Rain Falls on Wushan: The Crane Returns

When heaven and earth become "living" existences, myth becomes a hotbed of trembling. The protagonist has regained consciousness since the end of the era, and with the coldness of a coroner, he "scientifically" measures this absurd and compassionate world. But he has been trapped in a stubborn entanglement in the name of "karma" since his birth. All the "him" you see is Him. It has been Him since the first era, so don't even think about escaping. But the one who waited for a million years in Mingjuyuan finally waited for His return, but split himself into two, with one half accompanying "her" to grow, and the other half accompanying Him to destruction. He is the God of Death, and it is His divine instinct to drag Dahuang to be buried with him. Delicate and stunning brushstrokes weave a logical and self-consistent theocratic system and the strange scrolls of the gods in the East: the singing girl sings with blood and tears, and the rain girl is willing to shake her clothes; memory is invisible and has become a cage that traps loyalty; the god of fate interferes with the destiny, but it plays into the hands of the god of death; strange dreams lead to the awakening of heaven; decay corrodes hope; chaos devours the sky and leads to the sky; the god of wisdom never interferes with cause and effect... Between the in-depth theft of divine power and the light-hearted and funny daily complaints, we explore destruction and redemption, freedom and resistance, humanity and divinity... The so-called "my destiny is up to me" is just the most exciting part of the trajectory of destiny.

The vests of all the members are also a highlight. Everyone has a secret, and you won't be able to figure it out until the end. And the emotional line is also very touching. The two male protagonists, the compassionate god and the evil yandere, interact with the female protagonist in a sweet and sharp way. They sprinkle sugar and stab the knife at the same time, making people love and abuse at the same time. The overall rhythm is slow-burning, but the foreshadowing is very deep, and it becomes more and more exciting as it goes on.

The pace of the story is relaxed and relaxed, and the relaxation of daily infrastructure and the tension of divine conspiracy are well intertwined. The portrayal of the two male protagonists is very brilliant. The yandere and darkened River God is in sharp contrast with the affectionate and paranoid Bai Yueguang. The interaction with the female protagonist is sweet and sadistic, making people unable to stop. There are plenty of foreshadowings, and from the survival of the tribe to the destruction of the heavens, the situation is naturally upgraded. There is suspense throughout the whole process that makes people want to follow it. If you like mythological romance with a touch of Machiavellianism, this book is worth reading. The writing is smooth, the plot is compact and not procrastinating, and it is a good article worth following!

The overall narrative orientation is slow-paced and full of details, emphasizing the sense of process of "observation - evidence collection - reasoning - decision-making". The story is a series of multiple disasters, with both the shock of large-scale scenes and the detailed elaboration of documents and clerical systems; there are motives and chains hidden behind every "miracle". Readers and the protagonist solve puzzles simultaneously, and experience an immersive feeling similar to "mythological reasoning". The reversal of "the fog clears" in the middle and late stages shifts the contradiction from external confrontation to self-recognition, completing the narrative shift from "external resistance" to "internal reconciliation".

The heroine is a "career brain" with a highly educated female forensic background. She is calm, restrained, evidence-first, and her values ​​are "solving problems" as her first priority. The two male lines respectively present a "sick and sick dog skin plaster"-style possession and a "green tea crazy batch"-style scheming, which not only creates tension, but also constantly tortures the boundaries of power and emotion. The relationship between the characters is not one-way attachment, but a triangular pull around "theocracy-responsibility-freedom", without losing any sense of proportion and reflection in the conflict. The extreme dialogue between "Can you have some potential... Get away!!!" And "You must die in my arms" brings possessiveness and self-tearing to the forefront at the same time. The emotional concentration is high but not suspended.

It is a fantasy time-travel novel that is very appealing to my taste. The heroine transforms from a forensic doctor into a gender-neutral priest. There is no golden finger or memory at the beginning, and she relies entirely on modern knowledge to build a primitive tribe. The rhythm of farming + adventure is very comfortable, and it is effortless to read.

The most poignant thing is the heroine's time-travel opening without a golden finger. The forensic doctor's soul travels through a neutral body. She has no system or memory, and even self-protection relies on instinct. This "sky-collapse opening" is particularly real. From encountering monsters in the mountains to being mistaken for a priest by Nan Lucheng, the plot progresses naturally, especially the setting of the white light protector that comes with the body, which is not abrupt and leaves suspense.

The scene is very grand! The subject matter, writing style, ideas, and characters are all refreshing [Like] [Like] [Like] Continue listening and reading, please give me a like [like] [like] [like] I like it very much and look forward to the wonderful follow-up! Come on come on!

The story setting of "Rain in Wushan: The Return of the Crane" is a masterpiece. It cleverly combines the mythology of the Classic of Mountains and Seas with elements such as women dressing up in men's clothing and all members wearing vests, creating a unique charm. The heroine's counterattack journey from a cowardly priest to the ultimate big boss, paired with vivid characters such as the yandere river god and the brilliant master, has both the emotional pull of flying sugar knives and the grand narrative of the coming doomsday. From tribal infrastructure to Ragnarok, the rhythm is relaxed and suspenseful, making people want to stop. It is a fantasy romance masterpiece worth savoring.

The setting of the book "Rain in Wushan: The Return of the Crane" is very interesting - a prehistoric world where having divine power equals having power, but it starts with an emotional situation of misplaced identities. The heroine transformed from a modern forensic doctor into a god. She doesn't even know what her powers are, and she lives like she's spinning in a fog. I wanted to take the initiative to pursue love, but instead, step by step, I fell into the love network laid out by the river god. The coquettish and controlling pull between the two of them, where you tie me up and escape, is written with full tension, revealing the paranoid possessiveness underneath the fairy appearance. This one can chase and stand up to the top. 👍🏻