I’m the Boss in Italy

I have read more than fifty chapters. This book is better because of its compact plot, easy to understand, and solid rhythm of paragraphs. The names of the characters written by the author are simple and plain. What impressed me was the name "Sanchu", a name that can be remembered at a glance. The plot is driven by language to give readers a sense of perception. What is lacking is the writing style, which lacks description and delicacy. The "xx theory" in the article can be changed to the word "xx Tao", which is basically without water injection. Readers who don't have any writing requirements can strongly recommend reading this novel [Like]

I personally think it is a very interesting book and worth reading. When I first met Lu'an, I saw that Lu'an was homesick. After taking a closer look, I found that Lu'an was in a foreign country. If you like to cook with tomato sauce on weekdays, then don't hesitate and take a look. After reading the beginning, I saw how difficult it is for Lu'an... I started checking in seriously from Chapter 223 "Xiaotong's Wedding", and slowly I saw the Bad Tou Qi and Sun Mingliang. They came to life in the author's great pen. I saw the various experiences of Chinese people working hard in Italy in the 1990s...

There are no golden fingers or shocking counterattacks, just the daily life of ordinary people in a foreign country. There are laughter and tears, warmth and helplessness. Reading it is like watching a delicate life drama. The more you read, the more interesting it becomes.

This book is really poignant! Starting from the Italian background of the late 1990s, it vividly describes the joys and difficulties of overseas workers, with a pyrotechnic atmosphere and a retro feel. The characterization is particularly delicate. Whether it is the survival struggle of lower-class immigrants or the psychological changes of the protagonist in a specific environment, they are all real and sympathetic, and the detailed description of Scar is also very good. The plot is compact and not ridiculous, and every paragraph can touch people's hearts. The depression in the early stage and the exhilaration of "counting money until my hands cramp" in the later stage are in sharp contrast. The more I read, the more I get addicted. Exotic customs and memories of the past are intertwined. Not only can you feel the ups and downs of overseas struggle, but you can also learn a few simple Italian sentences by the way, which gives you a strong sense of immersion. It is a good urban article that is worthy of repeated review. It has been added to the bookshelf to follow up. I look forward to the author's subsequent updates! 👍

The work does not resort to complicated plot twists or dramatic suspense settings, but adopts an almost anatomical narrative strategy, systematically dismantling a carefully planned murder into a series of calm, cruel and highly concrete operational steps. What is particularly noteworthy is that, through a narrative mechanism limited to the subjective perspective of the victim, the author guides readers to simultaneously experience a gradual collapse process from cognitive confusion, psychological panic to physical suffocation, thereby effectively reconstructing the generative logic and experience intensity of "despair" at the perceptual level. This kind of narrative arrangement not only steadily advances the plot development in terms of structure, but also completes the implicit construction of the image of the perpetrator (villain) on a functional level - his cold, rational and even dehumanizing qualities are revealed through action details rather than direct description. In the end, the text successfully creates a continuously accumulating and airtight atmosphere of tension and danger, reflecting the author's high awareness of criminal psychology writing and narrative tension control.

This is what the author wrote about the protagonist's life in Italy in the 1990s. The plot has ups and downs, the content is compact, and the writing is beautiful. The characters are full and three-dimensional, and the expressions are rich. It's OK [laughing]

Has the author stayed in Europe? This is too realistic. I feel like Brother Hu is my Uncle Long in the movie. It has written all the bitterness and bitterness of wandering abroad, and all the love and hatred of leaving home. Great book!

This work uses Italy in the late 1990s as the canvas, cleverly integrating the history of Chinese struggle with European style. Every time the protagonist Hu Liuan "counts money" in the streets of Rome and the waves of Venice is a vivid footnote of a stranger exchanging wisdom and sweat for dignity. The story is not indulged in romantic fantasy, but is rooted in the real survival game in the early days of globalization, interweaving the satisfaction of wealth accumulation and the ups and downs of cultural collision into an overseas epic full of fireworks. The author's writing is excellent, highly recommended.

Opening this book is like stepping into the Italian human fireworks of the late 1990s. The author did not write the protagonist Hu Liu'an as a thin "struggler template", but wrote about the struggle, resilience and tenderness of a stranger in the collision of the tide of the times and culture, and the characters are extremely textured. The writing is soothing and poetic, closely intertwining the ups and downs of the great era with the fate of the little people. Those seemingly ordinary daily life in the city all hide the affectionate look back at the golden age. A good book, worth reading all the way.

The opening chapter has a very camera-like feel. In just a few pages, a depressing and hot Chinese restaurant chef appears on the page. The writing is solid and cold, including the boss lady's scolding spit, the chef's silent stirring of the pot, the spring rolls that the novice slipped in panic... Every line drawing is precise and ruthless, and the exhaustion and dignity of the bottom workers are vividly depicted. The dialogue is particularly vivid, and the sense of market anger and oppression is overwhelming. The opening chapter is like a dull knife cutting flesh, already making people full of heart-wrenching expectations for the protagonist Hu Liuan's "Road to Italy". Good penmanship.