Hong Kong Films: Hong Kong Island’s Coast, Addicted to Undercover Work!

They keep emphasizing people who live on the water. It's like they're something lowly.

He keeps emphasizing that he just wants a home, a home. If that's really the case, he wants to go back to the countryside, find a place to stay, and honestly farm the land. No one will bother him, and that would be a home for him.

Even if there's a need for rectification, the book title doesn't have to be changed to something so ridiculous.

Don't you want Brother Gui's batch of gold?

Is Abu the one in Wolf Fang who can take on a hundred people?

The author's statement about smugglers becoming lowly gangsters shows a deep disdain for smuggling. Everyone knows how lucrative smuggling is, except the author. Smuggling drugs, arms, manufacturing, and food—in the 1980s, some people made hundreds of millions of Hong Kong dollars a year smuggling CDs. The guy who traded canned goods for airplanes also made his fortune through smuggling. Even Hong Kong's richest people didn't make money as fast as these people.

Being beaten so badly and still able to go to the movies? That's how it is in so many Hong Kong films – someone gets beaten up one day and is perfectly fine the next. And this guy even had broken ribs! Is that even possible?

Don't forget that the seven brothers of Tianyangsheng were brought under their command.

"Isn't it said that someone with the strength of ** jin (a unit of weight) could kill a bull with one punch? Why are you dawdling over Wang Bao? For a human, even with training, it's a one-punch affair. What kind of brain-dead text is this?"

Review of Chapter 1, "Inheriting the Elder Brother's Legacy and Becoming the Elder Brother," from Shenzheng's novel "Hong Kong Films: The Beast, We Just Want a Home!"