Anime Crossover: Desert Island Chat Group, From the Start, More Children, More Blessings

1. There will be no plots in this book such as doppelgängers, losers, turtle men, giving away girls, and clandestine plots. It will be all C and all S. If there are hints of certain plots in the middle, such as a villain peeking at a certain heroine, rest assured, it is just in line with the plot needs of their character. There will be no subsequent development, or in other words, they will die in a fancy way. 2. The protagonist of this book is not good at frontal combat power, but at all kinds of fancy auxiliary and external forces. He relies on proxy wars, information gaps and underhanded tricks to win by surprise. In the early and mid-term, he will not have any unparalleled abilities or purely powerful numerical abilities, and his combat power will not take off easily, but the protagonist will never suffer a loss. PS: But the protagonist's personality is the highest and strongest from the beginning, and it will be revealed in the later plot, so there is no need to worry about being reduced to the protagonist by some high-level anime character. 3. The main plot of this book tends to be about daily life, pushing girls, farming, and occasionally a little battle. It is mainly focused on developing the island, dating girls, and daily life. Friends who hope that the protagonist will ascend to godhood and explode with one strike in the early and middle stages can put down their expectations. 4. There will be characters with otherworld themes, such as Fulian, re0, uncle from another world, Brother Sha, Bone King, Di Er, etc., But they will be placed slightly later in the plot. There will also be storylines in which the daily heroine is influenced by the protagonist, masters super powers or magic, and becomes the protagonist's assistance. 5. It is said to be a chat **, but there will only be a male protagonist in the **. I am not lying. This is a harem**. Bros who want to see a man enter the ** can change the book. The author just wants to write something that is happy, relaxed and sweet, and does not want to write about men. 6. There will be male characters appearing in the book, but they are basically original passerby characters who come to work as wage earners or backgrounds. If there are more roles, then they are mostly villains, the kind used for sacrifice, and will not come into contact with the female protagonists, so there is no need to worry about it. 7. Some of the female characters in the original work have a close and emotional relationship with the male characters - such as Fulian and Simmel, Nanami's crush on Hakamada, etc., Do not exist in this time and space, or have undergone certain changes. For example, Frilian will be attacked by the protagonist before meeting Simmel, and Lao Bayi's crush is the protagonist at the beginning. Is this considered a spoiler? 8. The author's writing theme is "good women never let down, bad women never waste", so he will recommend and even accept bad women such as the big demon Aura, Makima, etc., But not a certain shaving girl on the bus. The author, Fei Lu, is a newbie. I don't know the rules. Please forgive me if I offend you. I will kowtow to you all here first○|￣|_

After reading Chapter 70, it's quite strange to be honest. The protagonist knows that his strength is insufficient, but he has no sense of urgency to become stronger. The number of times he gets the lottery is Tun, and he always says that it is to consider the development of the island. Aren't you already self-sufficient in food, so why don't you hurry up and become stronger and think about building an island? What's even more outrageous is that when you discover the demons and feel that you can't beat them, your first reaction is not to draw a lottery to become stronger and eliminate the risk, but to profit. Later, in order to repay the favor, he decided to stay and protect the elf. Momojiji tried to extract his soul from the body, but he still couldn't defeat him. He didn't think about pushing a few quickly, so he just saved the elf. Or maybe Megumi himself suggested that it was too dangerous and he wanted to share the risk with his life? Well, he pushed three times and won two lottery draws. Do you think the protagonist became a tyrannical pusher when he wanted to win the lottery? Hey, it's not about smoking, it's just about having fun, taking a few heroines to hang out in front of the demons, and gambling on their lives. Three dedicated people: Not buddies? What are we dedicating ourselves to?

The main reason is that the span of enemies you set for the protagonist this time is too large. In the first few chapters, you were still fighting in the wilderness to survive, but in the next chapter you will fight generals in the fantasy world. You are not the kind who set the protagonist to be invincible at the beginning. When you write it down, readers will feel that you are overpowering the protagonist. If your farming story is improving step by step, then don't set the span of enemies to be too large. If you lose or win, it will be difficult. Readers will feel that you are overpowering the protagonist. If your combat power is instantly reduced, it will easily collapse.

It is a pity that the beginning of the book is very good but it is written in a hurry. Islands are written one after another, but there are not a few chapters about the daily life in the middle. The characters and life are not written at all. Personally, I feel that this book should be better if it focuses on daily life.

The author spends the first hundred chapters writing about the protagonist trying to balance the status among the female characters. Then after the last few chapters were written, the way it was handled made Kaguya Shinomiya stand above all other female characters. . .

The writing may be okay, but I have always felt that "Many Children and Many Blessings" is the best system. It does not target the author. I generally don't click on it if it is not a comprehensive comic.

Previously Fei Lu: My children's children are still my children

I've finished reading it now, and it's pretty good. I just have two questions I'd like to mention. First of all, will the male protagonist's character be too warm? After all, the male protagonists in the Asasi warm male system are no longer popular, and I'm tired of it. Secondly, the author said that the male protagonist will not be good at frontal combat. Can I understand that the male protagonist is very weak in the early stage, or that he will have a certain degree of physical fitness, or a certain fighting ability, so that he will not be defeated by the individual male protagonist. When there are no characters from different worlds in the early stage, the male protagonist does not have strong power, which is normal. Maybe the author is also afraid of collapse in the later stage. But the author said that he will add characters from other worlds such as Bone King and Earth Mistake. My suggestion is that before adding these characters, the protagonist can grow to a stronger combat power. For example, when integrating the characters from Bone King, at least the male protagonist must be able to match the Bone King or Shalltear, otherwise it will always be a bit frustrating to watch.

The subject matter is good, but if you read a few more Quanmin, you won't write like this. . . . . How should I put it, my imagination is a bit messy. Not to mention random killings, at least people can see that the protagonist is the stronger side. One soul is out of the body and the other is an invisible hand. Even if you use your imagination to blow, describe, describe and introduce, you will not look like you are overpowering the protagonist. You have to use these two abilities to your advantage. Territory development Yes, but there are very few of them. The whole process is about running the map, and running the map like crazy when the personal ability is not strong. To be honest, it looks very strange. Do you want to arrange a boss that the protagonist cannot defeat and then rely on several harems to attack it together, and then arrange for the protagonist's personal ability to take off? I'll be honest, it's average. Come on

Is this putting pressure on the protagonist? In this crisis-ridden world, on the premise that the island is sufficient, you don't give priority to improving your strength? If there is real danger, will the heroine have to forcibly sacrifice herself again? If a few people don't die, don't you know how to regret it? Got kicked in the brain?