8kShelves

Reader note

If you like Siheyuan, you can pick up these books and read them.

50 四 Siheyuan: in 1984, You Brought a Bastard to Lick a Stupid Pillar? Real Daydream583k Wordsongoing 23.4kReads6.5Score1.2kShelves

Reader note

Don't hold back on the plot, just do it if you don't feel comfortable with it