Your Body Belongs to Me!

Honestly, the more I look at it, the more disgusted I get.

I can't take it anymore! You, Feng, are such a fool! You're such a terrible author, mindlessly creating "coincidences" to advance the plot and demoting the characters' intelligence. All I can say is that riding on the coattails of author Feng is like flying through the clouds.

I couldn't take it anymore! This second volume has almost 300 chapters dedicated to Homura Akemi's body. Do you know how clingy it is to describe emotions so delicately while emphasizing the presence of a boy inside? And that's over 200 chapters straight! Even with a hundred chapters, I couldn't stand it, this is even worse... I suggest readers consider the first volume the end; the later parts are just too drawn out.

The first 380+ chapters can be considered perfect; around chapter 400, Sayaka introduces the historical fact, making it a pure historical story. Full spoilers: Sayaka learns about the relationship between witches and magical girls and suddenly leaves school to go home. The male protagonist knows that Sayaka is extremely mentally unstable. Homura, after telling Sayaka about it, felt guilty, and Madoka discovered that Sayaka had left school. The male protagonist is the only one who can suppress the witch transformation of magical girls, and he can use magic (such as prying open windows is very simple). At this moment of kissing, the male protagonist should The reckless guy: He'll rush out to find Sayaka regardless of the consequences, even climbing through windows to do so. Madoka might go to Homura to find out what's going on. Homura, who hasn't reincarnated, has a chance of revealing the truth. Of course, since Homura is head over heels for the protagonist, he'll most likely say, "Homura, don't tell me yet. I'll talk to Madoka myself when we get back tonight." That should be enough. Use your brain: Leave school with Homura to find Sayaka. Madoka will be worried if she can't find her, but her life won't be in danger. The male protagonist also possesses the incredible ability to switch bodies, and working with Homura (whose ability is mind manipulation) would be a perfect solution. Author (Shi): I believe in Sayaka; belief needs no reason! Even though school's out, the male protagonist's choice is to go on patrol with his upperclassman. Rnm, refund my money!

In Volume Two, Kita almost entirely resides within Homura's body, using Homura's physical form and male mindset to seduce girls from another world. Visually, it's a completely ordinary yuri (lesbian) story, lacking the normal romantic relationships of the first volume. Volume Two is too strange; if you really want to see Kita's intimate interactions and sweet romance with the girls, just read Volume One.

Your main character is just an extremely self-centered, greasy, lecherous jerk.

Damn, I was watching it perfectly fine, but suddenly the main character started giving me this silly, carefree vibe. And now, when I see the main character smile and give a thumbs up, I feel a bit annoyed. What's going on? #(Feeling sad) I don't even know where this inexplicable feeling of hitting my sore spot comes from.

It's definitely an older book; many issues are handled poorly. First of all, the "male best friend" trope is a major trope in recent years. He's incredibly ruthless in his groping. He claims they're brothers, but it's a short-term exchange, unnecessary, yet he insists on going for a bath naked. He acts like he'd die if he didn't grope her. The greasiness is undeniable; many older books are like this. With Homura, the groping has gone too far, but at least there was some direction for romance. However, Sayaka clearly has someone she likes; shouldn't the protagonist be more mindful? The fact that she's consistently portrayed as a "male best friend" will likely deter many readers. And then there's the part everyone cares about most: Sayaka's last chance to confess to Kamijou. It was a huge letdown. This isn't some erotic novel; the plot of stealing someone else's partner feels so forced. In the original work, there wasn't a chance to confess due to time pressure. Here, everything was going smoothly; they were even choosing a confession location. Then, they had to force a scene where she suddenly learns the truth about the witch, has a meltdown, and misses her last chance. The author clearly wanted to avoid this. Kamijou's storyline was deliberately downplayed—his disappearance during his hospitalization, and then immediately after his discharge, the protagonist being forced to switch bodies with Sayaka, leaving little opportunity for contact. The last confession opportunity was also tightly controlled, denying her the chance to confess. Seriously? Why not just do an analysis, suggesting whoever confesses first will win? Analyzing the probability and then deliberately denying her the chance isn't avoiding this; it's planting a thorn in the reader's side. It's so unfair! The protagonist is also a goblin, which has drawn criticism from readers. They were initially worried about not being able to accept it and planned to approach each person privately one by one, but Sayaka unexpectedly found out. Today happens to be the day of the confession, and anyone with a sane mind would know something bad could happen. The protagonist chose to attend class diligently, and even after class, he leisurely continued patrolling. He almost turned into a witch, and if it weren't for him, everyone around him would have died a thousand times over. Actually, the most suitable way to write it now is that Sayaka genuinely wanted to confess, but hesitated when trying to contact Touma. Then, after flipping a coin, she gradually realized her true feelings. Readers would prefer that Sayaka, as a potential female lead, had a clear mind and a choice, truly understanding which side her heart leaned towards, instead of having no choice at all, being clearly manipulated, having opportunities but being forcibly suppressed, so close to Touma and then dragged into the abyss by the evil protagonist. Even if you were to write a change during this time, you should at least give her a normal choice opportunity. Instead, the whole thing is one of no choice, completely losing the Touma option, and then thinking the protagonist isn't so bad afterward 🥰. No wonder the new book reviews are generally bad. Changing the body to a female character is okay, since it's like inheriting the favorability, but the male character's hair-flirting is probably too greasy and over-the-top, so a female body is necessary to make him flirtatious.

The group that had all members subscribed has been disbanded too. #(Crying)

After reading the side story, I realized that magical girls are such twisted things! #(Laughs)