The End-of-the-World Class Reunion

"The Doomsday Class Reunion" can be called a stunning work of domestic science fiction suspense! The novel takes "the butterfly effect caused by constant travel" as the core, and constructs a system of time and space rules with astonishingly rigorous logic. The author abandons exaggerated visual spectacles and uses calm and precise writing to focus deeply on the struggle and choices of human nature under extreme pressure. The plot of a group of protagonists from different professions such as forensic scientists, criminal police, hackers, and psychologists, using their respective professional skills to break through the maze of time, is both hard-core and full of sparkling wisdom. The rhythm of the story is like a precision gear. Each time travel is not only a plot advancement, but also a soul torture of fate, responsibility and morality. It is brain-burning and has an emotional impact.

This is not only a time-travel novel, but also a realistic fable full of philosophical speculation. Through the micro-social section of "Class Reunion", the author throws a group of ordinary people into extraordinary predicaments and shows the glory and darkness of human nature to the extreme. The characters are three-dimensional and full-bodied. Each character collides in time and space with their professional characteristics and personal history, and the interaction is full of tension. The narrative structure is as exquisite as a clock, with multiple clues and twists and turns, and finally ends in a shocking ending. The most valuable thing is that in the high-speed plot, the work always maintains a deep thinking about the value of life and collective destiny, which makes people think long and hard. Its "anti-visual" in-depth text experience proves that solid narrative skills can penetrate the soul far more directly than relying on the sense of pictures.

When I read the fourth chapter, I didn't see the suspense. It was all about invisible ghosts to create fear, but it was not scary. The suspense reasoning was not comparable to "Agatha Christie, Keigo Higashino", and the horror was not comparable to the "Before leaving the village" part at the beginning of "Jie Tian Lun (Raising Ghosts for Trouble)". If it were a pure mystery like the first chapter, I would have really continued to read it. It is a pity that ghosts that are not scary are interspersed. Even if they are artificially dressed as ghosts, they have lost the charm of reasoning.