The Duke Is Busy

Why doesn't Mu Tou use his abilities to prove himself on Qidian? Qidian's male-oriented content with no romantic pairing has already saturated the market.

Although I haven't watched much of it, I have a strange sense of disgust towards the protagonist's mother.

When will Hazel die? I was disgusted by the Dramatic God volume and stopped reading, but now I want to continue. When will she die?

The characters in each volume of the story appear directly without any prior setup. 1. The character descriptions employ a lot of third-person narration, and sometimes even directly spoil the future, such as who this character will become in the future or who this thing will affect later, making the reading experience extremely disastrous. 2. The plot and recommendations also basically use third-person narration. From a viewing perspective, this is extremely disastrous for character development. The description of the characters' psychological activities and the guidance of the plot are basically narrated from a third-person God's-eye view rather than driven by the interaction between the characters, which makes it impossible to fully reflect the character's characteristics and traits. 3. The watered-down text is extremely serious, and the character development is extremely disastrous. For completely unimportant supporting characters, such as the character who suddenly appears out of nowhere in this volume, although he is the final boss, his past as a character who just appeared out of nowhere is not described through previous plot foreshadowing or his interactions with others. Instead, he starts a third-person narrative in a very ambiguous way to describe how this person became like this in the past, and then he is defeated by the protagonist. Moreover, this memory has no impact on the subsequent plot and has basically no foreshadowing. 4. The power level system is a complete disaster. The beginning introduces a power level (spoilers in the first few chapters), such as the third wing appearing at level 18, but this power level is almost never reflected in the battles. For example, the approximate level of the archangel or the protagonist's approximate strength is never shown (the author barely mentions it in the plot either). Basically, everyone the protagonist encounters can fight him; there are numerous instances of him instantly defeating minor enemies and then suddenly engaging in combat. The power levels between the protagonist and his opponents are entirely dictated by the author. (Furthermore, the vast majority of supporting characters appear out of nowhere in this volume; only a very small number have prior development. Over 80% appear without any foreshadowing. This power system makes for a completely disastrous reading experience.) 5. The world-building and the use of abilities in the plot depend entirely on what the author needs. Basically, the connections between abilities, such as sacrifice and ability construction, have no connection between the preceding and following text. If a method exists in the previous chapter, it exists, but it becomes completely useless after that chapter. This situation accounts for the vast majority of cases in this article. 6. Character development is similar to point one. Because it uses mostly third-person narration, the character development is extremely disastrous. In addition, the supporting characters are basically introduced out of nowhere. As a result, from my personal reading experience, the plot is too disastrous. So, although there are many character crises in the plot, they are basically limited to the person who is in trouble. Also, because the author writes the stories in multiple threads with little connection, the troubles are limited to this part and it is difficult to affect the whole and create a sense of urgency. 7. I started reading this book because of the first volume, *Records of Chaldea*, but now that it's finished, I've only read about 50% of the complete set, which is incredibly disappointing. That's why I'm writing this review. My writing skills are limited, so please feel free to point out any errors.

It feels a bit like a murmured poem.

It's well-written, but it made me feel nauseous. The dramatic ending, where they still had to go save the sea, was truly disgusting.

The old group chat disappeared for some reason. The new group number is: 941768869

Why can't I see the whole book review?

This is my favorite book in the Hedgehog Cat series. I thoroughly enjoyed reading it, especially the protagonist. It's no exaggeration to say that I read half of the book just for the protagonist. The protagonist created by Mu Tou is just my type. The only downside is that the ending felt a bit rushed, but I can understand that. After writing over 5 million words, the author is probably numb. I just hope that the author will have time to add an epilogue and further develop the characters' endings.

The characters in each volume of the story appear directly without any prior setup. 1. The character descriptions employ a lot of third-person narration, and sometimes even directly spoil the future, such as who this character will become in the future or who this thing will affect later, making the reading experience extremely disastrous. 2. The plot and recommendations also basically use third-person narration. From a viewing perspective, this is extremely disastrous for character development. The description of the characters' psychological activities and the guidance of the plot are basically narrated from a third-person God's-eye view rather than driven by the interaction between the characters, which makes it impossible to fully reflect the character's characteristics and traits. 3. The watered-down text is extremely serious, and the character development is extremely disastrous. For completely unimportant supporting characters, such as the character who suddenly appears out of nowhere in this volume, although he is the final boss, his past as a character who just appeared out of nowhere is not described through previous plot foreshadowing or his interactions with others. Instead, he starts a third-person narrative in a very ambiguous way to describe how this person became like this in the past, and then he is defeated by the protagonist. Moreover, this memory has no impact on the subsequent plot and has basically no foreshadowing. 4. The power level system is a complete disaster. The beginning introduces a power level (spoilers in the first few chapters), such as the third wing appearing at level 18, but this power level is almost never reflected in the battles. For example, the approximate level of the archangel or the protagonist's approximate strength is never shown (the author barely mentions it in the plot either). Basically, everyone the protagonist encounters can fight him; there are numerous instances of him instantly defeating minor enemies and then suddenly engaging in combat. The power levels between the protagonist and his opponents are entirely dictated by the author. (Furthermore, the vast majority of supporting characters appear out of nowhere in this volume; only a very small number have prior development. Over 80% appear without any foreshadowing. This power system makes for a completely disastrous reading experience.) 5. The world-building and the use of abilities in the plot depend entirely on what the author needs. Basically, the connections between abilities, such as sacrifice and ability construction, have no connection between the preceding and following text. If a method exists in the previous chapter, it exists, but it becomes completely useless after that chapter. This situation accounts for the vast majority of cases in this article. 6. Character development is similar to point one. Because it uses mostly third-person narration, the character development is extremely disastrous. In addition, the supporting characters are basically introduced out of nowhere. As a result, from my personal reading experience, the plot is too disastrous. So, although there are many character crises in the plot, they are basically limited to the person who is in trouble. Also, because the author writes the stories in multiple threads with little connection, the troubles are limited to this part and it is difficult to affect the whole and create a sense of urgency. 7. I started reading this book because of the first volume, *Records of Chaldea*, but now that it's finished, I've only read about 50% of the complete set, which is incredibly disappointing. That's why I'm writing this review. My writing skills are limited, so please feel free to point out any errors.