A New Villainous Boss Identity Every Week

It's good to read, very enjoyable to read, a bit restrained but the pace is good. This seems to be the first time I've seen a book like Thousands of Hearts.

For the time being, it can be said to be at the level of refined food. It is delicious and nutritious, and can catch up with the level of the identity flow ancestor Wanqianxin. However, Wanqianxin started to rot later. The identity problem was too big. In order to solve the problem, I kept opening new identities. Then the thunder became bigger and bigger, and it became too big. I am anxious and suppressed, but I no longer have the pleasure of pretending to be a slap in the face behind the scenes. I hope the author can optimize it instead of following the old path, and can maintain the pleasure of pretending to reveal a new identity and reduce the dimensionality, instead of rushing to unlock a new identity as if it is life-threatening.

It was probably written with a lot of heart in mind, but it was pretty good.

The writing is good, it does not overwhelm the combat power, it is very refreshing, and the supporting characters are basically smart and wise. However, the crisis creation is a bit anxious. The time for character extraction can be appropriately extended, and some small events of appearing in front of people can be added to slow down the pace. Also, the main character losing his waistcoat should have been very enjoyable to write, and he pretended to be a bitch, but now it's a little flat. Overall, it's pretty good. Just keep the pace right and don't make it too big of an identity all at once. It won't be easy to hold it back later. This wizard's identity is a bit too big. There is another suggestion. It is better to evolve from drawing an identity to choosing an identity. Choose one of the three identities. These are just suggestions, it would be better if the author has his or her own rhythm and outline in mind

The writing is quite good and quite reasonable. I hope I can stick with it for a longer time. Really, I also followed this kind of "Getting an Identity". Both books were halfway through and then suddenly stopped. It was really well written, and there was no color or violence. The core problem at the end was that the protagonist couldn't compete with those big shots and was no longer an ordinary person. I don't know what happened next, so it suddenly stopped. [Crying] [Crying] The author hopes not to run away halfway through writing [laughing][laughing]

Urgent, too urgent, one identity per week, especially after saving three identities, you must solve one of them, otherwise the fourth one will trigger the system alarm [face covering] [face covering] Is the human anchor point still necessary? As a wizard, I almost ended up being reincarnated [eating melon] [eating melon] The fifth, the sixth one, you have the ability, the one who has the same identity in a month, [laughing] [laughing] It's great, but the key is that I won't be able to write it for long [Thinking] [Thinking] Unless it's a matryoshka doll [Note] [Note]

I feel that the subject matter is similar to Dian Jia's "Thousands of Hearts". Has anyone seen it?

666т Is interesting, really good-looking, has a world view, and the plot progress is not delayed. No wonder it scored 7 points at 110,000 words. The identity of the protagonist is a bit thin and not three-dimensional, but I feel that if the author has enough writing power, it will be very interesting if it is spread out over millions of words. The premise is that the author can control it. Author, don't mess with it. Why do you feel like the stuff written in the back is so sweet? Don't mess with the traditional Dragon King plot. It's so sweet.

There are too few novels like Thousands of Hearts. I have to read each one and give it a good review.

The madness of the clown's second identity is not written out. The clown is too normal and doesn't feel like a madman.