My Cultivation Is Gone, and Now the Fairies Want to Settle Old Scores

The protagonist is a bit like Fang Yuan, who is devoted to seeking truth. After reading so many books on this subject, this one is in my top five. There is nothing toxic about it. The author's handling of the emotional line is pretty good. The protagonist is not like a loser who won't resist. I recommend reading it. Now it seems that the protagonist is not too much like Fang Yuan, but at least he is not a waste, he will run away when he needs to, and he will resist, and he is almost always a Shura field. It feels pretty good, but there are too many characters' names that I can't remember.

It's good to watch. I really like watching the Harem Shura Field with real swords and real guns. You have to watch a real harem with your mind free, but the Harem Shura Field is the kind where you can regain some thinking ability. The author has implemented this principle relatively well in this book, and the level of all aspects is worthy of the brain he took back when reading this part of the book, and he is more able to justify himself. You can even see live in the main timeline how the protagonist flirts with girls naturally and creates trouble for himself. This is a very interesting experience. At present, the differences between the female characters are quite good, and their needs for the protagonist's emotional state are also different, but it would be nice if the difference in the male protagonist's attitude towards them was a little more obvious. My current favorite is Little Silly Dragon, and the following evaluation is also from the perspective of a "reader who likes relatively kind-hearted characters": The yandere characters in the book are partly determined by their encounters and partly by their nature. The female protagonists of this group are determined by their essence, and the balance between perception and perception is not enough, because the protagonists are basically cleansed, so the initial common hatred with these female characters disappears, and it is inevitable to feel a bit inferior when they treat the male protagonist cruelly, and even if it is not a misunderstanding, these injuries themselves will be forgotten by readers due to the passage of time. Therefore, either the damage will continue, or some perception compensation must be made. For example, the leader of the Demon Cult is the best at compensating the perception. On the whole, the portrayal of the apprentice Ran Ran among the female characters is the riskiest now, because the protagonist has never felt sorry for her, nor has she written about the reasons for her personality. The compensation is even more inadequate, and the protagonist has no interesting interactions with her. Every time I see the protagonist, even when I see her on the stage, I feel a little tired. Finally, I wish for a master who has a sense of complicity! The author keeps up the good work

After watching it for a while, overall it's okay, the logic is normal, the foreshadowing given earlier is basically supplemented, and the character portrayal is not that stiff. It's just that there are too many characters and it's easy to forget to think about it for a long time. However, it can also be seen that the author also depicts daily life. Generally speaking, the quality is good except that it is slower [Chigua]

The descriptions of the heroines are still relatively delicate and the differences in personality are relatively clear (not all of them are brainless and yandere heroines). However, the emotional writing is sometimes very delicate and sometimes a bit rough, especially when Su Yao was poisoned and kissed, the other two suddenly went berserk and it felt a bit too abrupt (it's not that the plot is unreasonable, it's just too sudden). There are no edges (I don't know if it has been corrected). Overall it is good.

It's well written, much better than other articles of the same type. However, the author, if you follow this update frequency, this book will be cool [face covering]

Overall, it is a very good story, with originality. It can be seen that the author has a very detailed conception of the protagonist, and the interpersonal relationships are handled in a dangerous but not dangerous way. But to be honest, I didn't quite understand the elements of the whole story. At first, I thought it was about the protagonist regaining consciousness after losing his way, and changing through the experience of love and hatred. There were indeed these descriptions in the early stages, but in fact, in the past two hundred chapters, I didn't see any actual changes. Furthermore, the protagonist's feelings are a bit subtle. In the early days, he was named "wooden", and he did lack some normal emotional understanding. However, a lot of characters later expressed their love so close to their faces, which makes it seem that the protagonist is taking advantage of this interpersonal relationship without dealing with it. The protagonist believes that these are all love disasters caused by heaven, and believes that cultivating immortals should not be bound by emotions. These are all clearly stated, but the perception is indeed very subtle. Because 90% of the page is devoted to the emotions of a bunch of female characters towards him. If the protagonist is still so "Sigma", the impression will be greatly compromised. But it's still quite interesting. Everything started from what I thought was a benefit, but it naturally attracted her admiration and brought countless troubles to myself. The plot was set up very naturally. Generally speaking, it feels a bit Japanese, but 90% of the time the protagonist provokes a bunch of people without doing much, and he doesn't feel much about it. If you watch it too much, you will get tired of it.

After watching it halfway through the review, I feel that it is a more popular harem sick leave Shura field, and the characters are also well drawn. The protagonist is also a little different from normal people, but it is considered a foreshadowing. I watched it for a long time, and I feel that basically most of the female protagonists really don't deserve the love of the protagonist. I feel that the protagonist has not sorry for them, but they think that the protagonist has failed them in their own way. Then through some foreshadowing, I think that only his master is really good to the protagonist. The other female protagonists either save the protagonist's life, or deceive the protagonist, or even drag the protagonist down. If you want to say that the protagonist is just cheating or kidnapping or not recognizing people when she pulls up her pants, let's not say it. She refuses to repay the favor of saving her life and repays the favor with revenge. She is shameless. I hope the author can consider giving sacrifices to this type of heroine in the future.

Not bad, each character is very distinct. The male protagonist is still not enlightened after reading about 100 chapters. He always thinks that he and the female protagonist are all exchanges of interests. It is estimated that something big will happen later, and the heroines will have to save their lives to understand. At present, I feel that the male protagonist's thinking is still that I am good to her, so she is good to me just for the sake of better "cooperative transactions" in the future. He also thinks that there is a big hand behind the scenes. That's why I think there must be a plot later in which the heroine sacrifices her life to save the hero, so that Yan Mumu can realize that the heroines really have feelings for him before he can understand.

Very good-looking. The male protagonist is not born to be a heartthrob, but his gentleness and help to each female protagonist has led to so many romantic relationships. Every couple is delicious. He himself is also a man of cultivation and does not deliberately focus on love. This is good.

I just read a few chapters, and the quality is much higher than similar Tomato novels. I don't know if AI or hydrology will be used in the future. Please support me first. After reading Chapter 100, I discovered a small problem, which can be regarded as a poisonous point. The heroine cares about the protagonist so much, but she doesn't treat the protagonist as a human being at all. The protagonist keeps helping them and being abused and ridiculed in various ways. She doesn't care what the protagonist wants to do. The protagonist always wants to recover her cultivation. Except for the dragon, everyone else is trying their best to hinder the protagonist's recovery. It's disgusting to watch. Is this kind of heroine who blindly asks for things worthy of being a heroine?