
A Siheyuan in a Box
箱子里的四合院
- Status
- Completed
- Length
- 247k Words
- Genre
- Fanfiction
- Subgenre
- Film & TV Fanfiction
- Updated
- 2y ago
- Source
- Faloo
Synopsis
All-time: Reads, Flowers.
120Chapters
2.9MReads
27.5kFlowers
10.0Score
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Reader comments 50
Translated by Google Translate
It is really a failure to influence the present world! "Siheyuan" is just a TV series. You can set it in a parallel world, but what about directly linking it to reality? Could it be that in the world where the protagonist lives a few decades ago, there really were characters like Qin Huairu and He Yuzhu? And it directly affects reality. To put it bluntly, if the protagonist does it a few more times, everyone will probably die! It breaks too easily! There are also many other problems in the book. For example, claiming to be a god, well, it feels very unqualified. He actually paid attention to some trivial matters in the courtyard, and even let cockroaches in. The most important thing is that he has not taken them back. . . How to deal with this? Since rice can become a reality if put in it, what should the protagonist do with the monster he created? With the ability of cockroaches to reproduce, within a few decades, it is estimated that they will be all over the world.
I'm really speechless. It started in 1960. Was the protagonist born? If not, there is a 50% chance that it will disappear, because the timeline in the courtyard and the real timeline are the same time course. When you change history, you are also reflecting the history of your current timeline. If you have watched The Butterfly Effect, you will know that the protagonist goes back in time to save his friends and relatives, but when he returns, he will be disabled. There is also the mythical version of the TV series. Yi Xiaochuan prevents Gao Yao from changing history. He is really not willing to change, because once he changes, all his ancestors will disappear due to a tiny butterfly effect, and a new timeline will appear.
It's good to write about the courtyard house from this perspective. Write it carefully and don't go into the palace.
It depends on how you come back together in the end, it will be difficult not to collapse.
I wonder where the cockroaches are? If you run out of the courtyard, no one will take care of you? So why don't you go back and drill a hole? How big should the hole be?
If only rewards are given without punishment, people in the courtyard will become even more aggressive.
This perspective of writing a book is very special and novel. Once it is written, it will become a monster. There are so many TV drama themes! The good sense of scale and plot are entirely up to the author's own creation! Don't be a eunuch
When Ah San came to attack, he didn't get used to it. Because the domestic disaster year required the transfer of mental conflicts and the ability to hit with one punch to avoid hundreds of punches, he immediately gave a warning, counterattacked, and directly let him defend Delhi.
This is boring to you! Isn't it possible to use parallel space? It also affects the world of the protagonist. Do you want to wipe out the protagonist in one go?
The author is also a talented person. He has connected reality with the world in the box on a timeline. If you have nothing to do and show yourself in front of the box, you think you are not disappearing fast enough. If you write the world of the box as a different world, it won't be so poisonous. Once major events such as three-year disasters and ten-year storms change, how much will the butterfly effect change?