Let me recommend it to myself. This book is an unsystematic traditional oriental fantasy. It is not a show-off or a no-brainer. The story is slow and relatively deep, but it also has cheerful plots.
The rating is very low, there is no recommendation flow, and the number of readers is very small, but the quality is still good, but the work is not suitable for the Tomato market. Readers who are not used to slow reading and lots of foreshadowing will definitely find it difficult to read. As for those who calm down and read it patiently, they will basically receive good reviews.
There are many tragic and passionate scenes, and it will indeed bring tears to your eyes if you can experience them, and you will feel their hardships, but these are all triggered by long-term preparation.
It should also be noted that the early stage is a two-line narrative. The male protagonist does not have many roles and is not given many perspectives. However, even if he does not appear, he is always at the core of the story and is the thread that connects everything. This is also one of the factors that makes it difficult for readers to stick to it.
Then the first few chapters are quite brisk, covering childhood, daily life, and play, but when the first major event of the ending line begins, the style completely changes and there will be a great sense of contrast. All the joy at the beginning is wiped out. The world of monks has never been a fairy tale, but bloody, cruel and dark. All kinds of conspiracies and tricks are hidden everywhere. Interest comes first, and even the competition between the interests of sects will directly involve innocent people. Human life is like a piece of grass. For mortals, it is really an unreasonable disaster.
There are many metaphors and insinuations in the book, and certain values are input. Many of them are only shown in plain sight, and there is still a lot of information hidden in the depths.
Then looking at the whole, as mentioned above, the framework of the world view is very large, and there are countless lines and lines, and many generations of heroes are entangled in it across eternal time and space.
The layout inside is also very large, there is even more than one game, there are many games nested together, the people playing chess are also chess pieces, and there are many hidden lines hidden inside.
Unlike the ordinary worlds where new pictures are opened repeatedly and matryoshkas are repeated, my early stage is always connected to the later stage, and the information chain is interlocking.
Many seemingly unrelated characters and timelines that have been separated for a long time are connected bit by bit as the plot progresses, and the world view will gradually come together.
However, this also resulted in the book always eliciting information and explaining the background of the world view, etc. Therefore, the progress of the small plot in the early stage was very slow. It was always driven by the big frame and big plot, gradually presenting a complete world framework.
It's just a new book, it doesn't have many words, and it's still being serialized🤣🤣🤣There's no word count accumulated there, and the plot hasn't been fully developed yet, and it's hard to say it can compare with books that have millions of words or even completed books, but I will try my best to write it well.
As mentioned before, the early stage is relatively slow, with a lot of foreshadowing and details. There are foreshadowings between the lines. Many chapters have hidden information. The plot gradually becomes passionate/tragic/exciting.
Every character is flesh and blood, with their own story, whether they are singing or feeling helpless. Overall, there are quite a lot of passionate scenes, and there are quite a lot of fights.
If you are interested, you can read it, but you really need to read it very carefully. There are many details and foreshadowings. A lot of information is given at the right time, which is relatively scattered. You need to be able to remember and connect it. For example, skipping and skipping will miss a lot of information, resulting in a lot of incomprehensibility.
I also often explain and elaborate in the comment area when the author has something to say. If you don't understand, you can comment. When I have time, I will try my best to reply to readers to clarify their doubts.
[If you like systematic articles and purely refreshing articles, please proceed with caution. In the first few hundred thousand words, there was almost no so-called pretense and coolness. It gave a cheerful plot at the beginning, but from then on it was only tragic and heart-wrenching, with a lot of knife-throwing. After the double line ends, there will be fewer knives.
(I have mentioned some points of note in this book to help you clear mines first. If you are interested, you can take a look, but you really have to be patient to read on, and the truly wonderful parts of this book will be revealed. I hope all readers will like it. 😘)
[Basically, it's like this. Either you can't adapt to the slow-burning foreshadowing, you can't get used to the frequent camera switching and multi-perspective narration, you can't accept that the protagonist has too few roles at the beginning, etc., So you abandon the book, but those who can read it patiently will basically be attracted]
. The background of swordsmanship, fantasy traditional cultivation, the male protagonist vows to defeat thousands of immortals with one sword! The plot is exciting, the writing is exciting, recommended.
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