I, the Mysterious Leader of the Salvation Organization

Has the author retired from writing books?

I could still read Mr. Shen's book, but I really can't stand this one. Why are so many people praising it? I can't stand seeing the Undefeated Ones anymore. They say they'll unleash their power later on, but where will that power come from? Where does the later stage begin? In the last few chapters? Is it fun to release chapters that are this disgusting?

So where has the author gone now?

Why are both side stories prequels? Where's my sweetness?

What happened? All the book reviews are gone?

I finished reading it in one week. The book is very good, a rare original story with minimal romance that doesn't overshadow the main plot. However, it also has its flaws. There are already plenty of reviews praising the book, so here I'll talk about what I consider its shortcomings. First of all, the cover was misleading, making people think it was Re: Zero fanfiction, but when they clicked in, it turned out to be original. My expectations were dashed, and I almost gave up on the book. Later in the story, we learn that the two sisters, Ram and Rem, are the main characters, and the story revolves around a bowl of dumplings made with vinegar. However, the two sisters don't officially appear until after the 1 million-word mark, about halfway through the book. Given their significant role in the plot, the two sisters are not very useful as operators and basically just sit in the inventory with very few scenes. If you're saying it's for the vinegar, I can understand. But is it really necessary to put up a poster and openly advertise a bowl of plain water? Couldn't you just advertise dumplings? #(You know what I mean) Even if you hire someone to draw an original one, or use AI to generate one, the number of clicks and favorites will definitely increase. Secondly, and this is the book's biggest flaw, the use of multiple identities. If you were like Klein, only using one identity—the savior—and the other female leads liked the original character, that would be fine. However, you have two identities: one female lead likes one identity, and another likes the savior. Do they like the protagonist himself, or the persona he's portraying? Not to mention, one of the cover heroines' sisters was even sexually assaulted by the other identity and now has a child. It's like the protagonist using a clone technique to have three women sexually assault one female lead—is it pure love or a group romance? #(Vomit) Then there's the issue of screen time for the female lead and the operators. The distribution of screen time among the operators is extremely uneven. The combined screen time of Slime, Red Moon, Demon Sword, and the Girl Psycho-Powered is less than that of Mind Dancer. It's clear that the author lost control of the characters starting in the middle of the story, basically skipping over meetings, and even in the later stages of the mystery, meetings were still just about exchanging information. Several unimportant characters could be removed, such as Aurora, the knight from another world. While new maps are being introduced, the focus remains on the old ones, and the new maps only serve to foreshadow advanced civilizations. Characters like the Demon Sword, Red Moon, and the Uncle Killer are essentially filler; they could be replaced with non-core members used as examples, since large organizations shouldn't rely entirely on core members for everything. For example, characters like the panda, the nine-tailed fox, and the scholar of truth were foreshadowed in the first 300,000 words, yet none of them joined the organization until the final volume. The witch and the vampire, two powerful figures, were also kept in suspense, their joining delayed. It's clear the author didn't consider whether their roles would overlap or when they should enter the story before designing these characters. If the distribution of screen time among operators isn't a big deal—after all, those who haven't appeared are simply curious, and those who have appeared but have little screen time are just a pity—then the uneven distribution of screen time for the female lead is definitely a case of the author maliciously controlling the narrative. #(Crying) Our Soul Dancer joined the organization at the very beginning of the book along with Nightblade, and was the first to truly fall for the male protagonist. Why was she beaten to it by the younger sister of the cover heroine, who only appeared halfway through the book and had very little screen time? Why did the male protagonist shield the Dancer from Nightblade and get together with her before his sacrifice? Wasn't this the author's malicious manipulation? #(Angry) I can understand Nightblade sneaking away, and it's fine if the twin heroines on the cover want to suddenly appear, but why did the twins only accept the younger sister and not the older one? Didn't you want the sister-on-one thing? Why didn't you accept the older sister? Not only is the romance and affection level inferior to the dancer, but the fantasy elements are also inferior. The jealousy was a complete failure; it tasted like plain vinegar water. #(Sweat) Finally, there's the issue of pacing. While the book is supposed to be plot-driven, the main focus is on gacha pulls and character information verification. It's like how after each team-building event in Mystery, you get a detailed breakdown of everyone's skills and growth. There are interesting points, but it feels padded. If it were replaced with short individual mission stories for each operator, or even more romantic moments between the female leads, it would feel much better. Later in the story, the pace quickens, and long-foreshadowed plot points are only occasionally mentioned but never fully explained, leaving the audience in suspense. The satisfying moments are also poorly constructed. For example, before the second crisis, the villains besiege the protagonist's city, the Hive, slaughtering millions—a minor setback. The protagonist, using an alternate identity, personally intervenes, and just as he's about to kill his enemy, a god intervenes to save him—another minor setback. Then, during the fight against the final villain of this event, the protagonist almost kills him with a burst of power, only to be saved by a powerful warrior, Cheng Yaojin. Just when the next step is supposed to be god-slaying, it's revealed that this god is unkillable. What the hell is the male lead even doing here? #(Vomit) How come none of the villains died? So this whole big event was just the protagonist group getting beaten up? #(Vomit) The villains raided their lair and the protagonist couldn't even get a single kill. Even in the final volume, the male lead sacrificed himself, but several villains didn't die. Two evil gods—one escaped, and the other was supposedly subdued, but nothing came of it. I'm so frustrated! #(Vomit) In short, there are many flaws. This book is not very mature, and I have no desire to continue reading the author's previous works, which are definitely even less mature. The downside of having multiple works within the same world view is that the protagonist of this book always lives in the shadow of the protagonist of the previous work. The male protagonist's cheat codes are all given to him by the protagonists of previous works. It was so frustrating to see the final volume #(vomit)

What is this book about? Is it good?

When will the new book be released?

Are there any new books?

When are you going to write a new book? I really like this type of book.