Quick Transmigration: Historical Figures, She Is Always Taken by Force

To be honest, the writing is good, very good, but the heroine's confession is a bit too long. Although the reasons are written, it does not look very coherent and the sense of substitution is not very good. It can be reduced appropriately.

Both stories are quite exciting. "The King Seizes the Wife of His Minister" is more in line with the character of the character. I like this kind of scheming seduction. Many feelings are not necessarily love at the beginning, such as possessiveness and the like, deliberate planning, and then reap a good result. The bad thing is that when the author describes it, it is easy to write some truths and inner thoughts, and then takes up a larger space, so the progress of the story is slower. And now it is relatively small, only more than 50 chapters. It is very painful to update.

It's pretty cool. I just hope that in addition to the old men taking things by force, there can also be some wolf-dog taking things by force [laughter]

Already tied, I feel that the plot arranged by the author is more in line with the settings of historical figures (except for the first world, I feel that Kangxi is a bit too easy to handle). The last Jiu Fujin feels that the character of the fourth master has not collapsed, and he also respects the plot of Jiulong's inheritance, which is already very good. After all, it is somewhat difficult to process on the basis of respecting history. Having to take into account the novel's enjoyable aspects at the same time must have consumed a lot of the author's brain cells! Come on, I'm looking forward to the next episode

(The following are personal opinions) It's not a very exciting article. It has brains, logic, constraints, and trade-offs. I like this very much! (Now I'm looking at the Jiu Fu Jin and Si Ye, Han Palace and Da Fu Jin planes. I watched the previous planes a long time ago, so I don't have a deep impression.) After reading the comments in the comment section about how frustrating it is, I think the author may have an imbalance in the proportion of the ups and downs of the heroine. There are fewer ups and downs and more ups and downs. Although it can reflect the wisdom of the heroine, it also makes readers feel that the result is not as good as the result of not having as much inner thinking and weighing as before. Therefore, it should be that the proportion of plain text and climax text is out of balance, and the starting time should be longer. Advantages: The psychological description is very comfortable, and the heroine is not particularly aggrieved. Even if she is aggrieved, she gets up later, and the heroine is always looking for a way out for herself, which is considered immersive. Disadvantages: There is a lot of inner description but there is no sense of satisfaction in writing more. As a result, the strong points of the heroine are not coherent due to trade-offs. As a result, the reader will read the book rather blandly. If you are impatient and cannot stand a long paragraph, you will feel bored and want to run away. I hope I can write about some places that will make the heroine happier or more comfortable. For example, after becoming Liu Ying's queen in the Han Palace, her life will be better and she will gain power step by step through more actions. How will Empress Lu dominate the court after she leaves? Or you can conquer your subjects, or you can write about the daily routine of raising a child, how well the child is raised by the heroine, and how devoted he is to the heroine, etc. This is also quite satisfying. I still remember that looking at Jiu Fujin's plane is because of the sense of taboo with Lao Si. Jiu Fujin pretends to be fake, and then Lao Si prevents her from aborting the child and protects her secretly. It would be better if more stories about the heroine's struggle to get along with each other were written so that the fourth master would believe him for a longer time. (Although I think the fourth master has this intention, but the author can write more to make me unable to get out. Haha, because I think this reflects the power of the heroine), and how she raises a child so biased towards her, and writing about the child's guilt is also a refreshing feeling. Loving children can be a character, and I also know that the author writes it as a character, but if the heroine can be written about the psychology of the heroine not forgetting to plan for herself when she loves the child, it will be great, it will make me happy haha.

I like the subject matter of this book very much, but the content is not the type that is mindless. The heroines of the two worlds (Kangxi and Liu Che) that have been completed so far are not top-notch in appearance, but they finally achieved the ending of becoming queen and queen mother with their own planning. The author believes that the plot arrangement is not compact, and the writing is smooth and logical, five stars! Looking forward to the next world! [Adoration] It's finished, I really couldn't get enough of this book! Modo Modo! [Adoration][Blowing kiss]

Can you write about Qin Shihuang Ying Zheng, Han Gaozu Liu Bang, and Tang Taizong Li Shimin at the end of the chapter? I want to read their stories, especially Liu Bang's, but I feel like they don't write about him. I really want to read his, please. [Blow a kiss][Flow a kiss][Blow a kiss]

I hope that future stories will not be in the same vein, where the heroine appears to not want to be the emperor's wife and concubine, and then the emperor uses various means to rob her of her.

It's a very enjoyable novel to read. It's also very friendly to female readers. [Laughs and cries] A plot about a scumbag dumping a scumbag and exasperating his ex-husband for a better one. Personally, I really like reading it. Recommended for female readers who like refreshing novels and don't have a mysophobia.

The author has a good grasp of the plot direction and atmosphere. I really like the immersive strategy. It's not really about "taking advantage and plundering", but I'm not very good at writing characters. The heroine doesn't have a very outstanding personality that makes people remember, and sometimes she feels resentful and aggrieved (I'm impressed by the one who was deliberately criticized as a female officer) How many times have I made things difficult? If the emperor hadn't taken it upon himself to think of it, the imperial concubine might have been killed if she hadn't been bad, and the heroine had no means of counterattack), and every time it ended on a cliffhanger, if every story could have a sky screen or a forum barrage, maybe the score would be higher.