Book Transmigration: I Cross-Dressed as a Woman, and the Male Lead Turned the Tables on Me

It's rare that it's not the kind of human-machine love-at-first-sight setting, where emotional confrontation is the most fragrant. Many Tomatoes are about fighting against outsiders and adding villains to enhance relationships. There are no villains in this book! This is the key point. The conflict comes from their own personalities, which is interesting. The original heroine did not interfere with their love. The author wrote it interestingly. This is normal. There are so many persistent villains looking for trouble when they are in love. Most people know the current affairs and avoid confrontation and stop losses in time. If the heroine sees that this doesn't work, she will change to another blind date. This is a normal person. The early stage is more exciting than the later stage, which refers to the events caused by the character's personality. However, there are still not enough details, and the portrayal of other characters is a bit lacking. Any Tomato novel without a typical villain is slightly better.

Nice! The character design is very good. When Yan Zhi acted like that at first, I really wanted Huan Huan to dump him quickly. Later, chasing his wife at the crematorium was not very satisfying. After all, we Huan Huan are too kind. Yan Zhi, you kid can have such a good wife, so just enjoy it secretly! I feel like the story between Lu Yuchen and the Lord God could be a side story~

It's okay. The emotional tension between the two people is at its limit. The first part is okay. The second part is more tiring when I see Qin Huan moving into Yan Zhi's house. I can't tell who is being abused. I can only say that one is willing to fight and the other is willing to suffer. I feel even more sorry for Qin Huan's family. After all, their son was able to stay for a month when he came back, but he went back early to coax his husband. However, Yan Zhou has always been secretly in love with Qi Yang, which is completely invisible.

Haokan (○｀ε´○) doesn't have forced love, but I really hope he does. The protagonist is very charming, relaxed and very playful. It is much better than some novels I have read. Those novels are all serious, and few of them are particularly open-minded or good at playing. What I mean here is looseness, for example, in dancing, not in the relationship between men and women.

Hehe, it looks good. From the beginning, I thought the male protagonist was a bit cheap, even a bit nasty, and I didn't like it very much. But later, I saw Yan Zhi change little by little when he fell in love with Qin Huan. Although he was still a bit bad, he became gentle, and his definition of Qin Huan also changed from a person who was interested to someone he wanted to spend his life with. So in my opinion, this character is still very three-dimensional. Qin Huan himself is also very charming. He can be gentle and polite, like he treats everyone around him, but he can also be like a bright red rose, very playful and fiery. It is really rare to see such feelings. In other words, very loving [Adoration] [Adoration] [Admiration]

It's quite good-looking. Overall, it's a sweet story. It doesn't feel too bloody. Well, the two male protagonists are very smart and understand each other very well. The emotional development is a bit slow. The most important thing is whether the teacher can complete the story of Qi Yang and Yan Zhou! ! ! I really want to see it

Why doesn't anyone read such a good novel? I feel sorry for Qin Huan. Is this really true? Has anyone considered his feelings?

The whole book is pretty good, the first half is remarkable, but some settings are easily overlooked. The second half of the book is relatively smooth overall, and the portrayal of emotions can be more profound. The background of the story is quite bloody, and you can feel some of the author's own views on love from the whole book. Part of the performance of the protagonist in the early stage of the attack made me want to tear down the main CP (but this also reflects that the author has a relatively profound portrayal of the character of the protagonist in the setting of the attack, and the later transition is smoother and more comfortable). The author's subject matter is actually more suitable for writing about chasing his wife in the crematorium + Qin He's systematic love orientation would be more in line with the bloody background, but this is also good. Where some emotions should explode, it ends with a peaceful and slightly uncomfortable ending (which can reflect some of the author's own hopes for expressing emotions). I want to see Shen Ru who chases his wife at the crematorium. Those who simply want to read bloody stories should be careful.

It's good. The two male protagonists are not templates. The deceptive routine of the two of them playing against each other is oily, awkward and a bit interesting. Chasing the wife in the crematorium does not necessarily require severing social relations. It's life and death, and you can deal with the relationship like an adult (there are so many childish texts nowadays, either you hate Hai Qingtian)

To be honest, the original owner is really regrettable. There was no betrayal. He only acted because the girl's parents didn't accept it. Although he didn't agree with his approach, he didn't make any mistakes emotionally, eh...