Anime Crossover: How to Raise a Daughter from the Future

It's pretty good so far, keep it up, author [Like] This is not a bad-ass stallion harem manga, it is a type where characters are added slowly. Characters currently joining the track: Eri Riri, Mahiru Shiina, Megumi Kato, Kasumi (crossed out) [laughing] I can't judge whether the writing style of the article is good or not, but at least I can tell that this is not a terrible book. The author's control of the characters is also quite good, especially the part where the protagonist takes the shoes and then one of the daughters starts crying, which is very good. However, However, I'm very curious, there are two types of relationships between the male protagonist and the female protagonist in this book: One is Kato Megumi's kind in the book, who does not use his daughter as a medium (although the book does not say whether Kato's daughter is involved) to communicate with the male protagonist; The other type is Eiriri, Shiina, etc., Who rely on their daughters as a medium to make the male protagonist and the female protagonist meet. But the key lies in this point. The encounter between the male protagonist and Yinglili seems to be because Yinglili's love for her future daughter has indirectly enhanced her relationship with the male protagonist, while the male protagonist is more like completing a mission to capture Yinglili. How should the author write about the two-way pursuit of the two? As readers, we read all kinds of manga novels from God's perspective. Harems are very normal in the manga world, but for the author's protagonist Aragaki, it is not from God's perspective. How should the author write in this direction? I hope to see this book moving forward. Don't give up. Come on, author [Like][Like][Like] I saw the latest chapter, and now Yukino is about to enter the track. I feel that the character who is more difficult to control in the manga novel should be Yukinoshita Yukino. I have seen many people wondering why they chose Yukino instead of Dango. Japanese social culture is a circle culture. In the Chinese dating circle, some people don't speak much and some speak frequently, but everyone has the same status in the circle. Everyone forms a circle of friends because of one or more things they have in common, but even if you have other hobbies, you will not be excluded. The Japanese dating circle is highly hierarchical and requires a high degree of consistency among the people in the circle. There is often a core figure (such as Hayama) and others (Tobe, Ebina, etc.) Surrounding him. In the dating circle, you need to hide your personality and follow the group. In this regard, you can refer to the Koga school girl in "Young Pig Head Boy". One of the core of Duhang's "Spring Things" is anti-Japanese social circles. Yukino is an idealistic character. Her appearance, academic ability, family background, etc. Are all superior to ordinary people. She can become a current person like Hayama or a core figure in the circle. Her negotiation ability can be seen when holding joint gatherings. It's not that she can't be the core, it's that she doesn't want to be the core. It's not that she doesn't know those tactful social ways, but she doesn't want to engage in such tiring and meaningless social interactions. Yukino is the perfect woman in Tohang's heart, but she does not have what a good woman in Japanese culture should have. In the real world, Yukino will definitely be isolated in society, and she will not be happy. Therefore, from the moment she starts writing "Harmono", Yukino must win. "Spring Things" can be said to be Duhang's process of making readers fall in love with Yukino. Said so much, Since I want to express my views on the role of Yukino, I also want to know how the author can write about Yukino through his daughter, or how to write about his daughter through Yukino. Because I have read a lot of manga novels in which Sakurajima Mai is the heroine, but few authors have written about why Sakurajima Mai cannot be seen by others [face covering] In short, cheers for the author [like][like][like]

There are a few small ideas, such as letting Sayuri know Moeha's identity first, and then hiding it from Eiri, so that Sayuri will treat Moeye better than Eiri, which is fun. Or you can add Kong Yinzi and her daughter, a daughter as old as her mother, or even older than her mother, which would be very interesting. [Sinister smile]

When will there be 7 groups of mothers and daughters to start the Holy Father War [you will taste it carefully] or fourteen groups will form the daughter camp and the son camp [you will taste it carefully]

It looks great, but the progress of the complete break between the heroine and Ren is a little faster. The most important thing is that all the female characters appear. It would be better if the characters such as Hiratsuka Shizuka, Komachi Yukino and so on have a daughter [smirk]

I would like to make a suggestion, if the heroine or the hero does not come into contact with each other, then their children's bodies will become transparent. I feel that this can be used more, so that the heroine and the hero must understand each other.

I think the key to writing a novel with this theme is to first figure out how to end it. After all, from the perspective of each daughter, they only have one father and one mother. However, the key point of a comprehensive comic is that there is only one father in the world, but there are so many mothers. Compared with a For a general multi-heroine manga, the heroine brings a daughter, which is equivalent to doubling the difficulty of the strategy. How will the relationship between each "mother" and "mother", the relationship between each "daughter" and "daughter", and the relationship between each "mother" and "other" daughters be ended in the end? What kind of happy ending does it end up with? The reason why many eunuch novels with this theme do not have a good ending is that they keep repeating the same routine, which is nothing more than changing the identities and names of "mother" and "daughter". The more you read this, the more boring it becomes. I sincerely hope that the author can figure out how to deal with each other's relationship and what kind of reunion the ending will be. (To sum up, if the author wants to kill me, please shoot me on the spot and treat me like a fart)

Five stars, very interesting. It is estimated that if a daughter appears in the future, she will be placed with her mother. The purpose of placing Yinglili's daughter as the protagonist is to strengthen Yinglili, otherwise she will not be able to play, and the others will follow their mother to balance the combat effectiveness.

The first five stars should be given by the author himself.

Overall, it's not bad. The writing is more delicate. The protagonist is well established. He has a positive outlook on life and is very responsible. He is a rare normal person. However, the emotional line is too slow and can't be read by people who are impatient.

How to put it this way, the portrayal of the protagonist is very good, and the portrayal of the daughter is also very good, but the heroine feels that she has no sense of existence, but the author can still grasp the character of the anime heroine. The overall plot is bland, very bland. As far as I have read more than 60 chapters, I feel that nothing can arouse emotional ups and downs. The overall emotional line seems to be pushed but not completely pushed. Basically, every female protagonist has a little bit of it, and there is an inexplicable feeling. The advantage of this is that there is no such cool novel as a brainless gift of a girl, which is still great. This is a great work for everyday readers, but ordinary readers may not be able to stand it being so bland. The emotional foreshadowing is also gradual. The biggest problem is that it cannot inspire emotions. For an everyday light novel, this is indeed very good and the writing style is very good. The key to the low score is that few people can read it all the way through. For me, this kind of emotional foreshadowing is great, slow and warm, but I don't know about others. The heroine's presence is very weak. For example, Yukinoshita appears and disappears. Dango doesn't know whether to take it in or not, but disappears after a while. Shizukai also appears and disappears. Although Mahiru's appearance rate is good, her presence is not weak and her portrayal is poor. Eiriri is okay and appears a lot. Shiu's words are also a bit bad and she rarely appears. But the daughter's portrayal is really good, her character and shaping are very good. The key is... I just can't put my finger on it. It is said that there are very few female characters in the 60-plus chapters of the manga, and they are basically foreshadowing the relationship. The problem is that I don't know what the female characters who appear later will do. But I still like the author's emotional foreshadowing. At least he didn't send the girl away for no reason, and the characterization and writing are still okay. From Okay 65 onwards, a lot of the emotional foreshadowing began to be sorted out, and the emotional portrayal of the heroine was also much better.