The Martial God Development Plan

In my personal opinion, the initial concept of nine divine artifacts shouldn't have been set up in the first place. While the intention to create a complex narrative was clear, and it's not that the creation was poorly executed, the transition to an infinite world felt overly complicated and couldn't support the overall scope. It would have been better to redesign the bell, using two artifacts to achieve the same effect. Secondly, Lie Lian was a bit of a hindrance. Either develop this character properly or don't create her at all. The reason the protagonist rejects love is unknown; he can only lick his own wounds, which feels more sophisticated than others arbitrarily deciding, "Oh, this person has a family, so they dare not accept love." Also, many female characters became mere plot devices later on. Fu Da was overused, Fu Er was practically nonexistent, Gu Gu was supposedly proficient in all meridians but then completely disappeared, and Ming Ji even followed him to Shenzhou but didn't get a chance to participate in the final plotting—that's absurd. Even Zhu Hongyue participated in the plotting. It felt like many side stories were cut. However, the battles were indeed well-written. I loved the twisted, heavy, and burdened feeling. Others said this book was too bitter, but I really enjoyed it and finished it in three days 🥰

To save the person who raised him, he bore immense pain, murdering his family, teacher, and friends. He was loved by many, yet from the very beginning, he stood on the opposite side. Suffering, struggling, and concealing his true feelings, he killed others who loved him for the sake of one person who loved him. Bearing everything, betraying everything, destroying everything, arriving at the end, Ji Zhao, who awaits you? Heroes have blood, but heroes have no tears. I will not fall in love with anyone. Hehe, delicious! The ending? The ending doesn't matter, the process was too sweet.

This book started strong but declined in quality. The beginning, up to the point of winning the championship, was excellent and enjoyable in my opinion. However, the quality started to drop after that, from the trip to Fusang to the defeat of the Phoenix, though it was still a good book. After the defeat of the Phoenix, the plot felt rushed. The story sped up so much that many side stories and daily life segments were completely neglected. The second sister's romance was too limited, despite her being the most crucial female lead in the main plot. The parasitic worm plot was also abruptly cut short. Furthermore, the two female characters, Kuroki and the shrine maiden, who seemed to have significant roles in the early stages, were ultimately reduced to mere plot devices. In addition, the atmosphere of the book was quite good in the early stages, which was very emotionally engaging. In my opinion, the story should have been about Hime Teru constantly creating bonds in this world, ultimately unable to let go of it, transforming into an invincible demon determined to reclaim the life of both worlds from the mirror. However, perhaps there was simply too little character development and shift in mindset. Maybe even the author couldn't convince Ji Zhao not to flip the mirror, and in the end, she did. But then she kept stacking boxes and creating new worlds. Sigh, the earlier part was so good, it's been a long time since I've read such a good, satisfying book. It's a pity the later parts fell apart. I've also read a bit of the author's new and old books, but I couldn't get into either. The protagonist in this book is my favorite. The new book, as the tag says, is about a "god-like" character—not that it's bad, but I personally prefer the protagonist of that book. And the romance in this book really got me emotionally invested (even though it's not very developed). In the new book, I feel many female characters are a bit stereotypical. Sigh, I can only wait for the author's next book. Also, if any readers have read similar books, I hope you can recommend them. I really love this kind of book.

Sigh, it's so heartbreaking. Even if they created a perfect world in the end, what good would it do? The people and things they destroyed with their own hands can't be hidden. In my opinion, it's still a tragic ending. And the romantic storylines weren't complete either. Mo Yu didn't change much later on, and the Ancient God just disappeared without a trace. I always thought the Second Sister would play a big role, but she wasn't that special. While watching, I kept thinking it would be like the predictions in the initial posts: destroying the mirror. And it did happen in the end, but at the very very end, the scene of destroying the world was so painful to watch. Sigh.

It was so bitter that I never finished watching it. How could such a story exist in the world? A martial god destined to be unable to accept love.

I originally just wanted to come back and check the panel, but I've already reread it three times. This was my first book, and I know I still consider *Martial God* to be the author's masterpiece, especially after reading it in one go. *God Man*, on the other hand, feels like it's missing a... Two breaths. It seems like a certain feeling the author has lost a small part, though it's not obvious.

After defeating the Phoenix, I checked the ending. Well, having read several of the author's books—*Su Qianqiu*, *Fu Yue*, *01*, half of *Ji Zhao*, and half of *Platypus*—it seems the author's endings all involve a sudden, massive expansion of the world-building, leading to a cosmic war. 90%, Even 99%, of the book's content is Earth-based combat, and then they insist on a power spike at the end. It's not exactly a mismatch in world-building or a deus ex machina story; it does connect somewhat, but there's just a sense of disjointedness. In my previous review of "Fu Yue," I said that the author wrote what he considered to be logically consistent, but it wasn't what readers wanted to read. After reading several more books this time, I feel that the author seems to have a path dependency. He conceives a grand background at the beginning of the book, but most of the perspectives in the book are actually a very small part of this grand background. So, when the grand background is revealed in the end, it does make sense upon closer inspection, but it just doesn't feel coherent. The author has achieved great success, having written so much, and is certainly more knowledgeable than a reader like me. In fact, I am indeed an audience member of this author. However, each book has a feeling of "worldview going crazy" towards the end, which definitely makes the reading experience a little worse. I don't think the author will change it. It feels like this is his underlying logic, namely the "low-level martial arts" within a multiverse-level worldview. The background and "low-level martial arts" are the core of his works. Although it might seem strange at the end, it's generally a good way to maintain the overall sophistication before the ending. Even if the author changes it, he might not be able to write a work like this. I just hope the author will handle the endings well in the future, and that there won't be any more characters like Su Qianqiu. As for the others, it's fine if they get too arrogant.

The mahjong scene is terrible, I'm not watching it anymore.

Second visit, and the dumplings are still the best!

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