The Emperor's Emissary in One-Punch Man

I have read Chapter 22 so far. Please rate it. The protagonist in the article believes that the difference between heroes and ordinary people is that heroes have no right to refuse higher sacrifices. If saving one person is a duty, then saving four people is a responsibility, even if the cost is one's own life. This logic is close to "moral utilitarianism", that is, using less sacrifice in exchange for greater benefits (see Chapter 14 for details). If the hero must accept "losing everything", then do the heroes still have "self"? Or are they just tools for social needs? When the hero's sacrifice is taken for granted, is society evading its own responsibilities? Can the protagonist's point of view be understood as follows: the human rights of superpowers are limited, the value of their lives is quantified (the trolley problem raised by the protagonist later in the article), and society defaults to their obligation to take higher risks So if you take the protagonist's point of view, there will only be two types of heroes: tyrants and martyrs. The protagonist's point of view is similar to Emiya Kiritsugu's way of thinking, that is, killing one person to save ten people is reasonable, but the difference is that the protagonist's strength can solve any crisis. As an idealist, the justice in his eyes can be called extreme, and if justice is taken to an extreme, it will also become another kind of violence.

The author's skill is great. From the perspective of one punch, the interpretation of what a hero is is very good. Therefore, Saitama in this story is indeed very lovable. The growth of Genos is also very reasonable, and the psychological route related to the tornado is also reasonable and consistent with the original character design. From the perspective of Warhammer, the male protagonist's "Emperor" holster is also set very well. He doesn't put on a big face, nor does he pretend to be a pig to eat a tiger. He just walks directly into your hero recruitment base in the form of a five-meter-tall golden big guy, and then slaps your S-class on the wall. This kind of treatment of the cool points can be called the best among One Punch fans and even Warhammer fans. If you don't hold back, just come directly. At the same time, the novel's interpretation of the emperor's concept is very powerful. In any case, you should read the plot from chapters 14 to 16. It is a refreshing experience.

The characters are very realistic, with their own plot and philosophy. However, the protagonist seems to have lost himself (an imitator of the emperor?), Which made me a little unhappy. For a moment, I felt that the protagonist was like a child who snitched and the teacher did not punish him but felt incredible. Of course, the author can just keep writing. I just don't like the protagonist's performance.

I have never rated or commented on Tomato for so long. I like the IP of Yi Punch. The author writes very well. I have only read twenty chapters, but my understanding of the hero is really good. Come on author (ง•̀_•́)ง

I've never heard of Warhammer, but I personally think it's okay. The protagonist is like a tool man possessed by the Emperor to fight for him, and he seems to be thinking in the Emperor's sight later on. We have finished defeating Boros in the latest chapter. Should we follow the comics or return to the Warhammer universe?

Full marks, too loyal, and I feel that Huang Pizi's twisted image is portrayed very well [smile][smile]

It not only embodies the character characteristics of the old man from the Yellow River, but also embodies the literary drama in One Punch Man Very beautiful.

Those few sentences in Chapter 14 are so level, I would get five stars just for this.

Beautiful, long live the Emperor! Praise the God-Emperor!

The characters are very original, but the combat is rather crude.