
You Seek the Dao? I Am the Dao! What Are You Crying For?
你求道?我即是道!你哭什么?
- Status
- Ongoing
- Length
- 594k Words
- Genre
- Eastern Fantasy
- Subgenre
- Eastern Cultivation
- Updated
- 5d ago
- Source
- Fanqie
Stats
280Chapters
798Reads
7.2Score
100Shelves
70Listens
192.6kReads · all time
Tags
Synopsis
In booklists 3
Fifteen Years as a Veteran Reader, and My Taste Has Gotten Picky
1.8kBooks157.3MViews1dUpdated
Traditional Fantasy Hasn’t Had a Masterpiece in Ages
These days, fantasy novels are either about some big shot being reborn or getting a System. They just don't have that traditional fantasy feel anymore. The novels are ridiculously long, and every other line is either 'How could I...' or 'From the start...' It's all so repetitive.
283Books139.1kViews6dUpdated
Nonstop Passion and Intensity
95Books500.8kViews28dUpdated
Reader comments 57
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Known as the useless immortal and the dumb deity
(Wudi Wenzhen doesn't need to deliberately sacrifice the lives of supporting characters to fill the plot gaps.), Here are the comments on chapters 134 and 135: From beginning to end, it is a malicious and artificially aggrieved PUA. What is the most ironic thing about writing this way? The protagonist will definitely arrive in the end. When the villain has killed enough, the supporting character has died enough, and the protagonist has suffered enough, the protagonist suddenly arrives, kills the villain in one blow, and the whole audience is shocked. Then the protagonist looks up to the sky and screams while holding a supporting character who has just died. When the reader looks at this picture, there is only one question in his mind: What were you doing earlier? You either don't let these people die, or you make their deaths worthwhile, such as the protagonist being late because he was entangled by a stronger person, or deliberately trapping him because of the villain's machinations. But what about here? The protagonist is not trapped, entangled, or hindered by anything. He is deliberately delayed by the author. So the deaths of all supporting characters became proof of one thing: proving that the author can make the protagonist late without any reason. This kind of arrival on time is more heart-wrenching than never arriving. It tells the reader: these supporting characters could not have died as long as the protagonist arrived three minutes earlier. This three-minute gap is purely because the author wants you to feel frustrated for a while longer. Q
Fuck, it's so good, the writing is good and the plot is not bad. I have read the suspense fantasy urban online game Tomb Raider, and many, many novels, basically all kinds of genres, except for female videos, history, martial arts, and military. This book is indeed a good one. The important thing is that the characters in it are vivid and three-dimensional. It is not like a running novel that is easy to forget after a glance. The only slight flaw is Shuangyue. The description feels too deliberate. But it's better than many books. Has the author already written several books?
Reminder message The author stops writing, as if a handsome man has stopped fighting; the readers are raising their heads, as if they are waiting for orders. Gaiwen is like a war, and serialization is like attacking a city. If you stop for one day, the barriers will be weakened, and if you stop for three days, the morale of the army will be scattered. In the past, Sun Tzu said: "The soldiers heard of clumsy speed, but did not see the long time of cleverness." This chapter is left unresolved, the foreshadowing is hidden but not revealed, like encircling but not attacking, encamping but not advancing, it is not the work of a wise man. Readers are like soldiers, chasing updates like coins, looking forward to updated orders day and night, as if waiting for the strike of thunder. Moreover, "Soldiers are more valuable to win, not more expensive to last." Wealth is more valuable to continue, but not more valuable to stagnate. I hope the author writes like a sword, and the sequel is like breaking the formation, quickly resolving the suspense, so as to comfort the readers. Otherwise, it would be like using a blunt weapon to frustrate the sharp, and it would be a waste of sharpness.
The logic is very clear, the writing is not bad, and the pace of the story is okay, but the update is slow. The author's mind is not on this book [face covering], but it is actually quite good. The author does not need to be too eager for quick success. I believe if you continue to write, this will be an excellent invincible article [laughing]
Good book, good writing style, unlike other invincible books
It is worthy of a high score. The writing style in Shuangwen has surpassed too many nonsensical fantasy works. It has a broad vision and clear logic. Especially in the discussion of Tao, this article is sublimated. Nowadays, the 7.4 Points are no longer worthy of the author's writing style. Please update quickly, quickly and frequently. Looking forward to (*^o^*)
It's okay, but there have been too many supporting characters written about recently. When the supporting characters appear, they are pretending to be inferior, especially the one who entered the field through painting, and the inferior character is higher than that of the protagonist. I thought I was here to see the main character being invincible, but it turned out that others were just pretending [laughing and crying]
Listen to 45, a good novel, very good. Hope it doesn't end badly
Well, the characters are vividly drawn and have their own characteristics.