
Anime Crossover: Load Traits, Back Rin Tohsaka from the Start
综漫:加载词条,开局力挺远坂凛
- Status
- Completed
- Length
- 786k Words
- Genre
- Fanfiction
- Subgenre
- Anime Fanfiction
- Updated
- 1y ago
- Source
- Faloo
Synopsis
All-time: Reads, Flowers.
337Chapters
5.7MReads
46.8kFlowers
9.9Score
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Reader comments 50
Translated by Google Translate





It's not enough for you to write about modern daily life with so many girls in the moonlight, right? You even deliberately brought Demon Slayer to modern times to write about it. It's so clever for you.
After reading it, I feel that the author writes too many heroes to save the beauties and the protagonist only appears at the last moment. Also, the author keeps writing about some conspiracy or someone is targeting the protagonist, but the protagonist does not know about it. It feels like it is creating anxiety in vain. As soon as you finish writing the conspiracy theory, the protagonist runs off to fall in love. It is very uncomfortable to watch, or the protagonist I know it's intentional, or just don't write any conspiracy at all, and the protagonist's performance is not very good. You say the protagonist is strong, but every time he has to hold back and fight back, it is speechless. For example, the American soldiers clearly have the direct-death magic eye, but they don't use it. They activate a lot of skills and have no results. Finally, they activate the magic eye to counter-kill the enemy. Can't they just activate it from the beginning? Another example is the fight against Yishita, where you won the battle by drinking the explosive seeds in the end. Isn't it cool to write like this? Anyway, I feel speechless, and when I hit Brünnhilde, I somehow let the opponent run away and finally defeated the whole Brünnhilde. Is it cool for you to write like this? Can't it be solved in advance? Or even if you run away, just find it in advance? It seems quite depressing.
It was pretty good until Demon Slayer was added.
The author would like to make a suggestion, like at the beginning of the plot, some of the female protagonists had close relationships with the indigenous people and hoped to change it. For example, Miura Yuko has a crush on Hayama, Apocalypse Miyamoto and Takagi like Komuro, and An Yirun and Eri are childhood sweethearts. I hope these similar to Tau Spirit Green can be avoided. Personally, I suggest just writing out or not appearing the male protagonists of these original works.
Can you not have that kind of setting where evil spirits can take advantage of the heroine at any time? Pure and poisonous, and also have an evil spirit lying on Marikawa Shizuka's shoulder. It doesn't matter whether the evil spirit is conscious or not.
Do you dare to do this every day with your plot about breaking ghosts and destroying water? Do you dare to put a few chapters on the shelf?
I don't understand why he's so nice to Mianzi even though he hasn't confiscated it yet, and he's giving away the exercises and money as well.
I still don't understand why the American soldiers said that the potion can increase the physical strength by three to five times. Doesn't that mean that the protagonist's attributes are all ba? According to the previous setting, it was more than ten times. As a result, even A's clothes could not be penetrated and no one was fine. Are you trying to suppress before you want to advance? Are you opening a biological stance for the opponent?
If you don't write about Demon Slayer, you won't be able to write about it, right?
The part about Spartan warriors really impressed me. It was fine before it was put on the shelves. I just subscribed to a few pictures and this one came out. You can suppress the protagonist with three to five times the physical strength. The technological armor makes the protagonist's attacks ineffective. Some of the characters with names and surnames are really powerful. You can suppress them first and then strengthen them. But let the protagonist be unknown. What do you think about the soldier's hand being deflated? What's the use of this paragraph besides making the protagonist deflate, Yang? You can let the protagonist go to the United States to kill all around, and force the high-level officials to surrender and surrender. What's the use of killing the mold in Japan? The elements of your promotion and suppression are not proportional. I don't feel happy after reading it, I just want to curse. After reading these pictures, my thought was "I was so confused as soon as it was put on the shelf, and you still want me to continue to subscribe." Author, just look at it, I am definitely not the only one who thinks so. I dare say that this paragraph of yours is absolutely poisonous to many readers.