Crawling Between Legs from the Start, and You Still Call Him a God of War?

You can also look at other things, but what is the significance of that senior sister? It's quite poisonous, and the stories about national fortunes, history, and live broadcasts all have their poisonous points. The relationship between the protagonist and Han Xin is also quite funny. The protagonist even calls Han Xin... A little brat.

There are many exciting points, but the audience is like a blind person, unable to see the protagonist's superb speaking skills, intelligence and force, and unable to see that the protagonist comes forward time and time again to save the dangerous situation of the Han Dynasty. The audience or other time-travelers only think that the protagonist is lucky and are simply convinced. But what about mentioning his magical skills?

Is the Hongnong Yang family gone? The Master of Hundred Emperors is gone too

Wonderful and beautiful. This is the first time I have seen it written so well. The only shortcoming is that there are too few of them.

This book is indeed good. It does not pretend to be pretentious like other historical genres and go on an uprising on its own, but chooses where destiny belongs. From this point of view, as long as this book does not collapse, it may not necessarily become a god, but it is definitely among the top in this genre.

Wandering between five stars and four stars, the author's subject matter is very good, including the number of words and content of each chapter. I really like the first copy. It's awesome. But the chat group after the first copy is a bit... I personally think that life is about that life. There is no need to bring so many. After all, the protagonist will enter other copies in the future. However, it is understandable that the author said it in the first copy in advance, but later Especially after Chapter 110, I really feel that they are not suitable for the senior sister part. The protagonist's way of thinking with high authority in the dungeon world is no longer suitable for this modern senior sister. In fact, it is good to just treat the senior sister as a family member. Together with the teacher, the protagonist can be the spiritual anchor in the real world. But later I saw the protagonist proposed to take the senior sister to the dungeon to get a glimpse of what kind of position the author will push the senior sister to. , In fact, the senior sister's commentary in the real world is the best ending. If she wants to adapt to the protagonist, she must grow up. The result is of course that she will go to the dungeon to grow up and then get together with the protagonist. Personally, I feel that the protagonist and the senior sister did not have a deep love before going to the dungeon. What's more, the protagonist has been separated from the senior sister for decades in a real sense. A rational person like the protagonist should not choose to bring someone who seems to be of no help to him. Go to the dungeon for help. The protagonist brings Xiang Yu, Han Xin or Lu Zhi. They can understand. After all, it is helpful to the protagonist. If you bring the senior sister, the protagonist will have an extra weakness in the dungeon world. Even if the senior sister grows up in the dungeon world in the future, it may not hinder the protagonist and may even help the protagonist a little. But it is not as good as bringing others. It feels like the protagonist has a first love complex. Even after decades, he still has a complex for the senior sister? In fact, when the protagonist and the senior sister were talking, it really felt like an elder talking to a junior, a superior talking to a subordinate. As a result, the senior sister suddenly fell into the protagonist's arms. Hmm... Let's wait and see where they go next.

Because of the actions of the protagonist, the original history has begun to change. Will the adapted history affect reality? I personally hope that these changed histories will become parallel worlds, and the next time the protagonist travels, he will still travel into the original historical time and space. Another interesting point comes to mind. As the first dungeon that the protagonist participates in, the sky screen can reward the protagonist and turn the protagonist's experience in this dungeon into real history. In other words, when the protagonist participates in other dungeons later, the history of other dungeons will also record Li Ye's experience under Liu Bang. Of course, I personally suggest that this is the only time. Any subsequent dungeons that the protagonist enters should be treated as parallel worlds.

[Laughing evilly] I don't allow such a good book to have a rating of 6.9

What else should I write after Chu Han ends?

I saw Chapter 81 because it has only been updated to Chapter 81 so far. It feels pretty good and gives people a brand new feeling. Is there anything similar that you can recommend?