Why Have the Girls Around Me All Turned into Yandere Fallen Angels?

I have read Chapter 70 so far, and I feel pretty good. What attracted me most to this book in the early stages was not the labels "yandere" and "evil" per se, but the way it wrote about daily life with warmth. Coffee, breakfast, notes, sharing an umbrella, these details are really comfortable at first, like the sweet closeness in ordinary urban ambiguous texts. But the wonderful thing is that it doesn't suddenly go crazy, but twists this tenderness little by little: the more considerate it is, the more it looks like surveillance; the more intimate it is, the more it feels like there is an inescapable sense of oppression. Anya's line is currently my favorite. Her change is not just a yandere for the sake of being yandere. The beginning is very detailed. The process of "I just want to be good to you" slowly turns into "you can only belong to me", which is very interesting to write. The dream-related parts are also attractive, with both sweetness and a sense of danger. As I read it, I couldn't help but wonder how Lin Shen would break out of this gentle prison. But I am also a little worried about the future direction. Looking at the catalog and subsequent development trends, I feel that there will be more and more female protagonists, and the Shura field will become bigger and bigger. It's not that I can't accept multiple female protagonists, but I don't really like the writing style of "a female protagonist has just become interesting in writing and is immediately pushed aside by the next new character". Especially since Anya has so much foreshadowing in the early stages, it would be a pity if the later scenes were diluted and turned into just a part in the Shura field. So my current evaluation is: before chapter 70, it looks very good, and the atmosphere, yandere feeling, and daily transformation process are all quite gripping; but whether it can be stable in the future depends on whether the author can make each heroine have a sustained weight, rather than just relying on new characters, new abilities, and new excitement. To sum it up in one sentence: It smells very good in the early stage, especially the Anya line, but I hope it doesn't lose its scent later on.

It's very strong, and it fits my real impression of yandere. It's different from the so-called yandere on the market, which is actually possessive and violent. Anya's ability can really make the male protagonist have no social life, no daily life, only the eternal life of the two of them day after day. The only thing that makes me wonder is that the male protagonist, as a young man who lives alone and has a boring life with few friends, doesn't have a favorable impression of Anya herself from the opposite sex due to Anya's gentle actions again and again? It seems to focus more on Anya's morbid obsession with the male protagonist, but the male protagonist only treats her as a friend. At the same time, the setting of ability gave me a weird feeling like reading a novel by Murakami Murakami. It is both surreal and detached from reality. The difference is that there are no metaphors and it is not tiring to watch. It expresses the cold feeling of being targeted by a yandere. It is quite good.

It's good to read. It's been a long time since I've seen a novel with such a natural writing style. It's rare that I read a volume with my mind. The characters are rich but not artificial. Although the plot has some flaws, the logic is relatively smooth. This is the kind of yandere. The heroine who is sick, delicate and slightly crazy is so delicious [lick screen] I just finished reading the first volume. I want to ask if the heroines will lose most of their memories when they awaken when they give up their superpowers 😳

Don't always break the chapter at critical moments, like Anya and Qin Wan, everyone wants to know what will happen next, suddenly jump to the college memories (it feels like hydrology), and pull out two heroines. First, there are too many heroines and the repetitive methods are a bit aesthetically exhausting. Second, the suspense that was finally aroused is abruptly interrupted, making people lose the desire to watch.

It's okay. The male protagonist is not a fool who always turns a blind eye to all abnormalities and acts as a delusion in some stories. He fell apart after more than 20 chapters. But it's too slow later. It's fine but this time it's so fast that I can't eat it.

The writing is quite good and logical. It is different from the violence of most yandere novels in Tomato. However, the rhythm may be different from that of fast-food novels. It can quickly attract the readers' attention and give people strong stimulation, so the popularity is a little lower.

How dare multiple female protagonists take the female perspective as the main point of view? The novel is written as a collection of short stories. Who doesn't understand the audience of the novel? Who can read it without a sense of involvement? Delicacy is the advantage of writing, but too many meaningless descriptions make people miss the point.

It's really good-looking. It's rare to see this kind of writing. The problem with most of Tomato's writings is that they can't write about daily life or dialogue. Everything is written in a stiff way. This book is written quite naturally.

Good looking, highly recommended [Thoughts]

I haven't finished reading it yet, but the desire for control really makes my scalp numb. Come on, author [already planted] Hey, well, Loli's mother has number three [laughs evilly]